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Olga Peretyatko|Mozart+

Mozart+

Olga Peretyatko

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Competition between composers was fierce and ruthless in the princely courts of 18th century Europe, and Mozart was just one of many. This new album from Russian soprano Olga Peretyatko serves as the perfect reminder of this, dedicated to Mozart’s famous arias (The Abduction from the Seraglio, The Marriage of Figaro, Don Giovanni and The Clemency of Titus) but also including works by Traetta, Martín y Soler and Paisiello, which are equally as masterful.

The three excerpts from Tommaso Traetta’s Antigone which derived from Neapolitan opera and was composed for the court of Catherine II of Russia, are a testament to the passion that motivated composers from this period. His melodic phrases are full of tenderness and affliction and they certainly did not go unnoticed by the young Mozart. Paisiello and Martín y Soler were also both very successful in their time and completely eclipsed Mozart’s opera The Marriage of Figaro, which only really gained popularity in Prague and was the reason why he was asked by the Czech capital to compose Don Giovanni.

Even if Mozart’s contemporaries were tough on him, his unique genius has been recognised overtime and his extraordinary legacy has overshadowed all those of other great composers from his time. This album provides an enthralling replica of his music, featuring top-class performer Olga Peretyatko alongside the Basel Symphony Orchestra conducted by Ivor Bolton. © François Hudry/Qobuz

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Olga Peretyatko

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1
Antigona: Ombra cara, amorosa
00:03:31

Ivor Bolton, Conductor - Andreas Werner, Engineer - Tommaso Traetta, Composer - Sinfonieorchester Basel, AssociatedPerformer - Marco Coltellini, Librettist - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

2
Antigona: Io resto sempre a piangere
00:02:49

Ivor Bolton, Conductor - Andreas Werner, Engineer - Tommaso Traetta, Composer - Sinfonieorchester Basel, AssociatedPerformer - Marco Coltellini, Librettist - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

3
Antigona: Finito è il mio tormento
00:03:33

Ivor Bolton, Conductor - Andreas Werner, Engineer - Tommaso Traetta, Composer - Sinfonieorchester Basel, AssociatedPerformer - Marco Coltellini, Librettist - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

4
Il burbero di buon cuore: Chi sà, chi sà, qual sia, K. 582
00:03:19

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

5
Il burbero di buon cuore: Vado, ma dove?, K. 583
00:04:21

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

6
Il burbero di buon cuore: Infelice ad ogni istante
00:03:43

Ivor Bolton, Conductor - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Vicente Martin Y Soler, Composer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

7
Die Entführung aus dem Serail, K. 384: Welcher Wechsel herrscht in meiner Seele
00:02:08

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist - Johann Gottlieb Stephanie, Jr., Librettist

(P) 2019 Sony Music Entertainment Germany GmbH

8
Die Entführung aus dem Serail, K. 384: Traurigkeit wird mir zum Lose
00:06:39

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist - Johann Gottlieb Stephanie, Jr., Librettist

(P) 2019 Sony Music Entertainment Germany GmbH

9
Die Entführung aus dem Serail, K. 384: Martern aller Arten
00:09:10

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist - Johann Gottlieb Stephanie, Jr., Librettist

(P) 2019 Sony Music Entertainment Germany GmbH

10
Il barbiere di Siviglia, R. 1.64: Giusto ciel, che conoscete (Cavatina)
00:04:04

Ivor Bolton, Conductor - Giovanni Paisiello, Composer - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Giuseppe Petrosellini, Librettist - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

11
Le nozze di Figaro, K. 492: E Susanna non vien
00:01:46

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

12
Le nozze di Figaro, K. 492: Dove sono i bei momenti
00:04:45

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

13
Don Giovanni, K. 527: Or sai chi l'onore
00:02:55

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Librettist - Andreas Werner, Engineer - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

14
La clemenza di Tito, K. 621: Non più di fiori
00:07:08

Ivor Bolton, Conductor - Wolfgang Amadeus Mozart, Composer - Andreas Werner, Engineer - Caterino Mazzolà, Librettist - Sinfonieorchester Basel, AssociatedPerformer - Olga Peretyatko, Soprano, MainArtist

(P) 2019 Sony Music Entertainment Germany GmbH

Albumbeschreibung

Competition between composers was fierce and ruthless in the princely courts of 18th century Europe, and Mozart was just one of many. This new album from Russian soprano Olga Peretyatko serves as the perfect reminder of this, dedicated to Mozart’s famous arias (The Abduction from the Seraglio, The Marriage of Figaro, Don Giovanni and The Clemency of Titus) but also including works by Traetta, Martín y Soler and Paisiello, which are equally as masterful.

The three excerpts from Tommaso Traetta’s Antigone which derived from Neapolitan opera and was composed for the court of Catherine II of Russia, are a testament to the passion that motivated composers from this period. His melodic phrases are full of tenderness and affliction and they certainly did not go unnoticed by the young Mozart. Paisiello and Martín y Soler were also both very successful in their time and completely eclipsed Mozart’s opera The Marriage of Figaro, which only really gained popularity in Prague and was the reason why he was asked by the Czech capital to compose Don Giovanni.

Even if Mozart’s contemporaries were tough on him, his unique genius has been recognised overtime and his extraordinary legacy has overshadowed all those of other great composers from his time. This album provides an enthralling replica of his music, featuring top-class performer Olga Peretyatko alongside the Basel Symphony Orchestra conducted by Ivor Bolton. © François Hudry/Qobuz

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