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Giovanni Antonini - Haydn 2032, Vol. 7 :  Gli impresari

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Haydn 2032, Vol. 7 : Gli impresari

Kammerorchester Basel - Giovanni Antonini

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Since the 2015-2016 season Giovanni Antonini has been the "principal guest conductor" of the Basel Chamber Orchestra (Kammerorchester Basel, recreated in 1984 in the spirit of the first Basler Kammerorchester which was founded by the patron and Swiss conductor Paul Sacher). He is working with them on important discographic projects, such as the complete Beethoven symphonies (Sony Classical) which are proving a great success with the press; and the "Haydn 2032" project, a recording of the complete hundred and seven symphonies by Joseph Haydn, to mark the composer’s 300th birthday.

Volume 7 begins with the extraordinary Symphony No. 67 in F major. This astonishing work showcases its author's boundless inventive faculty, bringing together an overpowering joie de vivre with passages of pure chamber music; the evocation of the village fiddlers or, in the wonderful and enchanting Mozartian Adagio, the use of the bows "col legno" (that is, used by striking the wood of the bow against the stands) long before Rossini in his opening to Il Signor Bruschino, remain particularly memorable moments.

Mozart, the much-admired friend, is also present in this album dedicated to the impresarios ("gli impresari"), those theatre directors whom Prince Esterházy hired for certain shows that Haydn enriched with compositions which would later be transformed into symphonies – and which are now presented here, in this volume.



In addition to the Symphony No. 67 described above, this edition offers an original version of Mozart's Thamos, King of Egypt in an exclusively instrumental form, as well as Haydn's Symphonies No. 9 and No. 65 which were written for use in the theatre. This theatre of passions that runs through Haydn's 107 symphonies must therefore be understood as a perfect match between the natural aspirations of the composer's own genius and the pragmatism that almost always governed the arts of the time. © François Hudry/Qobuz

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Haydn 2032, Vol. 7 : Gli impresari

Giovanni Antonini

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Symphony No. 67 in F major, Hob.I:67 (Joseph Haydn)

1
I. Presto
Kammerorchester Basel
00:05:45

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

2
II. Adagio
Kammerorchester Basel
00:09:00

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

3
III. Menuet - Trio
Kammerorchester Basel
00:02:10

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

4
IV. Finale. Allegro di molto - Adagio e cantabile - Allegro di molto
Kammerorchester Basel
00:07:15

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

Thamos, König in Egypten, K. 345/336A (Wolfgang Amadeus Mozart)

5
I. Maestoso - Allegro
Kammerorchester Basel
00:04:52

Kammerorchester Basel - Giovanni Antonini, Conductor - Giovanni Antonini, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

6
II. Andante
Kammerorchester Basel
00:04:57

Kammerorchester Basel - Giovanni Antonini, Conductor - Giovanni Antonini, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

7
III. Allegro - Allegretto (Melodrama)
Kammerorchester Basel
00:02:44

Kammerorchester Basel - Giovanni Antonini, Conductor - Giovanni Antonini, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

8
IV. Allegro vivace assai
Kammerorchester Basel
00:03:28

Kammerorchester Basel - Giovanni Antonini, Conductor - Giovanni Antonini, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

9
VIIA. [Allegro]
Kammerorchester Basel
00:01:25

Kammerorchester Basel - Giovanni Antonini, Conductor - Giovanni Antonini, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

Symphony No. 65 in F Major, Hob.I:65 (Joseph Haydn)

10
I. Vivace con spirito
Kammerorchester Basel
00:07:32

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

11
II. Andante
Kammerorchester Basel
00:05:22

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

12
III. Menuet
Kammerorchester Basel
00:02:41

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

13
IV. Trio / Finale. Presto
Kammerorchester Basel
00:04:43

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

Symphony No. 9 in C Major Hob. I:9 (Joseph Haydn)

14
I. Allegro molto
Kammerorchester Basel
00:04:07

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

15
II. Andante
Kammerorchester Basel
00:04:25

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

16
III. Menuetto. Allegretto - Trio
Kammerorchester Basel
00:02:29

Kammerorchester Basel - Giovanni Antonini, Conductor - Franz Joseph Haydn, Composer

2019 Alpha Classics / Outhere Music France 2019 Joseph Haydn Stiftung & Alpha Classics / Outhere Music France

Album Description

Since the 2015-2016 season Giovanni Antonini has been the "principal guest conductor" of the Basel Chamber Orchestra (Kammerorchester Basel, recreated in 1984 in the spirit of the first Basler Kammerorchester which was founded by the patron and Swiss conductor Paul Sacher). He is working with them on important discographic projects, such as the complete Beethoven symphonies (Sony Classical) which are proving a great success with the press; and the "Haydn 2032" project, a recording of the complete hundred and seven symphonies by Joseph Haydn, to mark the composer’s 300th birthday.

Volume 7 begins with the extraordinary Symphony No. 67 in F major. This astonishing work showcases its author's boundless inventive faculty, bringing together an overpowering joie de vivre with passages of pure chamber music; the evocation of the village fiddlers or, in the wonderful and enchanting Mozartian Adagio, the use of the bows "col legno" (that is, used by striking the wood of the bow against the stands) long before Rossini in his opening to Il Signor Bruschino, remain particularly memorable moments.

Mozart, the much-admired friend, is also present in this album dedicated to the impresarios ("gli impresari"), those theatre directors whom Prince Esterházy hired for certain shows that Haydn enriched with compositions which would later be transformed into symphonies – and which are now presented here, in this volume.



In addition to the Symphony No. 67 described above, this edition offers an original version of Mozart's Thamos, King of Egypt in an exclusively instrumental form, as well as Haydn's Symphonies No. 9 and No. 65 which were written for use in the theatre. This theatre of passions that runs through Haydn's 107 symphonies must therefore be understood as a perfect match between the natural aspirations of the composer's own genius and the pragmatism that almost always governed the arts of the time. © François Hudry/Qobuz

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