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Phyllis Dillon|Love Is All I Had: A Tribute to the Queen of Jamaican Soul

Love Is All I Had: A Tribute to the Queen of Jamaican Soul

Phyllis Dillon

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Language available : english

A reluctant pop star if ever there was one, Phyllis Dillon balanced a recording career in Jamaica with a job in the U.S. working in a bank. Love Is All I Had is the most comprehensive collection of her work to date, packed to the brim with a staggering 29 cuts of vintage rocksteady and early reggae, all cut with Duke Reid for his Treasure Isle imprint. The earliest songs from Love Is All I Had date from 1967 (with the exception of Dillon's 1966 self-penned debut, "Don't Stay Away"), and exude an innocence common in the best sides from the Shirelles, Lesley Gore, and exponents of the girl group sound. Dillon's cover of Bettye Swann's "Make Me Yours" is such a song, while her original "It's Rocking Time" would help to define the rocksteady era itself. Although she will always be associated with rocksteady, Dillon recorded some great reggae as well. While her take on the Grass Roots' "Midnight Confessions" and role-reversing cover of Eric Donaldson's "Cherry Oh Baby" as "Eddie Oh Baby" haven't aged too well, her pulsing cover of Marlena Shaw's "Woman of the Ghetto" remains a dancefloor classic. No matter what she's singing, though, it's hard not to fall in love with her voice, making even touristy cuts like the randy "Don't Touch Me Tomato" worth hearing.

© Wade Kergan /TiVo

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Love Is All I Had: A Tribute to the Queen of Jamaican Soul

Phyllis Dillon

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1
Don't Stay Away
Phyllis Dillon
00:02:33

Tommy McCook, Composer - Phyllis Dillon, Composer, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1966 Sanctuary Records Group Ltd., a BMG Company

2
(This Is) a Lovely Way to Spend an Evening (Never Gonna Fall in Love Again)
Phyllis Dillon
00:02:50

Phyllis Dillon, Vocals, MainArtist

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

3
Tulips and Heather
Phyllis Dillon
00:03:09

Howard Barnes, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer - Harry Fields, Composer - Joseph Roncoroni, Composer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

4
A Thing of the Past
Phyllis Dillon
00:02:42

Irwin Levine, Composer - Bob Brass, Composer - Phyllis Dillon, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Sanctuary Records Group Ltd., a BMG Company

5
Make Me Yours
Phyllis Dillon
00:02:20

Phyllis Dillon, Vocals, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

6
Leave It In the Hands of Love
Phyllis Dillon
00:02:55

Phyllis Dillon, Vocals, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

7
Perfidia (with Tommy McCook & The Supersonics)
Phyllis Dillon
00:02:46

Alberto Dominguez Borras, Composer - Milton Leeds, Composer - Tommy McCook, Composer - Phyllis Dillon, Composer, Performance, MainArtist - Arthur "Duke" Reid, Producer - Tommy McCook & The Supersonics, FeaturedArtist, With Vocals

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

8
It's Rocking Time (with Tommy McCook & The Supersonics)
Phyllis Dillon
00:02:49

Tommy McCook, FeaturedArtist, With Vocals - The Supersonics, FeaturedArtist, With Vocals - Phyllis Dillon, Composer, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Sanctuary Records Group Ltd., a BMG Company

9
Nice Time (Long Time No Nice Time)
Phyllis Dillon
00:02:26

Bob Marley, Composer - Phyllis Dillon, Vocals, MainArtist

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1968 Sanctuary Records Group Ltd., a BMG Company

10
I Wear His Ring
Phyllis Dillon
00:02:10

Felice Bryant, Composer - Boudleaux Bryant, Composer - Narciso Serradell, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

11
Don't Touch Me Tomato
Phyllis Dillon
00:02:58

Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer - George Symonette, Composer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1967 Trojan Recordings Ltd., a BMG Company

12
Why Did You Leave Me
Alton Ellis
00:02:38

Leroy Sibbles, Composer - Alton Ellis, Performance, MainArtist - Barry Llewellyn, Composer - Phyllis Dillon, Performance, MainArtist - Earl Morgan, Composer - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1968 Trojan Recordings Ltd., a BMG Company

13
Love Letters
Phyllis Dillon
00:02:37

Victor Young, Composer - Edward Heyman, Writer - Alton Ellis, Vocals, MainArtist - Arthur Reid, Producer - Phyllis Dillon, Vocals, MainArtist

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1968 Trojan Recordings Ltd., a BMG Company

14
Love Is All I Had
Phyllis Dillon
00:02:46

Leonard Dillon, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1968 Trojan Recordings Ltd., a BMG Company

15
Boys and Girls Reggae (Doing the Reggae)
Phyllis Dillon
00:02:15

Andrew Parker, Composer - Arthur Reid, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1969 Trojan Recordings Ltd., a BMG Company

16
Take My Heart
Phyllis Dillon
00:02:20

Hopeton Lewis, Composer, Performance, MainArtist - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1969 Trojan Recordings Ltd., a BMG Company

17
The Right Track
Phyllis Dillon
00:02:28

Hopeton Lewis, MainArtist - Phyllis Dillon, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1969 Trojan Recordings Ltd., a BMG Company

18
Walk Through This World With Me
Phyllis Dillon
00:02:15

Kay Savage, Composer - Sandra Seamons, Composer - Hopeton Lewis, Vocals, Performance, MainArtist - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1969 Trojan Recordings Ltd., a BMG Company

19
Remember That Sunday
Alton Ellis
00:02:37

Tommy McCook, Composer - Alton Ellis, Composer, Vocals, MainArtist - Phyllis Dillon, Composer, Vocals, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1970 Sanctuary Records Group Ltd., a BMG Company

20
You Are Like Heaven to Me
Phyllis Dillon
00:02:05

Phyllis Dillon, Composer, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1970 Trojan Recordings Ltd., a BMG Company

21
One Life to Live, One Life to Give (Livin' in Love)
Phyllis Dillon
00:02:32

Teddy Randazzo, Composer - Victoria Pike, Composer - Phyllis Dillon, Composer, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

22
Midnight Confessions
Phyllis Dillon
00:02:32

Lou Josie, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

23
Woman of the Ghetto
Phyllis Dillon
00:03:22

Richard Evans, Composer - Marlena Shaw, Composer - Bobby Miller, Composer - Phyllis Dillon, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

24
I Can't Forget About You Baby
Phyllis Dillon
00:03:04

Duke Reid, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

25
Picture On the Wall
Phyllis Dillon
00:02:43

Arthur Reid, Producer - Phyllis Dillon, Vocals, MainArtist - Freddie McLean, Composer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Sanctuary Records Group Ltd., a BMG Company

26
Eddie Oh Baby
Phyllis Dillon
00:02:43

Eric Donaldson, Composer - Edward Lee, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

27
The Love That a Woman Should Give a Man
Phyllis Dillon
00:03:27

Andy Badale, Composer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

28
We Belong Together
Phyllis Dillon
00:02:54

Hy Weiss, Composer - John Mitchell, Composer - Phyllis Dillon, Performance, MainArtist - Robert Carr, Composer - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

29
Love the One You're With
Phyllis Dillon
00:02:53

Stephen Stills, Composer, Writer - Phyllis Dillon, Performance, MainArtist - Arthur "Duke" Reid, Producer

© 2004 Trojan Recordings Ltd., a BMG Company ℗ 1971 Trojan Recordings Ltd., a BMG Company

Albumbeschreibung

A reluctant pop star if ever there was one, Phyllis Dillon balanced a recording career in Jamaica with a job in the U.S. working in a bank. Love Is All I Had is the most comprehensive collection of her work to date, packed to the brim with a staggering 29 cuts of vintage rocksteady and early reggae, all cut with Duke Reid for his Treasure Isle imprint. The earliest songs from Love Is All I Had date from 1967 (with the exception of Dillon's 1966 self-penned debut, "Don't Stay Away"), and exude an innocence common in the best sides from the Shirelles, Lesley Gore, and exponents of the girl group sound. Dillon's cover of Bettye Swann's "Make Me Yours" is such a song, while her original "It's Rocking Time" would help to define the rocksteady era itself. Although she will always be associated with rocksteady, Dillon recorded some great reggae as well. While her take on the Grass Roots' "Midnight Confessions" and role-reversing cover of Eric Donaldson's "Cherry Oh Baby" as "Eddie Oh Baby" haven't aged too well, her pulsing cover of Marlena Shaw's "Woman of the Ghetto" remains a dancefloor classic. No matter what she's singing, though, it's hard not to fall in love with her voice, making even touristy cuts like the randy "Don't Touch Me Tomato" worth hearing.

© Wade Kergan /TiVo

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