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Gilberto Gil|Luar

Luar

Gilberto Gil

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After the hard years dominated by social convulsion in Brazil, in which it was demanded that every artist explicate his political views, the end of dictatorship brought an uncommitted inebriating feel of liberty that was translated into music by Caetano Veloso's "Odara" (where all the composer wanted to do was to dance) to the horror of political activists. This is the Gilberto Gil version of those days. One of his most danceable albums, most songs make it clear that no further considerations are taken into account, just plain Saturday night entertainment. Songs like "Luar," "Palco," "Sonho Molhado" (whose biggest virtue is the use of accordion and other northeastern touches), "Lente do Amor" (with a subtle reference to sexual freedom, which also coincides with Fernando Gabeira's loincloth, from around the same period), "Morena," "Cara Cara" (a frevo by Caetano Veloso interpreted as dance music), the beautiful "Cores Vivas," and "Axé Babá" (with its heavy Afro-Bahian percussion) all have in common the desire for pleasure and the avoidance of deeper questions. The last two songs break this uniformity, though: "Flora" is a delicate bossa with a beautiful melody in Gil's style, in which a melodic sequence is transposed in ascendant manner, and "Se Eu Quiser Falar com Deus" ("If I Want to Talk with God"), a deeply heartfelt slow song where Gil dialogues with his own relationship with religion. The album had several hits ("Palco," "Lente do Amor" -- which was included in a TV series -- "Axé Babá," and "Se Eu Quiser Falar com Deus"), representing a document of a period, and having at least two melodically/lyrically highly expressive songs.

© Alvaro Neder /TiVo

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Luar

Gilberto Gil

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1
A gente precisa ver o luar
00:04:22

Gustavo de Dalva, Percussion - Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer - Arthur Maia, Bass - CLAUDIO Andrade, Keyboards - Sérgio Chiavazzoli, Guitar - Alexandre Fonseca, Drums - Bem Giordano Gil Moreira, Guitar

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

2
Palco
00:04:26

Leonardo, Percussion - Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer - Arthur, Bass - Jorginho Gomes, Drums - Celso Fonseca, Guitar - Raul Mascarenhas, Saxophone - Paulo Sergio Verginio Calasans, Percussion

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

3
Sonho molhado
00:04:29

Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

4
Lente do amor
00:03:40

Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

5
Morena
00:03:28

Cassiano, Composer - Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

6
Cara cara
00:04:37

Gilberto Gil, Guitar, Vocals, MainArtist - Liminha, Producer - CAetano Veloso, Composer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

7
Cores vivas
00:03:48

Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brazil Ltda

8
Axé babá
00:03:22

Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

9
Flora
00:04:16

Gilberto Gil, Composer, Vocals, MainArtist - Liminha, Producer - Jorginho Gomes, Drums - Celso Fonseca, Guitar - Raul Mascarenhas, Saxophone - Rubão, Bass - Serginho Trombone, Trombone - Repolho, Percussion - Paulinho Trompete, Trumpet

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

10
Se eu quiser falar com Deus
00:04:49

Gustavo de Dalva, Accordion, Percussion - Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer - Sérgio Chiavazzoli, Guitar, Percussion - Marcos Suzano, Accordion, Percussion - Cicinho Assis, Keyboards, Timpani

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

11
Marcha da tietagem (feat. Trio Elétrico Dodô & Osmar, As Frenéticas)
00:03:35

Betinho, Bass - Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Aroldo, Drums - Armandinho, Guitar, Percussion, Bandolim - Trio Elétrico Dodô & Osmar, FeaturedArtist - Gutti, Producer - As Freneticas, FeaturedArtist - Ary Dias, Percussion

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

12
Corações a mil
00:03:15

Gilberto Gil, Composer, Guitar, Vocals, MainArtist - Liminha, Producer

© 1981 Warner Music Brasil Ltda. ℗ 1981 Warner Music Brasil Ltda.

Albumbeschreibung

After the hard years dominated by social convulsion in Brazil, in which it was demanded that every artist explicate his political views, the end of dictatorship brought an uncommitted inebriating feel of liberty that was translated into music by Caetano Veloso's "Odara" (where all the composer wanted to do was to dance) to the horror of political activists. This is the Gilberto Gil version of those days. One of his most danceable albums, most songs make it clear that no further considerations are taken into account, just plain Saturday night entertainment. Songs like "Luar," "Palco," "Sonho Molhado" (whose biggest virtue is the use of accordion and other northeastern touches), "Lente do Amor" (with a subtle reference to sexual freedom, which also coincides with Fernando Gabeira's loincloth, from around the same period), "Morena," "Cara Cara" (a frevo by Caetano Veloso interpreted as dance music), the beautiful "Cores Vivas," and "Axé Babá" (with its heavy Afro-Bahian percussion) all have in common the desire for pleasure and the avoidance of deeper questions. The last two songs break this uniformity, though: "Flora" is a delicate bossa with a beautiful melody in Gil's style, in which a melodic sequence is transposed in ascendant manner, and "Se Eu Quiser Falar com Deus" ("If I Want to Talk with God"), a deeply heartfelt slow song where Gil dialogues with his own relationship with religion. The album had several hits ("Palco," "Lente do Amor" -- which was included in a TV series -- "Axé Babá," and "Se Eu Quiser Falar com Deus"), representing a document of a period, and having at least two melodically/lyrically highly expressive songs.

© Alvaro Neder /TiVo

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