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Choir of Girton College, Cambridge|Marc'Antonio Ingegneri, Vol. 4: Missa Gustate et videte & Motets for Holy Week & Easter

Marc'Antonio Ingegneri, Vol. 4: Missa Gustate et videte & Motets for Holy Week & Easter

Choir of Girton College, Cambridge; The Western Wyndes; Gareth Wilson

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This release is the fourth in a series by the Choir of Girton College, Cambridge, devoted to the Italian (Cremonese) composer Marc'Antonio Ingegneri. It is devoted to Easter pieces, which surely helped place it on classical best-seller lists during that season in 2024, but it may also be that word about the quality of Ingegneri's music is getting out. Ingegneri was the teacher of Monteverdi and slightly younger than Palestrina. The resemblance to Palestrina is easy to hear; if anything, Ingegneri's textures are even more transparent and limpid. The highlight on this installment is the Missa gustate et videte, based on a motet by Orlande de Lassus that is also included. This is an example of the so-called parody (or imitation) mass technique, where the parts of a polyphonic model are absorbed into the new work, and it is an exceptionally subtle example. The program then proceeds into short motets, again in the Palestrina style but of great simple beauty. Choir leader Jeremy West changes up the texture with accompaniment from the brass group The Western Wyndes (one of several brass ensembles to have appeared in this series) and with organ versions of Ingegneri madrigals. The choir, with 33 (mixed-gender, adult) members, is ideal, and the booklet includes substantial essays addressing Ingegneri's music from various perspectives. The album and its companions in the series offer an excellent introduction to a neglected Renaissance composer.

© James Manheim /TiVo

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Marc'Antonio Ingegneri, Vol. 4: Missa Gustate et videte & Motets for Holy Week & Easter

Choir of Girton College, Cambridge

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1
Cantate Domino
Choir of Girton College, Cambridge
00:05:45

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist, LinerNotes - Choir of Girton College, Cambridge, Choir, MainArtist - Adam Binks, Producer, Engineer - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

2
Gustate et videte, LV 54
Choir of Girton College, Cambridge
00:04:52

Anonymous, Lyricist - Orlando di Lasso, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

3
Missa Gustate et videte: I. Kyrie
Choir of Girton College, Cambridge
00:03:50

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

4
Missa Gustate et videte: II. Gloria
Choir of Girton College, Cambridge
00:06:19

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

5
Missa Gustate et videte: III. Credo
Choir of Girton College, Cambridge
00:09:32

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

6
Missa Gustate et videte: IV. Sanctus - V. Benedictus
Choir of Girton College, Cambridge
00:05:45

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

7
Missa Gustate et videte: VI. Agnus Dei I & II
Choir of Girton College, Cambridge
00:04:56

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

8
O Domine Jesu Christe
Choir of Girton College, Cambridge
00:04:02

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist, LinerNotes - Choir of Girton College, Cambridge, Choir, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

9
Madrigali a 4 voci, Book 2: No. 2, Santa Madre del ciel
Felix Elliott
00:02:17

Marc'Antonio Ingegneri, Composer - Felix Elliott, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

10
Adoramus te Christe
Choir of Girton College, Cambridge
00:03:45

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

11
Ave Jesu Christe
The Western Wyndes
00:03:26

Marc'Antonio Ingegneri, Composer - Jeremy West, Conductor, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

12
Madrigali a 4 voci, Book 2: No. 16, Con voi quando partiste
Gabriel Kennedy
00:02:03

Marc'Antonio Ingegneri, Composer - Gabriel Kennedy, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

13
Regina coeli
Choir of Girton College, Cambridge
00:03:47

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

14
Haec dies
Choir of Girton College, Cambridge
00:01:15

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

15
O sacrum convivium
Choir of Girton College, Cambridge
00:04:17

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

16
Antoni confessor magne
Gareth Wilson
00:03:41

Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

17
Madrigali a 4 voci, Book 2: No. 19, Donna real
Emily Nott
00:02:08

Marc'Antonio Ingegneri, Composer - Emily Nott, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

18
Salve Regina
Choir of Girton College, Cambridge
00:04:55

Anonymous, Lyricist - Marc'Antonio Ingegneri, Composer - Gareth Wilson, Conductor, MainArtist - Choir of Girton College, Cambridge, Choir, MainArtist - The Western Wyndes, Ensemble, MainArtist

2024 Toccata Classics, London 2024 Toccata Classics, London

Albumbeschreibung

This release is the fourth in a series by the Choir of Girton College, Cambridge, devoted to the Italian (Cremonese) composer Marc'Antonio Ingegneri. It is devoted to Easter pieces, which surely helped place it on classical best-seller lists during that season in 2024, but it may also be that word about the quality of Ingegneri's music is getting out. Ingegneri was the teacher of Monteverdi and slightly younger than Palestrina. The resemblance to Palestrina is easy to hear; if anything, Ingegneri's textures are even more transparent and limpid. The highlight on this installment is the Missa gustate et videte, based on a motet by Orlande de Lassus that is also included. This is an example of the so-called parody (or imitation) mass technique, where the parts of a polyphonic model are absorbed into the new work, and it is an exceptionally subtle example. The program then proceeds into short motets, again in the Palestrina style but of great simple beauty. Choir leader Jeremy West changes up the texture with accompaniment from the brass group The Western Wyndes (one of several brass ensembles to have appeared in this series) and with organ versions of Ingegneri madrigals. The choir, with 33 (mixed-gender, adult) members, is ideal, and the booklet includes substantial essays addressing Ingegneri's music from various perspectives. The album and its companions in the series offer an excellent introduction to a neglected Renaissance composer.

© James Manheim /TiVo

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