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Maria Muldaur|Music For Lovers

Music For Lovers

Maria Muldaur

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Buyer, and especially Maria Muldaur fan, beware. Only a note in tiny print on the back cover of this disc informs you that it is not only a cobbled together selection of Muldaur's most romantic tunes, but they are only from three albums, which are, not surprisingly, ones she recorded for the Telarc label. In other words, if you already have those discs you can make a tape or burn your own CD that would be identical to this collection. Adding to the shoddiness of the package is a frustrating lack of liner notes (although specific musicians on each track are listed) and inferior graphics that look like a last minute afterthought. The expression "contract fulfilling release" quickly comes to mind. That said, if you don't own those three excellent Telarc albums and want a disc for a romantic experience, you could do worse than spending 54 minutes with Maria Muldaur sensually singing her unique "bluesiana" mix of jazz, blues, and soul. The musicianship, production, and song selection are all top-notch, and Muldaur, whose voice has grown huskier and even sexier since her '70s heyday, wraps her pipes around these tunes like a heavy fog slowly rolling in over New Orleans' Lake Ponchartrain. She effortlessly straddles jazz and blues, transforming anything she touches into a smooth, easygoing, yet sizzling slice of oozing romance. The way her voice lingers over words, adding just a trace of Southern twang as the subtle backing musicians set up a languid groove, makes the listener feel like they're sinking into their favorite easy chair. The song titles tell it all; "Soothe Me," "Fanning the Flames," and "We Can Let It Happen Tonight" set the mood without even hearing a note, and after you've played this once, you'll want to find your special someone to share it with all over again. If you own none of the trio of Maria Muldaur albums where these songs originated, this is a reasonable place to begin your collection of this classic singer, especially if you're in the mood for love.

© Hal Horowitz /TiVo

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Music For Lovers

Maria Muldaur

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1
Fanning The Flames
00:05:31

Ann Peebles, Background Vocalist, AssociatedPerformer - Bill Summers, Percussion, AssociatedPerformer - Don Bryant, Background Vocalist, AssociatedPerformer - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Jay Newland, Recording Engineer, StudioPersonnel - Mavis Staples, Background Vocalist, AssociatedPerformer - John Snyder, Producer, Recording Producer - Steve Potts, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - DAVID TORKANOWSKY, Keyboards, AssociatedPerformer - Tony Daigle, Recording Engineer, StudioPersonnel - Jon Cleary, Background Vocalist, AssociatedPerformer, ComposerLyricist - Michael Bishop, Mix Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Benny Graeff, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer

℗ 1996 Telarc International Corp.

2
Think About You
00:05:27

Dennis Walker, Producer, Recording Producer - Michael Thompson, Keyboards, AssociatedPerformer - Maria Muldaur, Vocals, MainArtist, AssociatedPerformer - Brad Dutz, Percussion, AssociatedPerformer - Lee Spath, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - Greg Brown, ComposerLyricist - Michael Bishop, Recording Engineer, Mix Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Jon Woodhead, Guitar, AssociatedPerformer

℗ 1998 Telarc International Corp.

3
Latersville
00:04:51

Dennis Walker, Producer, Recording Producer - Michael Thompson, Keyboards, AssociatedPerformer - Maria Muldaur, Vocals, MainArtist, AssociatedPerformer - Brad Dutz, Percussion, AssociatedPerformer - Lee Spath, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - Michael Bishop, Recording Engineer, Mix Engineer, StudioPersonnel - David Steen, ComposerLyricist - Cranston Clements, Guitar, AssociatedPerformer - Jon Woodhead, Guitar, AssociatedPerformer

℗ 1998 Telarc International Corp.

4
It Feels Like Rain
00:06:52

Tony Braunagel, Drums, AssociatedPerformer - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bob Levy, Asst. Recording Engineer, StudioPersonnel - John Hiatt, ComposerLyricist - Reggie McBride, Bass Guitar, AssociatedPerformer - Mike Cresswell, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Judy Kirschner, Asst. Recording Engineer, StudioPersonnel - Chris Burns, Piano, AssociatedPerformer - John Jacob, Recording Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Ben Conrad, Asst. Recording Engineer, StudioPersonnel - Robert Friedrich, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Anthony Paule, Guitar, AssociatedPerformer - Carol Butler, Production Coordinator, StudioPersonnel - Denis Levine, Producer, Assistant Producer - Ted Roden, Asst. Recording Engineer, StudioPersonnel - Aaron Reiff, Asst. Recording Engineer, StudioPersonnel - Florence Williams, Background Vocalist, AssociatedPerformer - Charra Penney, Background Vocalist, AssociatedPerformer

℗ 1999 Telarc International Corp.

5
Gee Baby, Ain't I Good To You
00:04:24

David Matthews, Piano, AssociatedPerformer - Jim Rothermel, Clarinet, AssociatedPerformer - Tony Braunagel, Drums, AssociatedPerformer - Andy Razaf, ComposerLyricist - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bob Levy, Asst. Recording Engineer, StudioPersonnel - Charles Brown, Vocals, FeaturedArtist, AssociatedPerformer - Reggie McBride, Bass Guitar, AssociatedPerformer - Mike Cresswell, Asst. Recording Engineer, StudioPersonnel - Danny Caron, Guitar, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Judy Kirschner, Asst. Recording Engineer, StudioPersonnel - John Jacob, Recording Engineer, StudioPersonnel - Ben Conrad, Asst. Recording Engineer, StudioPersonnel - Robert Friedrich, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Carol Butler, Production Coordinator, StudioPersonnel - Denis Levine, Producer, Assistant Producer - Ted Roden, Asst. Recording Engineer, StudioPersonnel - Aaron Reiff, Asst. Recording Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

6
We Can Let It Happen Tonight
00:04:07

Jim Rothermel, Tenor Saxophone, AssociatedPerformer - Tony Braunagel, Drums, AssociatedPerformer - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bob Levy, Asst. Recording Engineer, StudioPersonnel - Reggie McBride, Bass Guitar, AssociatedPerformer - Mike Cresswell, Asst. Recording Engineer, StudioPersonnel - Michael Bishop, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Judy Kirschner, Asst. Recording Engineer, StudioPersonnel - Kevin Porter, Trombone, AssociatedPerformer - Chris Burns, Piano, AssociatedPerformer - John Jacob, Recording Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Ben Conrad, Asst. Recording Engineer, StudioPersonnel - Robert Friedrich, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Steve Campos, Trumpet, AssociatedPerformer - Elaine Martone, Recording Supervisor, StudioPersonnel - Carroll Peery, ComposerLyricist - Carol Butler, Production Coordinator, StudioPersonnel - Denis Levine, Producer, Assistant Producer - Ted Roden, Asst. Recording Engineer, StudioPersonnel - Aaron Reiff, Asst. Recording Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

7
Soothe Me
00:04:21

David Matthews, Piano, AssociatedPerformer - Jim Rothermel, Tenor Saxophone, AssociatedPerformer - Joe Greene, ComposerLyricist - Tony Braunagel, Drums, AssociatedPerformer - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Bob Levy, Asst. Recording Engineer, StudioPersonnel - Reggie McBride, Electric Bass, AssociatedPerformer - Mike Cresswell, Asst. Recording Engineer, StudioPersonnel - Danny Caron, Guitar, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Judy Kirschner, Asst. Recording Engineer, StudioPersonnel - John Jacob, Recording Engineer, StudioPersonnel - Ben Conrad, Asst. Recording Engineer, StudioPersonnel - Robert Friedrich, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Carol Butler, Production Coordinator, StudioPersonnel - Denis Levine, Producer, Assistant Producer - Ted Roden, Asst. Recording Engineer, StudioPersonnel - Aaron Reiff, Asst. Recording Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

8
Talk Real Slow
00:04:19

Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Jay Newland, Recording Engineer, Mix Engineer, StudioPersonnel - John Snyder, Producer, Recording Producer - Steve Potts, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - DAVID TORKANOWSKY, Piano, Hammond B3, AssociatedPerformer - Tony Daigle, Recording Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Benny Graeff, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Producer, Recording Producer - Lenny McDaniel, ComposerLyricist

℗ 1996 Telarc International Corp.

9
I Wanna Be Loved
00:04:18

David Matthews, Piano, AssociatedPerformer - Jim Rothermel, Tenor Saxophone, AssociatedPerformer - Tony Braunagel, Drums, AssociatedPerformer - Maria Muldaur, Producer, Vocals, Recording Producer, MainArtist, AssociatedPerformer - Edward Heyman, ComposerLyricist - Bob Levy, Asst. Recording Engineer, StudioPersonnel - Billy Rose, ComposerLyricist - Johnny Green, ComposerLyricist - Reggie McBride, Bass Guitar, AssociatedPerformer - Mike Cresswell, Asst. Recording Engineer, StudioPersonnel - Danny Caron, Guitar, AssociatedPerformer - Michael Bishop, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Judy Kirschner, Asst. Recording Engineer, StudioPersonnel - John Jacob, Recording Engineer, StudioPersonnel - Ben Conrad, Asst. Recording Engineer, StudioPersonnel - Robert Friedrich, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Elaine Martone, Recording Supervisor, StudioPersonnel - Gerry Grosz, Vibraphone, AssociatedPerformer - Carol Butler, Production Coordinator, StudioPersonnel - Denis Levine, Producer, Assistant Producer - Ted Roden, Asst. Recording Engineer, StudioPersonnel - Aaron Reiff, Asst. Recording Engineer, StudioPersonnel

℗ 1999 Telarc International Corp.

10
Someday When We're Both Alone
00:05:10

Dennis Walker, Producer, Recording Producer - Michael Thompson, Keyboards, AssociatedPerformer - Maria Muldaur, Vocals, MainArtist, AssociatedPerformer - Brad Dutz, Percussion, AssociatedPerformer - Lee Spath, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - Greg Brown, ComposerLyricist - Michael Bishop, Recording Engineer, Mix Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Jon Woodhead, Guitar, AssociatedPerformer

℗ 1998 Telarc International Corp.

11
Southland Of The Heart
00:05:09

Dennis Walker, Producer, Recording Producer - Bruce Cockburn, ComposerLyricist - Michael Thompson, Keyboards, AssociatedPerformer - Marty Grebb, Tenor Saxophone, AssociatedPerformer - Darrell Leonard, Trumpet, AssociatedPerformer - Maria Muldaur, Vocals, MainArtist, AssociatedPerformer - Lee Spath, Drums, AssociatedPerformer - Hutch Hutchinson, Bass Guitar, AssociatedPerformer - Joe Sublett, Tenor Saxophone, AssociatedPerformer - Michael Bishop, Recording Engineer, Mix Engineer, StudioPersonnel - Cranston Clements, Guitar, AssociatedPerformer - Jon Woodhead, Guitar, AssociatedPerformer

℗ 1998 Telarc International Corp.

Albumbeschreibung

Buyer, and especially Maria Muldaur fan, beware. Only a note in tiny print on the back cover of this disc informs you that it is not only a cobbled together selection of Muldaur's most romantic tunes, but they are only from three albums, which are, not surprisingly, ones she recorded for the Telarc label. In other words, if you already have those discs you can make a tape or burn your own CD that would be identical to this collection. Adding to the shoddiness of the package is a frustrating lack of liner notes (although specific musicians on each track are listed) and inferior graphics that look like a last minute afterthought. The expression "contract fulfilling release" quickly comes to mind. That said, if you don't own those three excellent Telarc albums and want a disc for a romantic experience, you could do worse than spending 54 minutes with Maria Muldaur sensually singing her unique "bluesiana" mix of jazz, blues, and soul. The musicianship, production, and song selection are all top-notch, and Muldaur, whose voice has grown huskier and even sexier since her '70s heyday, wraps her pipes around these tunes like a heavy fog slowly rolling in over New Orleans' Lake Ponchartrain. She effortlessly straddles jazz and blues, transforming anything she touches into a smooth, easygoing, yet sizzling slice of oozing romance. The way her voice lingers over words, adding just a trace of Southern twang as the subtle backing musicians set up a languid groove, makes the listener feel like they're sinking into their favorite easy chair. The song titles tell it all; "Soothe Me," "Fanning the Flames," and "We Can Let It Happen Tonight" set the mood without even hearing a note, and after you've played this once, you'll want to find your special someone to share it with all over again. If you own none of the trio of Maria Muldaur albums where these songs originated, this is a reasonable place to begin your collection of this classic singer, especially if you're in the mood for love.

© Hal Horowitz /TiVo

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