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Rumon Gamba - Musique de films

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Musique de films

Georges Auric

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Musique de films

Rumon Gamba

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Caesar and Cleopatra Suite (Georges Auric)

1
Caesar and Cleopatra Suite: I. Main titles 00:01:34

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

2
Caesar and Cleopatra Suite: II. At the Sphinx 00:04:14

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

3
Caesar and Cleopatra Suite: III. The Battle 00:04:15

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

The Titfield Thunderbolt Suite (Georges Auric)

4
The Titfield Thunderbolt Suite: I. Titles 00:01:18

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

5
The Titfield Thunderbolt Suite: II. The Triumph of the Thunderbolt 00:02:23

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

6
The Titfield Thunderbolt Suite: III. End Titles 00:00:47

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

Dead of the Night Suite (Georges Auric)

7
Dead of the Night Suite 00:06:06

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

Passport to Pimlico Suite (Georges Auric)

8
Passport to Pimlico Suite: I. Titles 00:01:16

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

9
II. The Siege of Burgundy 00:03:18

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

10
Passport to Pimlico Suite: III. Finale and End Titles 00:01:35

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

The Innocents Suite (Georges Auric)

11
The Innocents Suite: I. O Willow Waly - Main Titles 00:03:23

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

12
The Innocents Suite: II. Coachride and Arrival at Bly 00:01:56

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

The Lavender Hill Mob Suite (Georges Auric)

13
The Lavender Hill Mob Suite: I. Titles 00:01:22

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

14
The Lavender Hill Mob Suite: II. The Robbery 00:02:12

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

15
The Lavender Hill Mob Suite: III. The Eiffel Tower 00:02:51

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

16
The Lavender Hill Mob Suite: IV. End Titles 00:01:15

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

Moulin Rouge Suite (Georges Auric)

17
Moulin Rouge Suite: I. Main Titles 00:01:35

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

18
Moulin Rouge Suite: II. Polka 00:01:46

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

19
Moulin Rouge Suite: III. Waltz 00:03:13

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

20
Moulin Rouge Suite: IV. Quadrille 00:02:35

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

Father Brown Suite (Georges Auric)

21
Father Brown Suite: I. Main Titles - The Robbery - The Cross of St. Augustine 00:03:30

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

22
Father Brown Suite: II. Channel Crossing 00:01:23

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

23
Father Brown Suite: III. Train Journey to Fleurancy 00:01:59

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

24
Father Brown Suite: IV. End Titles 00:00:26

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

It Always Rains on Sunday Suite (Georges Auric)

25
It Always Rains on Sunday Suite: I. Main Titles and Opening Scene 00:03:35

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

26
It Always Rains on Sunday Suite: II. Tommy and Rosie 00:02:35

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

27
It Always Rains on Sunday Suite: III. Farewell and Getaway - Epilogue - End Titles 00:08:13

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

Hue and Cry (Georges Auric)

28
Hue and Cry: Hue and Cry: Overture 00:02:03

Philharmonique de la BBC - Rumon Gamba, direction

1999 Chandos

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Jordi Savall: Music, life and recording

It was a rainy October night in the Bugey. On October nights, it's always raining in the Bugey. It was around midnight. There were fifty of us, waiting in the cold, the wet and the rapt silence at the Ambronay Festival. All of a sudden, and without a sound, Jordi Savall was there, sopping wet in a white raincoat, like Bogart in Casablanca, holding onto a hard case shaped like a human body. Moving slowly, he drew out not a person but a viola de gamba, which he started tuning and stringing with the greatest care. And then the miracle descended upon the auditorium.

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