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The Bear Quartet|Penny Century

Penny Century

The Bear Quartet

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Language available : english

The Bear Quartet's first album, named after a minor character in the comic book Love and Rockets, is a definitive early album in the '90s Swedish indie scene. Although the Bear Quartet would later flirt with strings and horns in their music, their early sound was a bit rougher textured, with a taste for drones and guitar effects that puts them into the U.K. shoegazer camp (the hypnotic "Bob" could have come off a Swervedriver album) but with a directness and passion that bring to mind more immediate American bands like Dinosaur Jr. and Sonic Youth, especially when Jari Haaplainen fires up the stomp boxes on the opening "The Juiceman" and the aptly titled "Headacher." Elsewhere, more lulling and tender songs like "Private Sue" demonstrate a facility for shading and dynamics impressive for such a young act. Anyone who thinks early Radiohead albums were in any way unique should listen to Penny Century; the Bear Quartet had it all figured out before Thom Yorke ever discovered that he was a creep.
© Stewart Mason /TiVo

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Penny Century

The Bear Quartet

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1
The Jucie Man
00:04:09

The Bear Quartet, MainArtist

2
Headacher
00:03:19

The Bear Quartet, MainArtist

3
20
00:02:41

The Bear Quartet, MainArtist

4
Hrnn Hrnn
00:03:37

The Bear Quartet, MainArtist

5
Spoon
00:03:17

The Bear Quartet, MainArtist

6
Bob
00:03:02

The Bear Quartet, MainArtist

7
Private Sue
00:05:41

The Bear Quartet, MainArtist

8
Dead Speedy
00:03:05

The Bear Quartet, MainArtist

9
Tenderversion
00:03:53

The Bear Quartet, MainArtist

10
Elvis Beach
00:04:42

The Bear Quartet, MainArtist

11
I Got the Door
00:02:42

The Bear Quartet, MainArtist

12
Sandi Morning
00:07:53

The Bear Quartet, MainArtist

13
Broke
00:02:16

The Bear Quartet, MainArtist

Albumbeschreibung

The Bear Quartet's first album, named after a minor character in the comic book Love and Rockets, is a definitive early album in the '90s Swedish indie scene. Although the Bear Quartet would later flirt with strings and horns in their music, their early sound was a bit rougher textured, with a taste for drones and guitar effects that puts them into the U.K. shoegazer camp (the hypnotic "Bob" could have come off a Swervedriver album) but with a directness and passion that bring to mind more immediate American bands like Dinosaur Jr. and Sonic Youth, especially when Jari Haaplainen fires up the stomp boxes on the opening "The Juiceman" and the aptly titled "Headacher." Elsewhere, more lulling and tender songs like "Private Sue" demonstrate a facility for shading and dynamics impressive for such a young act. Anyone who thinks early Radiohead albums were in any way unique should listen to Penny Century; the Bear Quartet had it all figured out before Thom Yorke ever discovered that he was a creep.
© Stewart Mason /TiVo

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