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Thomas Fehlmann|Gute Luft

Gute Luft

Thomas Fehlmann

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Language available : english

Commissioned to provide music for the ambitious documentary series 24h Berlin, Thomas Fehlmann whipped up a surplus of his uniquely dub-dipped ambient techno, and he edited all of it down for Kompakt release as the 70-minute Gute Luft. That the disc shares its title with a song Fehlmann recorded in the early '80s with post-punk band Palais Schaumburg is mostly coincidental; "gute luft" translates to "good air," and the crisp atmospheres that have been part of Fehlmann's output for so long needed to be given only a slightly greater emphasis for the sake of a release with this title. Many of these tracks, especially the ones that carry a slight chug, like "Schwerelos" and "Permanent Touch," produce a hovering-just-above-ground sensation, like being propelled through Berlin on a swift hovercraft. The more contemplative material is almost as stimulating. "Falling into Your Eyes," with a subtle symphonic sweep, also carries a drone that is slightly demonic, and the closing "Scheiben" contains six minutes of the most disquieting ambience Fehlmann has made to date. Elements from his past work have been woven into the mostly new content. Experts would be hard-pressed to identify them; don't expect those wicked swinging vamps from "Gratis" to make an appearance or anything.
© Andy Kellman /TiVo

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Gute Luft

Thomas Fehlmann

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1
Alles, Immer
00:06:18

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

2
Falling Into Your Eyes
00:04:08

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

3
Wasser Im Fluss
00:04:17

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

4
Schwerelos
00:06:19

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

5
Speeding
00:06:36

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

6
In The Wind II
00:03:35

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

7
Soft Park
00:03:05

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

8
Permanent Touch
00:03:24

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

9
Von Oben
00:06:25

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

10
Fluss Im Wasser
00:03:25

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

11
Cityscape
00:04:08

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

12
Berliner Luftikus
00:03:48

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

13
Darkspark
00:03:03

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

14
Im Überblick
00:04:53

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

15
Scheiben
00:06:00

Thomas Fehlmann, Main Artist, Artist, Producer, Composer

2010 Kompakt 2010 Kompakt

Albumbeschreibung

Commissioned to provide music for the ambitious documentary series 24h Berlin, Thomas Fehlmann whipped up a surplus of his uniquely dub-dipped ambient techno, and he edited all of it down for Kompakt release as the 70-minute Gute Luft. That the disc shares its title with a song Fehlmann recorded in the early '80s with post-punk band Palais Schaumburg is mostly coincidental; "gute luft" translates to "good air," and the crisp atmospheres that have been part of Fehlmann's output for so long needed to be given only a slightly greater emphasis for the sake of a release with this title. Many of these tracks, especially the ones that carry a slight chug, like "Schwerelos" and "Permanent Touch," produce a hovering-just-above-ground sensation, like being propelled through Berlin on a swift hovercraft. The more contemplative material is almost as stimulating. "Falling into Your Eyes," with a subtle symphonic sweep, also carries a drone that is slightly demonic, and the closing "Scheiben" contains six minutes of the most disquieting ambience Fehlmann has made to date. Elements from his past work have been woven into the mostly new content. Experts would be hard-pressed to identify them; don't expect those wicked swinging vamps from "Gratis" to make an appearance or anything.
© Andy Kellman /TiVo

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