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Sahara Hotnights|Kiss & Tell

Kiss & Tell

Sahara Hotnights

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After years of wanting to forget the hideous clothes, music, and politics of the 1980s, the kitsch and cool of that era are once again embraced through music, so hooray for the second coming of candied synth beats and chunky guitar riffs à la the Killers, the Hives, and Franz Ferdinand. Sweden's Sahara Hotnights get in on the game with their second album, Kiss & Tell. Produced by Fireside songwriter/Hives engineer Pelle Gunnerfeldt, Kiss & Tell is much more approachable and playful compared to the band's 2002 debut, Jennie Bomb. The slick punk edges of "Fire Alarm" and "On Top of Your World" are replaced with glossy pop touches and a polish that would make the Go-Go's, Cheap Trick, and Big Star blush with pride for what they created two decades before. Vocalist Maria Andersson finally shines as a singer; she's vocally focused in her delivery while the harmonies coming from the Asplund sisters are equally fine-tuned, making Kiss & Tell fun right from the start. From the brassy cheers of "Hot Night Crash" and "Who Do You Dance For?" to the foxy Runaways-like impression of "Walk on the Wire," the energy of Kiss & Tell seduces you to twist your hips like never before. The kaleidoscopic twang of "Nerves" combines '70s Detroit rock with doo wop threads for a fantastic corroboree. Sahara Hotnights simply intended to make an album that's dance-crafty; however, those who adored the punk aesthetic and its unapologetic stance on Jennie Bomb might balk at their attempt. Kiss & Tell comes off a bit contrived and lackluster in the beginning, but after a few spins you'll grasp (and thirst) for its sonic goodness. For a sophomore record, Sahara Hotnights did what made sense for them without concerning themselves with the politics of it all. It's a solid album, stylistically more friendly but not necessarily mind-blowing. They're making progress and so far, so good.

© MacKenzie Wilson /TiVo

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Kiss & Tell

Sahara Hotnights

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1
Who Do You Dance For ?
00:02:19

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

2
Hot Night Crash
00:02:41

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

3
Empty Heart
00:02:51

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

4
Walk On The Wire
00:02:52

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

5
Mind Over Matter
00:03:16

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

6
Stupid Tricks
00:03:51

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

7
Nerves
00:03:07

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

8
Stay/Stay Away
00:02:57

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

9
Keep Calling My Baby
00:03:27

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

10
The Difference Between Love And Hell
00:04:01

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

11
Hangin'
00:03:19

Sahara Hotnights, Performer - Per Lindholm, A&R Director - Rob Schnapf, Mixing Engineer - Johan Gustafsson, Producer - Johan Gustafsson, Recording Engineer - Jennie Asplund, Composer - Jennie Asplund, Guitar - Steven Rhodes, Mixing Engineer - Pelle Gunnerfeldt, Producer - Pelle Gunnerfeldt, Recording Engineer - Johanna Asplund, Composer - Johanna Asplund, Acoustic Bass - Ted Jensen, Mastering Engineer - Steve Ralbovsky, A&R Director - Doug Boehm, Mixing Engineer - Maria Andersson, Lyricist - Maria Andersson, Composer - Maria Andersson, Guitar - Maria Andersson, Vocal - Josephine Forsman, Composer - Josephine Forsman, Drums

(P) 2004 BMG Sweden AB

Albumbeschreibung

After years of wanting to forget the hideous clothes, music, and politics of the 1980s, the kitsch and cool of that era are once again embraced through music, so hooray for the second coming of candied synth beats and chunky guitar riffs à la the Killers, the Hives, and Franz Ferdinand. Sweden's Sahara Hotnights get in on the game with their second album, Kiss & Tell. Produced by Fireside songwriter/Hives engineer Pelle Gunnerfeldt, Kiss & Tell is much more approachable and playful compared to the band's 2002 debut, Jennie Bomb. The slick punk edges of "Fire Alarm" and "On Top of Your World" are replaced with glossy pop touches and a polish that would make the Go-Go's, Cheap Trick, and Big Star blush with pride for what they created two decades before. Vocalist Maria Andersson finally shines as a singer; she's vocally focused in her delivery while the harmonies coming from the Asplund sisters are equally fine-tuned, making Kiss & Tell fun right from the start. From the brassy cheers of "Hot Night Crash" and "Who Do You Dance For?" to the foxy Runaways-like impression of "Walk on the Wire," the energy of Kiss & Tell seduces you to twist your hips like never before. The kaleidoscopic twang of "Nerves" combines '70s Detroit rock with doo wop threads for a fantastic corroboree. Sahara Hotnights simply intended to make an album that's dance-crafty; however, those who adored the punk aesthetic and its unapologetic stance on Jennie Bomb might balk at their attempt. Kiss & Tell comes off a bit contrived and lackluster in the beginning, but after a few spins you'll grasp (and thirst) for its sonic goodness. For a sophomore record, Sahara Hotnights did what made sense for them without concerning themselves with the politics of it all. It's a solid album, stylistically more friendly but not necessarily mind-blowing. They're making progress and so far, so good.

© MacKenzie Wilson /TiVo

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