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Anna Netrebko|In the Still of Night

In the Still of Night

Anna Netrebko

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Language available : english

In the second album soprano Anna Netrebko has devoted to music of her native Russia, she turns to songs by Rimsky-Korsakov and Tchaikovsky, most of which are little known in the West. The two composers were close friends, and in spite of occasional musical differences, admired and respected each other's work. It's easier to hear their musical kinship in these songs than in their large orchestral works and operas. The songs by Rimsky-Korsakov, who is familiar largely through his picturesque orchestral works, are most revelatory. They are rooted in folk traditions, without directly quoting folk sources, and besides their emotional directness and clarity, they are notable for their sophistication, delicacy, and lyrical grace. Tchaikovsky's songs, while similar in many ways, are more overtly romantically emotional, and their vocal writing is more virtuosic. In their heightened sense of drama, some have an operatic quality, and their accompaniments are exceptionally subtle and expressive. Netrebko and pianist Daniel Barenboim are very much equal musical partners in the endeavor, both in the selection of the repertoire and in the acute musicality of their performances. There are two non-Russian encores, ravishing performances of a selection from Dvorák's Songs My Mother Taught Me and Richard Strauss' Cäcilie. The recording captures a live performance at the 2009 Salzburg Festival. Netrebko is in absolutely top form, singing with an enveloping, velvety warmth, and soaring with a radiant intensity. Her beautifully controlled and nuanced vibrato is always used with a keen sensitivity to the drama inherent in the texts, and her interpretations are driven by her gift for communicating with her audience. Barenboim's accompaniments are so shapely and subtly shaded that they could hold the listener rapt even without the vocal line. The sound of Deutsche Grammophon's album is vividly present, with a lively acoustic and minimum audience noise, except for the applause, whose riotous enthusiasm is a happy reminder of what must have been genuine electricity between the performers and listeners.

© TiVo

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In the Still of Night

Anna Netrebko

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1
What it is, in the still of night
00:02:27

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Apollon Nikolaievitch Maikov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

2
Forgive!
00:01:28

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - N. Nekrasov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

3
'T was not the wind
00:02:13

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Count Aleksej Konstantinowitch Tolstoy, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

4
The Lark's Song
00:01:16

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Count Aleksej Konstantinowitch Tolstoy, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

5
On Georgia's hills
00:02:30

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Aleksandr Pushkin, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

6
To the realm of rose and wine
00:02:46

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Afansij Fet, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

7
Zuleika's Song
00:01:56

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ivan Kozlov, Author - Ute Fesquet, Producer, Executive Producer - Lord George Gordon, Author, Original Text Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

8
Captivated by the Rose, the nightingale
00:03:09

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Alexey V. Koltsov, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

9
The line of flying clouds grows thin
00:03:25

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Aleksandr Pushkin, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

10
The Nymph
00:03:24

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Apollon Nikolaievitch Maikov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

11
Dream on a Summer's Night
00:05:25

Anna Netrebko, MainArtist - Nikolai Rimsky-Korsakov, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Apollon Nikolaievitch Maikov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

12
Say, when under shady boughs
00:03:43

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Vladimir Sollogub, ComposerLyricist - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

13
So soon forgotten
00:02:56

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Aleksej Nikolayevich Apukhtin, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

14
Reckless nights
00:02:52

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Aleksej Nikolayevich Apukhtin, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

15
Why?
00:03:08

Heinrich Heine, Author, Original Text Author - Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Lev Alexandrovitch Mey, Author - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

16
Serenada
00:03:42

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Konstantin Romanov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

17
Lullaby
00:04:25

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Konstantin Romanov, Author - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

18
Was I not a blade of grass in the field?
00:06:04

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ivan Zakharovich Surikov, Author - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

19
Amidst gloomy days
00:01:50

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Daniil M Rathaus, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

20
Amidst the day
00:03:49

Anna Netrebko, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer - Aleksej Nikolayevich Apukhtin, Author

℗ 2010 Deutsche Grammophon GmbH, Berlin

21
Songs my mother taught me
00:03:45

Antonín Dvorák, Composer - Anna Netrebko, MainArtist - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Adolf Heyduk, Translator - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

22
Cäcilie
00:02:31

Richard Strauss, Composer - Anna Netrebko, MainArtist - Heinrich Hart, Author - Sibylle Strobel, Asst. Recording Engineer, StudioPersonnel - Rainer Maillard, Producer, Editor, Recording Engineer, Recording Producer, StudioPersonnel - Ute Fesquet, Producer, Executive Producer

℗ 2010 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

In the second album soprano Anna Netrebko has devoted to music of her native Russia, she turns to songs by Rimsky-Korsakov and Tchaikovsky, most of which are little known in the West. The two composers were close friends, and in spite of occasional musical differences, admired and respected each other's work. It's easier to hear their musical kinship in these songs than in their large orchestral works and operas. The songs by Rimsky-Korsakov, who is familiar largely through his picturesque orchestral works, are most revelatory. They are rooted in folk traditions, without directly quoting folk sources, and besides their emotional directness and clarity, they are notable for their sophistication, delicacy, and lyrical grace. Tchaikovsky's songs, while similar in many ways, are more overtly romantically emotional, and their vocal writing is more virtuosic. In their heightened sense of drama, some have an operatic quality, and their accompaniments are exceptionally subtle and expressive. Netrebko and pianist Daniel Barenboim are very much equal musical partners in the endeavor, both in the selection of the repertoire and in the acute musicality of their performances. There are two non-Russian encores, ravishing performances of a selection from Dvorák's Songs My Mother Taught Me and Richard Strauss' Cäcilie. The recording captures a live performance at the 2009 Salzburg Festival. Netrebko is in absolutely top form, singing with an enveloping, velvety warmth, and soaring with a radiant intensity. Her beautifully controlled and nuanced vibrato is always used with a keen sensitivity to the drama inherent in the texts, and her interpretations are driven by her gift for communicating with her audience. Barenboim's accompaniments are so shapely and subtly shaded that they could hold the listener rapt even without the vocal line. The sound of Deutsche Grammophon's album is vividly present, with a lively acoustic and minimum audience noise, except for the applause, whose riotous enthusiasm is a happy reminder of what must have been genuine electricity between the performers and listeners.

© TiVo

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