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Originally released in installments as five separate CDs, Franz Liszt: The Sound of Weimar collects all of the symphonic poems and some of Liszt's other major orchestral works, as performed by Martin Haselböck and the original instruments ensemble, the Orchester Wiener Akademie. The 13 symphonic poems were composed between 1848 and 1858, and they include such favorites as Les Préludes, Mazeppa, Hamlet, Prometheus, and Tasso. These works, as well as the Dante Symphony and the Evocation à la Chapelle Sixtine, are played with the instrumentation Liszt required when he conducted his music in Weimar; they are performed with the exciting tone colors and innovative techniques that made these pieces so influential. The small orchestra consists of nearly 40 musicians, and they produce music that is lean in texture and surprisingly light in effect, especially when compared to most modern recordings. In Liszt's time, these works were regarded as avant-garde because of his fresh approach to handling the orchestra, particularly in the exposed writing and unusual combinations of instruments. The resulting chamber-like transparency is quite different from the thicker, homogenous sectional orchestration by more conservative composers of the day. Due to his scholarship and expertise in playing Liszt's organ music, Haselböck is authoritative in his direction, and his research reinforces the authenticity of the performances. The recordings have an extraordinarily wide dynamic range and focused microphone placement, so the quality is close to audiophile standards.
© TiVo
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Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony" (Franz Liszt)
Martin Haselböck, Conductor - Chorus Sine Nomine, Women singers, Choir - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer - Bible - New Testament, Lyricist
2013 New Classical Adventure 2013 New Classical Adventure
Martin Haselböck, Conductor - Chorus Sine Nomine, Women singers, Choir - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer - Bible - New Testament, Lyricist
2013 New Classical Adventure 2013 New Classical Adventure
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Chorus Sine Nomine, Women singers, Choir - Bible - New Testament, Lyricist - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
A la Chapelle Sixtine (Miserere d'Allegri et Ave verum corpus de Mozart), S360/R445 (Franz Liszt)
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
DISC 2
Les Preludes, S97/R414 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Orpheus, S98/R415 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Ce qu'on entend sur la montagne (What is Heard on the Mountain), S95/R412 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
DISC 3
Hunnenschlacht, S. 105 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Hungaria, S103/R420 (Franz Liszt)
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Mazeppa, S100/R417 (Franz Liszt)
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
DISC 4
Tasso: lamento e trionfo, S96/R413 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
3 odes funebres, S112/R429 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Heroide Funebre, S102/R419 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Die Ideale, S106/R423 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
DISC 5
Prometheus, S99/R416 (Franz Liszt)
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Toccata sopra i pedali dell'organo (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Hamlet, S104/R421 (Franz Liszt)
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Von der Wiege bis zum Grabe, S107/R424 (Franz Liszt)
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Martin Haselböck, Conductor - Vienna Academy Orchestra, Orchestra - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Vienna Academy Orchestra, Orchestra - Martin Haselböck, Conductor - Franz Liszt, Composer
2013 New Classical Adventure 2013 New Classical Adventure
Albumbeschreibung
Originally released in installments as five separate CDs, Franz Liszt: The Sound of Weimar collects all of the symphonic poems and some of Liszt's other major orchestral works, as performed by Martin Haselböck and the original instruments ensemble, the Orchester Wiener Akademie. The 13 symphonic poems were composed between 1848 and 1858, and they include such favorites as Les Préludes, Mazeppa, Hamlet, Prometheus, and Tasso. These works, as well as the Dante Symphony and the Evocation à la Chapelle Sixtine, are played with the instrumentation Liszt required when he conducted his music in Weimar; they are performed with the exciting tone colors and innovative techniques that made these pieces so influential. The small orchestra consists of nearly 40 musicians, and they produce music that is lean in texture and surprisingly light in effect, especially when compared to most modern recordings. In Liszt's time, these works were regarded as avant-garde because of his fresh approach to handling the orchestra, particularly in the exposed writing and unusual combinations of instruments. The resulting chamber-like transparency is quite different from the thicker, homogenous sectional orchestration by more conservative composers of the day. Due to his scholarship and expertise in playing Liszt's organ music, Haselböck is authoritative in his direction, and his research reinforces the authenticity of the performances. The recordings have an extraordinarily wide dynamic range and focused microphone placement, so the quality is close to audiophile standards.
© TiVo
About the album
- 5 disc(s) - 20 track(s)
- Total length: 05:16:00
- Main artists: Wiener Akademie Kammerchor
- Composer: Franz Liszt
- Label: New Classical Adventure
- Genre: Klassiek
2013 New Classical Adventure 2013 New Classical Adventure
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