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Jane Manning|Maw: Scenes and Arias - Milner: Salutatio Angelica - Roman Spring

Maw: Scenes and Arias - Milner: Salutatio Angelica - Roman Spring

Various Artists

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Nicholas Maw (born 1935) was one of the leading voices in British composition to emerge around the middle of the twentieth century, and "Scenes and Arias" (1962) was the work that established his reputation. Maw's text is an anonymous love poem written around 1300, whose alternation of lines in French, English, and Latin is wonderfully charming and evocative. The work, made up of 10 musically contrasting verses, is scored for soprano, mezzo-soprano, contralto, and large orchestra, and although its harmonic language owes much to the tradition of serialism, the music's shape is sumptuously Romantic. Maw's lyrical, soaring use of the three women's voices gives the piece much of its sensuous sheen; it's easy to see why it created a sensation at its premiere, and it remains a compelling and appealing vocal and orchestral showcase. In this 1975 recording, Jane Manning, Anne Howells, and Norma Procter, veterans of the British new music scene, negotiate the demanding lines with confidence and finesse, and the BBC Symphony Orchestra, led by Norman del Mar, plays with Straussian fullness and passion. Anthony Milner's (1925-2002) talent was less bright than that of Maw, as the two cantatas recorded here demonstrate. "Salutatio Angelica," a sacred work in honor of Mary, is earnest and well crafted in a basically tonal idiom, but the music rarely takes flight. "Roman Spring" is based on Medieval Latin poetry (including some of the same texts as Carmina Burana) and uses a more varied tonal language, but is essentially a pedestrian piece of writing. The Maw alone, though, makes this a CD that should be of interest to fans of twentieth century British vocal music.
© TiVo

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Maw: Scenes and Arias - Milner: Salutatio Angelica - Roman Spring

Jane Manning

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Scenes and Arias (Nicholas Maw)

1
De amico ad amicam: A celuy que pluys en mounde
Jane Manning
00:02:02

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

2
De amico ad amicam: Sachez bien, pleysant et beele
Jane Manning
00:03:17

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

3
De amico ad amicam: Ma tres duce et tres ame
Jane Manning
00:05:02

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

4
De amico ad amicam: A vous jeo suy tut done
Jane Manning
00:01:41

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

5
De amico ad amicam: Jeo vous pry par charite
Jane Manning
00:06:16

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

6
Responsio: A soun tres chere et special
Jane Manning
00:02:44

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

7
Responsio: Jeo vous pry sans debat
Jane Manning
00:04:42

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

8
Responsio: Pur vostre amour, allas, allas!
Jane Manning
00:02:06

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

9
Responsio: ous estes ma morte et ma vye
Jane Manning
00:06:22

Norman Del Mar, Conductor - BBC Symphony Orchestra, Orchestra - Anne Howells, Artist - Nicholas Maw, Composer - Norma Proctor, Artist - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

Salutatio Angelica, Op. 1 (Anthony Milner)

10
Angelus Domini (Chorus)
Alfreda Hodgson
00:02:38

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

11
Aria: Consolatrix afflictorum (Contralto)
Alfreda Hodgson
00:04:36

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

12
Ecce ancilla Domini (Chorus)
Alfreda Hodgson
00:01:41

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

13
Aria: Causa nostrae laetitiae (Contralto)
Alfreda Hodgson
00:04:20

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

14
Et Verbum caro factum est (Chorus)
Alfreda Hodgson
00:02:11

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

15
Aria: Mater misericordiae (Contralto)
Alfreda Hodgson
00:03:12

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

16
Domine, non est exaltatum cor meum (Chorus)
Alfreda Hodgson
00:04:03

Alfreda Hodgson, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

Roman Spring, Op. 27 (Anthony Milner)

17
Cras amet qui nunquam
Felicity Palmer
00:09:34

Robert Tear, Artist - Felicity Palmer, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

18
Diffugere nives redeunt jam gramina campis
Felicity Palmer
00:06:22

Robert Tear, Artist - Felicity Palmer, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

19
Vivamus mea Lesbia atque amemus
Felicity Palmer
00:06:42

Robert Tear, Artist - Felicity Palmer, Artist, MainArtist - London Sinfonietta, Orchestra - David Atherton, Conductor - London Sinfonietta Chorus, Choir - Anthony Milner, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

Albumbeschreibung

Nicholas Maw (born 1935) was one of the leading voices in British composition to emerge around the middle of the twentieth century, and "Scenes and Arias" (1962) was the work that established his reputation. Maw's text is an anonymous love poem written around 1300, whose alternation of lines in French, English, and Latin is wonderfully charming and evocative. The work, made up of 10 musically contrasting verses, is scored for soprano, mezzo-soprano, contralto, and large orchestra, and although its harmonic language owes much to the tradition of serialism, the music's shape is sumptuously Romantic. Maw's lyrical, soaring use of the three women's voices gives the piece much of its sensuous sheen; it's easy to see why it created a sensation at its premiere, and it remains a compelling and appealing vocal and orchestral showcase. In this 1975 recording, Jane Manning, Anne Howells, and Norma Procter, veterans of the British new music scene, negotiate the demanding lines with confidence and finesse, and the BBC Symphony Orchestra, led by Norman del Mar, plays with Straussian fullness and passion. Anthony Milner's (1925-2002) talent was less bright than that of Maw, as the two cantatas recorded here demonstrate. "Salutatio Angelica," a sacred work in honor of Mary, is earnest and well crafted in a basically tonal idiom, but the music rarely takes flight. "Roman Spring" is based on Medieval Latin poetry (including some of the same texts as Carmina Burana) and uses a more varied tonal language, but is essentially a pedestrian piece of writing. The Maw alone, though, makes this a CD that should be of interest to fans of twentieth century British vocal music.
© TiVo

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