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Anima Eterna|Mendelssohn: Die Hochzeit des Camacho

Mendelssohn: Die Hochzeit des Camacho

Anima Eterna and Jos van Immerseel

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Mendelssohn 's Camacho: an opera to see with your eyes closed The (lengthy) letter which Mendelssohn sent to his librettist on 16 January 1824 bears witness to his precocious knowledge of the principles of theatrical writing. One can hardly believe that the author of this letter was only 15 years old. If we are sceptical at first, then we are dumbfounded when we look at the score: the brilliant characterization of the various roles, the inventive writing of the inner voices (Mendelssohn had acquired a Bach's copy of St. Matthew Passion at the end of 1823), and the professionalism of the orchestration. A present-day performance, one with the instruments as Mendelssohn would have known it, shows the orchestration in an even more remarkable light, because the linear character of the string writing becomes clearer and the winds sound more colorful, even forming their own orchestra-within-an-orchestra, far more than would be the case in a performance with 'modern' instruments. The sixteen-year-old Mendelssohn drew more inspiration from the libretto than it actually contained. The music far overreaches the dramatic limitations of the text. Not only the solo and chorus parts, but also the orchestra are, as a result, so expressive that a careful staging of the piece would not even add that much to the total effect. The neglect with which this work has been treated and its resulting unfamiliarity are typical mistakes of the kind sometimes made by history; 'Camacho' may well be the most brilliant opera ever written by a youthful composer. It is an opera to see with your eyes closed. Jos van Immersed, august 1993

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Mendelssohn: Die Hochzeit des Camacho

Anima Eterna

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1
Die Hochzeit des Camacho, Op. 10, MWV L 5: Overture (Molto allegro e vivace - Presto)
Anima Eterna
00:06:24

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

2
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 1. Duet, "Beglücktes Jugendleben" (Quiteria, Basilio)
Scot Weir
00:02:51

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

3
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 2. Trio, "Wie? Ihr wagt es hier vermessen" (Carrasco, Quiteria, Basilio)
Waldemar Wild
00:03:21

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

4
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 3. Aria, "Noch tröstet mich das Vorgefühl" (Basilio)
Scot Weir
00:04:06

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

5
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 4. Duet, "So kehrst du wieder, Geliebter, mir treu?" (Lucinda, Vivaldo)
Huw Rhys-Evans
00:01:20

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Huw Rhys-Evans, MainArtist - Andrea Ulbrich, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

6
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 5. Lied, "Nur frischer Mut und klares Blut" (Vivaldo)
Huw Rhys-Evans
00:02:18

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Huw Rhys-Evans, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

7
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 6. Chorus, "Viva Camacho, viva Quiteria … Bei Liebeln und Grübeln" (Chorus, Carrasco)
Waldemar Wild
00:03:39

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

8
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 7. Septet, "Laß mich, o laß noch einmal begrüßen" (Quiteria, Basilio, Vivaldo, Lucinda, Carrasco, Camacho, Sancho Panza, Chorus)
Nico van der Meel
00:04:56

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Chor Modus Novus, MainArtist - Nico van der Meel, MainArtist - Huw Rhys-Evans, MainArtist - Andrea Ulbrich, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

9
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 8a. Chorus, "Viva Camacho, viva Quiteria" (Chorus, Sancho Panza) - No. 8b. Recitative, "So scheid' ich denn von Haus und Dorf" (Basilio)
Scot Weir
00:03:10

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

10
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 9. Lied, "Wer klopft so leise an die Tür?" (Quiteria)
Rosmarie Hoffmann
00:05:40

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

11
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 10. Ensemble, "Dem sollen die Knochen im Leibe fliegen" (Camacho, Carrasco, Chorus)
Nico van der Meel
00:05:47

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Nico van der Meel, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

12
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act I: No. 11. Finale, "Lasset euch winden, dunkle Zypressen … Viva die irrende Ritteschaft" (Basilio, Quiteria, Camacho, Carrasco, Lucinda, Vivaldo, Don Quixote, Sancho, Chorus)
Nico van der Meel
00:20:53

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Ulrik Cold, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Chor Modus Novus, MainArtist - Nico van der Meel, MainArtist - Huw Rhys-Evans, MainArtist - Andrea Ulbrich, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

DISC 2

1
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 12. Chorus, "Frisch die Hände nur gerühret … Hat meine Nase mich nicht betrogen" (Chorus, Sancho Panza)
Urban Malmberg
00:04:35

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

2
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 13. Lied, "Die schönste Braut im ganzen Land" (Sancho Panza, Chorus)
Urban Malmberg
00:04:16

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

3
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 14. Chorus, "Richtend mag das Spiel entscheiden" (Chorus). Bolero. Fandango. "Ha, Tigerbrut! Die Unschuld wollt ihr morden?" (Don Quixote, Chorus)
Ulrik Cold
00:15:21

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Ulrik Cold, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

4
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 15. Trio, "Was sollen mir die rätselhaften Worte?" (Quiteria, Lucinda, Sancho)
Andrea Ulbrich
00:08:13

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Andrea Ulbrich, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist

1993 Channel Classics Records 1993 Channel Classics Records

5
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 16. Chorus, "Nun zündet an geweihte Kerzen"
Anima Eterna
00:03:00

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Friedrich Voigts, Lyricist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

6
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 17. Ensemble, "Welche Stimme, welche Störung?" (Quiteria, Lucinda, Vivaldo, Camacho, Carrasco, Sancho, Chorus)
Nico van der Meel
00:01:35

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Anima Eterna, MainArtist - Chor Modus Novus, MainArtist - Nico van der Meel, MainArtist - Huw Rhys-Evans, MainArtist - Andrea Ulbrich, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

7
Die Hochzeit des Camacho, Op. 10, MWV L 5, Act II: No. 18. Finale, "Wie? betrogen?" (Camacho, Carrasco, Vivaldo, Basilio, Lucinda, Quiteria, Don Quixote, Sancho, Chorus)
Nico van der Meel
00:08:58

Felix Mendelssohn, Composer - Copyright Control, MusicPublisher - Jos van Immerseel, MainArtist - Urban Malmberg, MainArtist - Ulrik Cold, MainArtist - Anima Eterna, MainArtist - Scot Weir, MainArtist - Chor Modus Novus, MainArtist - Nico van der Meel, MainArtist - Huw Rhys-Evans, MainArtist - Andrea Ulbrich, MainArtist - Rosmarie Hoffmann, MainArtist - Friedrich Voigts, Lyricist - Waldemar Wild, MainArtist - Junge Chor Aachen, MainArtist

1993 Channel Classics Records 1993 Channel Classics Records

Albumbeschreibung

Mendelssohn 's Camacho: an opera to see with your eyes closed The (lengthy) letter which Mendelssohn sent to his librettist on 16 January 1824 bears witness to his precocious knowledge of the principles of theatrical writing. One can hardly believe that the author of this letter was only 15 years old. If we are sceptical at first, then we are dumbfounded when we look at the score: the brilliant characterization of the various roles, the inventive writing of the inner voices (Mendelssohn had acquired a Bach's copy of St. Matthew Passion at the end of 1823), and the professionalism of the orchestration. A present-day performance, one with the instruments as Mendelssohn would have known it, shows the orchestration in an even more remarkable light, because the linear character of the string writing becomes clearer and the winds sound more colorful, even forming their own orchestra-within-an-orchestra, far more than would be the case in a performance with 'modern' instruments. The sixteen-year-old Mendelssohn drew more inspiration from the libretto than it actually contained. The music far overreaches the dramatic limitations of the text. Not only the solo and chorus parts, but also the orchestra are, as a result, so expressive that a careful staging of the piece would not even add that much to the total effect. The neglect with which this work has been treated and its resulting unfamiliarity are typical mistakes of the kind sometimes made by history; 'Camacho' may well be the most brilliant opera ever written by a youthful composer. It is an opera to see with your eyes closed. Jos van Immersed, august 1993

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