Leila Schayegh - Collegium 1704 - Vaclav Luks Josef Mysliveček : Violin Concertos, Sinfonia, Ouverture

Josef Mysliveček : Violin Concertos, Sinfonia, Ouverture

Leila Schayegh - Collegium 1704 - Vaclav Luks

Inbegrepen: 1 Booklet

Verschenen op 4 mei 2018 bij Accent

Hoofdartiest: Leila Schayegh

Genre: Klassiek > Concertmuziek > Concerten voor viool

Onderscheidingen: 5 de Diapason (september 2018) - 5 Sterne Fono Forum Klassik (juli 2018)

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Album : 1 album - 15 tracks Totale duur : 01:13:28

    Violin Concerto in D major (Josef Mysliveček)
  1. 1 I. Allegro

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  2. 2 II. Larghetto

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  3. 3 III. Allegro

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  4. Symphony in E-Flat Major
  5. 4 I. Spiritoso

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  6. 5 II. Andantino

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  7. 6 III. —

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  8. Violin Concerto in E major
  9. 7 I. —

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  10. 8 II. —

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  11. 9 III. Presto

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  12. Overture No. 2 in A Major
  13. 10 I. Allegro von brio

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  14. 11 II. Andante

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  15. 12 III. Allegro

    Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  16. Violin Concerto in A major
  17. 13 I. Allegro moderato

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  18. 14 II. —

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

  19. 15 III. Presto

    Leila Schayegh, Violin - Collegium 1704 - Vaclav Luks, Conductor - Josef Myslivecek, Composer Auteursrecht : © 2018 Accent - ℗ 2018 Accent

Meer informatie

Josef Mysliveček (1737-1781) also known as "Il Divino Boemo" (The Divine Bohemian) was one of the most celebrated opera composers in Italy in the 1770s. His instrumental works - symphonies, concertos, octets, quartets, and trios - were as popular as his vocal music. Certain features of his melodic style reflect his Bohemian origins, and Mysliveček's influence on contemporaries was significant. A close friend of the young Wolfgang Amadeus Mozart and a musical influence on him, Mozart described his character as "full of fire, spirit and life". All nine of the Mysliveček violin concertos that survive in complete form were probably written in a short period during the late 1760s and early 1770s when the composer maintained close contacts with the city of Padua and the composer and violinist Giuseppe Tartini. As a representative of Italian traditions that extended back to the early eighteenth century, Mysliveček’s violin concertos are all cast in three movements of the pattern ‘fast-slow-fast’.
“From this music one can hear that the author was also a superb opera composer: the quickly alternating themes are well defined in character, whether sounding serious or boisterous, pleading or alluring, questioning or majestic, friendly or imperious. Figuratively, we find ourselves on the opera stage.” (Leila Schayegh) © Accent/Note-1

Details over de originele opname:

Recorded in church of St Anne, Prague Crossroads (Czech Republic), in July 2017

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