Pierre Boulez
Pierre Boulez (b. 1925), French composer, conductor, and music theorist, is regarded as a leading composer of the post-Webern serialist movement who also embraced elements of aleatory and electronics. As a child Boulez demonstrated a formidable aptitude in mathematics, but left for Paris in 1942 to enroll in the Paris Conservatoire. His studies there often ran into difficulties, as he was rapidly developing revolutionary -- "Praise be to amnesia" -- attitudes towards all things traditional. But two decisive influences during those years helped to shape his musical personality. The first was Messiaen's famous analysis course, the other was René Leibowitz, who introduced him to serial music, where Boulez found "a harmonic and contrapuntal richness and a capacity for development an extension of a kind I have never found anywhere else." By the late 1940s, Boulez began using a technique known as total serialization. A work which soon gave Boulez public notice was his Second Piano Sonata (1948), following a much publicized concert in Darmstadt in 1952 by Yvonne Loriod, Messiaen's wife. The piece from the 1950s that sealed his reputation was Le Marteau sans Maître from 1954 (revised in 1955), for singer and chamber ensemble.
The instrumentation gives prominence to exotic percussion, extended vocal techniques, and textures that are often brittle but also lyrical. Rigorously organized, Le Marteau nonetheless goes beyond strict serialism to a more personal style. The premiere took place in Germany in 1955 under Hans Rosbaud. The Südwestfunk Radio underwrote an astounding 50 rehearsals in order that the piece be properly performed. During the latter 1950s he began allowing greater freedom for the performer in works like Improvisations sur Mallarmé for soprano and chamber ensemble. In his Third Piano Sonata (1957), the pianist can reorder the five movements in a variety of ways, and certain passages within the movements offer alternate paths, thereby making the artist select which to play and which to omit. In 1957, Boulez embarked on Pli Selon Pli, a work in five movements for soprano and orchestra to texts by Mallarmé, making use of a more restrained open-form technique. The middle movements are scored for sub-groups of the orchestra, balancing the larger forces of the outer movements. Boulez is also known for withdrawing and rewriting his compositions, making nearly everything he writes "a work in progress." For instance, ...explosante-fixe..., first sketched in 1971 has engendered a number of works and transitory phases over approximately twenty five years, including a 1996 version for Solo MIDI Flute and Chamber Ensemble. In 2000, he also received the prestigious Grawemeyer Award in Composition for his forty minute chamber piece Sur Incises for three pianos, three harps, and three percussionists.
Boulez is also one of the twentieth century's most influential conductors, known for extraordinarily precise performances of contemporary works by Bartok, Ligeti, Messiaen, and Varése, among many others. In 1968 he was named Music Director of both the BBC Symphony Orchestra and New York Philharmonic. In 1969, the Cleveland Orchestra named him Principal Guest Conductor. In 1970 French President Pompidou announced the experimental electronic music institute, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) to be under Boulez's administration, eventually causing him to withdraw from the BBC and New York posts. In 1975, he formed the Ensemble Inter Contemporain, an ensemble devoted entirely to the performance of new music, including his own Repons (1980). He was also appointed Principal Guest Conductor of the Chicago Symphony Orchestra in 1995. As a conductor, Boulez has made many notable recordings; in 1996 he won a Grammy for his recording of Debussy's La Mer with the Cleveland Orchestra. Active in his eighties, Boulez's repertoire has expanded to include works by such composers as Janacek and Szymanowski.
Similar artists
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Ravel : Boléro, Rapsodie espagnole, Ma mère l'Oye
Berliner Philharmoniker, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 14 okt. 2016
24-Bit 44.1 kHz - Stereo -
Stravinsky: L'Oiseau de feu; Feu d'artifice; 4 Etudes
Chicago Symphony Orchestra (CSO), Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 7 jul. 2023
24-Bit 44.1 kHz - Stereo -
Ligeti: Cello Concerto, Violin Concerto, Piano Concerto
Jean-Guihen Queyras, Saschko Gawriloff, Pierre-Laurent Aimard, Ensemble Intercontemporain, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1985
The Qobuz Essential Discography16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Piano Concertos; Valses nobles et sentimentales
Krystian Zimerman, The Cleveland Orchestra, London Symphony Orchestra, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel : Daphnis et Chloë - La Valse
Rundfunkchor Berlin, Berliner Philharmoniker, Gerd Müller-Lorenz, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Scriabin: Le Poème de l'extase, Piano Concerto, Prométhée
Anatol Ugorski, Chicago Symphony Orchestra (CSO), Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1999
16-Bit CD Quality 44.1 kHz - Stereo -
Debussy: Nocturnes; Première Rhapsodie; Jeux; La Mer
The Cleveland Orchestra, Pierre Boulez, Franklin Cohen, The Cleveland Orchestra Chorus, Gareth Morrell
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Alban Berg : Lulu
Teresa Stratas, Orchestre de l’Opéra national de Paris, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1979
The Qobuz Essential Discography16-Bit CD Quality 44.1 kHz - Stereo -
Karol Szymanowski : Concerto pour violon n°1 - Symphonie n°3
Steve Davislim, Christian Tetzlaff, Wiener Philharmonic Orchestra, Pierre Boulez, Wiener Singverein, Johannes Prinz
Klassiek - Released by Deutsche Grammophon (DG) on 19 okt. 2010
The Qobuz Essential Discography16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Daphnis et Chloé, M. 57
Klassiek - Released by Sony Classical on 19 jun. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Bartók: Concerto for Orchestra, 4 Orchestral Pieces Op. 12
Chicago Symphony Orchestra (CSO), Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Bartók: The Miraculous Mandarin, Music for Strings, Percussion and Celesta
Chicago Symphony Chorus, Chicago Symphony Orchestra (CSO), Duain Wolfe, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Shéhérazade, Le Tombeau de Couperin / Debussy: Danses, 3 Ballades de Villon
Anne Sofie von Otter, Alison Hagley, The Cleveland Orchestra, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Boulez Conducts Stravinsky
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Berg: Chamber Concerto / Stravinsky: Ebony Concerto, Dumbarton Oaks, 8 Miniatures
Ensemble Intercontemporain, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 1978
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Der Ring des Nibelungen
Bayreuther Festspielorchester, Pierre Boulez
Volledige opera's - Released by Philips on 1 jan. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Maurice Ravel: Piano Concertos, Miroirs
Pierre-Laurent Aimard, The Cleveland Orchestra, Pierre Boulez
Klassiek - Released by Deutsche Grammophon (DG) on 1 jan. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Pierre Boulez : Œuvres complètes (Complete works)
Klassiek - Released by Universal Music Division Decca Records France on 1 jan. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Varese: Arcana, Ionisation, Amériques, Intégrales...
Klassiek - Released by Sony Classical on 17 apr. 1990
16-Bit CD Quality 44.1 kHz - Stereo -
Schoenberg: Piano Concerto
Mitsuko Uchida, The Cleveland Orchestra, Pierre Boulez
Klassiek - Released by Decca Music Group Ltd. on 1 mrt. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Stravinsky: Le Sacre du printemps
Klassiek - Released by Sony Classical on 5 jun. 2020
16-Bit CD Quality 44.1 kHz - Stereo