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John Williams|Jaws (Music From The Original Motion Picture Soundtrack)

Jaws (Music From The Original Motion Picture Soundtrack)

John Williams

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John Williams' first film score to capture the imagination of the public, and the first hit movie score of the 1970s not to involve a love theme (à la Love Story), Jaws has been on CD for more than a decade, but this is the first release that really does it justice. The centerpiece of the music is the bump-bump-bump-bump theme associated with the movements (usually unseen) of the shark, which became so well known that it was used as an essential part of various comedy sketches in a multitude of media at the time (Williams himself quoted it comically in his scoring for Steven Spielberg's 1941). It does reappear in numerous forms (many of them veiled) throughout the score, along with a handful of additional memorable musical phrases associated with Williams' score, many involving the hunt for the shark. The anniversary edition of the score not only features the familiar portions of the original album, which didn't amount to 40 minutes of music, but 15 minutes or more of Williams' score from the actual film, and also music that was written and recorded for the movie but dropped from it. Little is totally unfamiliar, but the 24-bit remastering off of the original tapes adds fresh luster to the recording and the music. It's doubly interesting, hearing the music uncut and remastered, to realize anew just how many of the effects that turn up at key points in this score Williams reused in his music for Close Encounters of the Third Kind and other scores of his. This was not only where Williams' career as a superstar soundtrack composer began but also where he first started using the musical attributes that would identify that phase of his career.

© TiVo

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Jaws (Music From The Original Motion Picture Soundtrack)

John Williams

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1
Main Title/John Williams/Jaws (From The "Jaws" Soundtrack)
00:02:20

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

2
Chrissie's Death (From The "Jaws" Soundtrack)
00:01:42

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

3
Promenade (Tourists On The Menu) (From The "Jaws" Soundtrack)
00:02:47

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

4
Out To Sea (From The "Jaws" Soundtrack)
00:02:29

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

5
The Indianapolis Story (From The "Jaws" Soundtrack)
00:02:26

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

6
Sea Attack Number One (From The "Jaws" Soundtrack)
00:05:25

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

7
One Barrel Chase (From The "Jaws" Soundtrack)
00:03:07

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

8
Preparing The Cage (From The "Jaws" Soundtrack)
00:03:28

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

9
Night Search (From The "Jaws" Soundtrack)
00:03:33

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

10
The Underwater Siege (From The "Jaws" Soundtrack)
00:02:34

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

11
Hand To Hand Combat (From The "Jaws" Soundtrack)
00:02:32

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

12
End Title (From The "Jaws" Soundtrack)
00:02:20

John Williams, Producer, MainArtist, ComposerLyricist

℗ 1975 Geffen Records

Albumbeschreibung

John Williams' first film score to capture the imagination of the public, and the first hit movie score of the 1970s not to involve a love theme (à la Love Story), Jaws has been on CD for more than a decade, but this is the first release that really does it justice. The centerpiece of the music is the bump-bump-bump-bump theme associated with the movements (usually unseen) of the shark, which became so well known that it was used as an essential part of various comedy sketches in a multitude of media at the time (Williams himself quoted it comically in his scoring for Steven Spielberg's 1941). It does reappear in numerous forms (many of them veiled) throughout the score, along with a handful of additional memorable musical phrases associated with Williams' score, many involving the hunt for the shark. The anniversary edition of the score not only features the familiar portions of the original album, which didn't amount to 40 minutes of music, but 15 minutes or more of Williams' score from the actual film, and also music that was written and recorded for the movie but dropped from it. Little is totally unfamiliar, but the 24-bit remastering off of the original tapes adds fresh luster to the recording and the music. It's doubly interesting, hearing the music uncut and remastered, to realize anew just how many of the effects that turn up at key points in this score Williams reused in his music for Close Encounters of the Third Kind and other scores of his. This was not only where Williams' career as a superstar soundtrack composer began but also where he first started using the musical attributes that would identify that phase of his career.

© TiVo

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