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Martyn Bates|Letters Written/The Return Of The Quiet

Letters Written/The Return Of The Quiet

Martyn Bates

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This 2000 reissue compiles Martyn Bates' first two solo albums onto a single CD. Only five years separate 1982's Letters Written and 1987's The Return of the Quiet, but the two albums sound so different that this CD can't help but sound oddly disjunctive. Letters Written, ten brief tracks originally released on a 10" EP, consists of solo synthesizer reveries overlaid with some of Bates' most mannered and idiosyncratic singing. The slowly moving songs are largely interchangeable, with only the interesting stop-start patterns of "Morning Singing," the Philip Glass-like pulsing underscoring the hypnotic "Aftertaste of Old," and the haunting delicacy of the crystalline "Overflowing Look" showing any sense of sonic variety. The Return of the Quiet, by comparison, is downright lush. Bates' keyboards are still the musical focus, but they're far removed from the deliberate primitivism of his debut; the addition of a live rhythm section and strings moves the album's sound even further into an ultra-commercial variety of pop-soul than even the last couple of Eyeless in Gaza albums. Comparisons include Aztec Camera's similarly slick Love and even the first couple of Paul Young albums. If there are stylistic avenues even further removed from the chilly minimalism of Letters Written, it's hard to imagine what they could be.

© Stewart Mason /TiVo

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Letters Written/The Return Of The Quiet

Martyn Bates

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1
Morning Singing
00:02:45

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

2
Cut Like Sunset
00:02:37

Martyn Bates, Composer, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

3
In June
00:02:56

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

4
Mirrored in Me
00:04:02

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

5
Overflowing Look
00:03:11

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

6
Aftertaste of Old
00:03:38

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 1982 Cherry Red Records

7
Jagged Tears of Words
00:03:14

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

8
Letters from Yesterday
00:03:37

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

9
Calls of Birds
00:03:21

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

10
Hungry Like Sharp Desire
00:01:52

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

11
Love Fell Silent
00:05:35

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

12
Last Chapel Picnic
00:04:59

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

13
At the Return of the Quiet
00:04:08

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

14
She Will Know
00:04:26

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

15
You've Got to Farewell
00:04:21

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

16
July Late Afternoon
00:05:55

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

17
Sad Song of Almost
00:03:30

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

18
The Look of Love
00:03:50

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2008 Cherry Red Records

19
Etc Angel
00:03:52

Martyn Bates, MainArtist

© 1982 Cherry Red Records ℗ 2016 Cherry Red Records

Albumbeschreibung

This 2000 reissue compiles Martyn Bates' first two solo albums onto a single CD. Only five years separate 1982's Letters Written and 1987's The Return of the Quiet, but the two albums sound so different that this CD can't help but sound oddly disjunctive. Letters Written, ten brief tracks originally released on a 10" EP, consists of solo synthesizer reveries overlaid with some of Bates' most mannered and idiosyncratic singing. The slowly moving songs are largely interchangeable, with only the interesting stop-start patterns of "Morning Singing," the Philip Glass-like pulsing underscoring the hypnotic "Aftertaste of Old," and the haunting delicacy of the crystalline "Overflowing Look" showing any sense of sonic variety. The Return of the Quiet, by comparison, is downright lush. Bates' keyboards are still the musical focus, but they're far removed from the deliberate primitivism of his debut; the addition of a live rhythm section and strings moves the album's sound even further into an ultra-commercial variety of pop-soul than even the last couple of Eyeless in Gaza albums. Comparisons include Aztec Camera's similarly slick Love and even the first couple of Paul Young albums. If there are stylistic avenues even further removed from the chilly minimalism of Letters Written, it's hard to imagine what they could be.

© Stewart Mason /TiVo

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