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Dinah Washington|Gold

Gold

Dinah Washington

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Dinah Washington's digital discography is riddled with compilations that brandish the word "Gold," as in "Golden Classics," "Golden Hits," "Golden Songs," "Golden Greats," "Golden Stars," and "Goldies." All that glitter, however, does not necessarily describe or guarantee well-produced collections. Happily, Verve's 2007 double-disc Washington anthology deserves its title, which simply consists of the word "Gold." Opening with her debut session (for Harry Lim's Keynote label on December 19, 1943) and following her progress across most of her 20-year recording career, this excellent chronological survey documents her triumphs as a rhythm & blues, jazz, and pop vocalist. The real jazz selections, in particular the nearly ten-minute take on "Lover Come Back to Me," demonstrate this gorgeous and powerful woman's "Don't Tread on Me" approach to music, love and life. Her formidable, somewhat volcanic interpretations of Bessie Smith's "Back Water Blues" and the torch song "All of Me" come from the 1958 Newport Jazz Festival. This historic episode can and should be enjoyed as a scene in the motion picture Jazz on a Summer's Day. Backed by the Terry Gibbs Sextet, Washington grabs a pair of percussion mallets and smilingly intrudes upon Gibbs' vibraphone solo during "All of Me," bumping him aside with a sway of her hips and demonstrating more than passing familiarity with the instrument (not altogether surprising since she originally appeared on the scene as vibe king Lionel Hampton's precocious upstart vocalist). The startling segue from the explosive climax of "All of Me" into the string-laden, chorally sweetened masterwork "What a Difference a Day Made" provides a healthy contrast that might tweak those who disparage such sugary production techniques. The lesson, of course, is that Washington sounded great under any circumstances. Furthermore, she consciously made the decision to record with strings as did Billie Holiday, Charlie Parker, Ben Webster, and Coleman Hawkins. Each of these artists used the chamber or orchestral format to achieve a number of personal goals that included dignity, delicacy, and of course, economic stability. Complaining about Washington's string section is as pointless as poking fun at her wigs, gowns or tiaras. One doesn't focus on Earl Hines' toupee -- one listens to the music he plays. Put aside all preconceptions and surrender your heart. Verve's Gold portrait of Washington is a superb tribute to a sublime artist beside whom a lot of other singers sound immature, insecure, insincere, or anemic.

© arwulf arwulf /TiVo

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Gold

Dinah Washington

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1
Evil Gal Blues
Dinah Washington
00:02:52

Lionel Hampton, ComposerLyricist - Dinah Washington, MainArtist - Leonard Feather, Producer, ComposerLyricist - Lionel Hampton & His Sextet, Ensemble - Harry Lim, Producer

℗ 1944 UMG Recordings, Inc.

2
Salty Papa Blues
Dinah Washington
00:03:03

Dinah Washington, MainArtist - Leonard Feather, Producer, ComposerLyricist - Lionel Hampton & His Sextet, Ensemble

℗ 1944 UMG Recordings, Inc.

3
Blow Top Blues (Single Version)
Lionel Hampton And His Septet
00:03:17

Herbie Fields, Alto Saxophone, AssociatedPerformer - GEORGE JONES, Drums, AssociatedPerformer - Dinah Washington, MainArtist - Leonard Feather, ComposerLyricist - Arnett Cobb, Tenor Saxophone, AssociatedPerformer - Charles K. Harris, Upright Bass, AssociatedPerformer - Wendell Culley, Trumpet, AssociatedPerformer - Lionel Hampton and His Septet, MainArtist - Jane Feather, ComposerLyricist - Johnny Mehegan, Piano, AssociatedPerformer - Billy Mackell, Guitar, AssociatedPerformer

℗ 1945 The Verve Music Group, a Division of UMG Recordings, Inc.

4
Embraceable You (Single Version)
Dinah Washington
00:02:53

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Gus Chappell Orchestra, Orchestra, FeaturedArtist

℗ 1946 UMG Recordings, Inc.

5
A Slick Chick On The Mellow Side
Dinah Washington
00:02:40

Harvey Brooks, ComposerLyricist - CLYDE OTIS, Producer - Quincy Jones, Producer - Johnny Williams, Bass, AssociatedPerformer - Dinah Washington, MainArtist - Hal Mooney, Producer - Bob Shad, Producer - Leonard Feather, Producer - Walter Johnson, Drums, AssociatedPerformer - Red Richards, Piano, AssociatedPerformer

℗ 1946 UMG Recordings, Inc.

6
Ain't Misbehavin'
Dinah Washington
00:02:47

Andy Razaf, ComposerLyricist - Fats Waller, ComposerLyricist - Harry Brooks, ComposerLyricist - Dinah Washington, MainArtist - Bob Shad, Producer - Rudy Martin Trio, FeaturedArtist

℗ 1947 UMG Recordings, Inc.

7
Walkin' And Talkin' And Crying My Blues Away (Single Version)
Dinah Washington
00:02:31

Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Leo Hickman, ComposerLyricist - Rudy Martin Trio, FeaturedArtist

℗ 1947 UMG Recordings, Inc.

8
What Can I Say After I Say I'm Sorry? (Single Version)
Dinah Washington
00:02:36

Walter Donaldson, ComposerLyricist - ABE LYMAN, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Rudy Martin Trio, FeaturedArtist

℗ 1947 UMG Recordings, Inc.

9
Record Ban Blues
Dinah Washington
00:03:15

Joe Newman, ComposerLyricist - Henry Glover, Producer - Dinah Washington, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Joe Wilder, ComposerLyricist - Cootie Williams Orchestra, Orchestra

℗ 1947 UMG Recordings, Inc.

10
Am I Asking Too Much (Single Version)
Dinah Washington
00:02:48

Helen Miller, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Fay Whitman, ComposerLyricist - Dave Young's Orchestra, Orchestra, FeaturedArtist

℗ 1947 UMG Recordings, Inc.

11
Long John Blues
Dinah Washington
00:03:11

CLYDE OTIS, Producer - Quincy Jones, Producer - Dinah Washington, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Hal Mooney, Producer - Bob Shad, Producer - Leonard Feather, Producer - Tommy George, ComposerLyricist

℗ 1947 UMG Recordings, Inc.

12
It's Too Soon To Know (Single Version)
Dinah Washington
00:02:41

Deborah Chessler, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Mitch Miller, Vocal Arranger, AssociatedPerformer

℗ 1948 UMG Recordings, Inc.

13
Baby Get Lost (Single Version)
Dinah Washington
00:02:51

Dinah Washington, MainArtist - Leonard Feather, Producer, ComposerLyricist - Teddy Stewart Orchestra, Orchestra, FeaturedArtist

℗ 1949 UMG Recordings, Inc.

14
It Isn't Fair
Dinah Washington
00:03:00

Dinah Washington, MainArtist - Teddy Stewart Orchestra, Orchestra, FeaturedArtist - Richard Himber, ComposerLyricist - Sylvester Sprigato, ComposerLyricist - Frank Warshauer, ComposerLyricist

℗ 1950 UMG Recordings, Inc.

15
I'll Never Be Free (Single Version)
Dinah Washington
00:02:43

GEORGE DAVID WEISS, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - BENNIE BENJAMIN, ComposerLyricist - Teddy Stewart Orchestra, FeaturedArtist

℗ 1950 UMG Recordings, Inc.

16
I Wanna Be Loved
Dinah Washington
00:02:48

Edward Heyman, ComposerLyricist - Billy Rose, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - John W. Green, ComposerLyricist - Teddy Stewart Orchestra, FeaturedArtist - Teddy Stewart, Conductor

℗ 1950 UMG Recordings, Inc.

17
I Won't Cry Anymore (Single Version)
Dinah Washington
00:03:20

Al Frisch, ComposerLyricist - Fred Wise, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Jimmy Carroll Orchestra, Orchestra, FeaturedArtist

℗ 1951 UMG Recordings, Inc.

18
Trouble In Mind
Dinah Washington
00:02:48

Ben Webster, MainArtist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Bob Shad, Producer - Richard M. Jones, ComposerLyricist - Jimmy Cobb's Orchestra, Orchestra

℗ 1952 UMG Recordings, Inc.

19
TV Is The Thing (This Year) (Alternate Take)
Dinah Washington
00:02:43

Phil Medley, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - William Sanford, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

20
Am I Blue
Dinah Washington
00:03:13

Paul Quinichette, Tenor Saxophone, AssociatedPerformer - Harry Akst, ComposerLyricist - Clark Terry, Trumpet, AssociatedPerformer - Grant Clarke, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Junior Mance, Piano, AssociatedPerformer - Bob Shad, Producer - Ed Thigpen, Drums, AssociatedPerformer - Jackie Davis, Organ, AssociatedPerformer - Eddie Davis, Tenor Saxophone, AssociatedPerformer - Keter Betts, Upright Bass, AssociatedPerformer - Rick Henderson, Alto Saxophone, AssociatedPerformer - Gus Chappell, Trombone, AssociatedPerformer

℗ 1953 UMG Recordings, Inc.

21
Our Love Is Here To Stay
Dinah Washington
00:02:29

George Gershwin, Composer - Ira Gershwin, Author - Paul Quinichette, Tenor Saxophone, AssociatedPerformer - Clark Terry, Trumpet, AssociatedPerformer - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Junior Mance, Piano, AssociatedPerformer - Bob Shad, Producer - Ed Thigpen, Drums, AssociatedPerformer - Jackie Davis, Organ, AssociatedPerformer - Eddie Davis, Tenor Saxophone, AssociatedPerformer - Keter Betts, Double Bass, Upright Bass, AssociatedPerformer - Rick Henderson, Alto Saxophone, AssociatedPerformer - Gus Chappell, Trombone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

22
Blue Skies
Dinah Washington
00:10:55

Irving Berlin, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Bob Shad, Producer

℗ 1954 UMG Recordings, Inc.

DISC 2

1
I Don't Hurt Anymore
Dinah Washington
00:03:11

Donald Robertson, ComposerLyricist - Jack Rollins, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Hal Mooney and His Orchestra, Orchestra/Member, FeaturedArtist, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

2
Crazy He Calls Me (Live In Los Angeles, 1954)
Clifford Brown All Stars
00:04:46

Bob Russell, Composer - Carl Sigman, Author - Clark Terry, Trumpet, AssociatedPerformer - Herb Geller, Saxophone, AssociatedPerformer - Dinah Washington, MainArtist - Junior Mance, Piano, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Maynard Ferguson, Trumpet, AssociatedPerformer - Harold Land, Saxophone, AssociatedPerformer - Keter Betts, Double Bass, AssociatedPerformer - Clifford Brown All Stars, MainArtist - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

3
Lover Come Back To Me (Live In Los Angeles, 1954)
Dinah Washington
00:09:51

Oscar Hammerstein II , ComposerLyricist - Sigmund Romberg, ComposerLyricist - Clifford Brown, FeaturedArtist - Clark Terry, Trumpet, AssociatedPerformer - Herb Geller, Saxophone, AssociatedPerformer - Dinah Washington, MainArtist - Junior Mance, Piano, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Maynard Ferguson, Trumpet, AssociatedPerformer - Harold Land, Saxophone, AssociatedPerformer - Keter Betts, Double Bass, AssociatedPerformer - Richie Powell, Piano, AssociatedPerformer - George Morrow, Double Bass, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

4
Teach Me Tonight
Dinah Washington
00:02:44

Sammy Cahn, ComposerLyricist - Gene DePaul, ComposerLyricist - Harold Mooney, Conductor - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Bob Shad, Producer - Harold Mooney And His Orchestra, Orchestra

℗ 1954 Verve Label Group, a Division of UMG Recordings, Inc.

5
You Don't Know What Love Is
Dinah Washington
00:04:00

Jimmy Cleveland, Trombone, AssociatedPerformer - CLYDE OTIS, Producer - Quincy Jones, Producer, Recording Arranger, AssociatedPerformer - Cecil Payne, Saxophone, AssociatedPerformer - Gene DePaul, ComposerLyricist - Wynton Kelly, Piano, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Don Raye, ComposerLyricist - Clark Terry, Trumpet, AssociatedPerformer - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Hal Mooney, Producer - Bob Shad, Producer - Ed Thigpen, Drums, AssociatedPerformer - Leonard Feather, Producer - Keter Betts, Bass, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

6
If I Had You
Dinah Washington
00:04:45

Jimmy Campbell, ComposerLyricist - Reg Connelly, ComposerLyricist - Quincy Jones, Recording Arranger, AssociatedPerformer - TED SHAPIRO, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Bob Shad, Producer

℗ 1955 UMG Recordings, Inc.

7
I'll Close My Eyes
Dinah Washington
00:03:59

Quincy Jones, Conductor, Recording Arranger, AssociatedPerformer - Buddy Kaye, Author - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Bob Shad, Producer - Quincy Jones And His Orchestra, FeaturedArtist - William "Billy" Reid, Composer

℗ 1957 UMG Recordings, Inc.

8
Back Water Blues (Live At Newport Jazz Festival, 1958)
Dinah Washington
00:04:37

Paul West, Double Bass, AssociatedPerformer - Bessie Smith, ComposerLyricist - Wynton Kelly, Piano, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Melba Liston, Trombone, AssociatedPerformer - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Harold Ousley, Tenor Saxophone, AssociatedPerformer - Sahib Shihab, Baritone Saxophone, AssociatedPerformer

℗ 1958 UMG Recordings, Inc.

9
All Of Me (Live At Newport Jazz Festival, 1958)
Dinah Washington
00:05:29

Seymour B. Simons, ComposerLyricist - Paul West, Double Bass, AssociatedPerformer - Wynton Kelly, Piano, AssociatedPerformer - Dinah Washington, MainArtist - GERALD MARKS, ComposerLyricist - Max Roach, Drums, AssociatedPerformer - Bob Shad, Producer - Urbie Green, Trombone, AssociatedPerformer - Don Elliott, French Horn, AssociatedPerformer - Terry Gibbs, Vibraphone, AssociatedPerformer

℗ 1958 UMG Recordings, Inc.

10
What A Difference A Day Made (Single Version)
Dinah Washington
00:02:28

Belford Hendricks, Recording Arranger, AssociatedPerformer - Maria Grever, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Stanley Adams, ComposerLyricist

℗ 1959 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Unforgettable
Dinah Washington
00:02:41

Belford Hendricks, Conductor, Recording Arranger, AssociatedPerformer - CLYDE OTIS, Producer - Quincy Jones, Producer - Irving Gordon, ComposerLyricist - Dinah Washington, MainArtist - Hal Mooney, Producer - Bob Shad, Producer - Leonard Feather, Producer - Belford Hendricks' Orchestra, Orchestra

℗ 1959 UMG Recordings, Inc.

12
Baby, You’ve Got What It Takes
Dinah Washington
00:02:43

Belford Hendricks, Conductor, Recording Arranger, AssociatedPerformer - CLYDE OTIS, Producer, ComposerLyricist - Brook Benton, FeaturedArtist - Quincy Jones, Producer - Dinah Washington, MainArtist - Murray Stein, ComposerLyricist - Hal Mooney, Producer - Bob Shad, Producer - Leonard Feather, Producer - Belford Hendricks' Orchestra, Orchestra

℗ 1959 UMG Recordings, Inc.

13
A Bad Case Of The Blues
Dinah Washington
00:02:37

Belford Hendricks, Conductor, Recording Arranger, AssociatedPerformer - CLYDE OTIS, ComposerLyricist - Dinah Washington, MainArtist

℗ 1959 UMG Recordings, Inc.

14
This Bitter Earth
Dinah Washington
00:02:26

Belford Hendricks, Conductor, Recording Arranger, AssociatedPerformer - CLYDE OTIS, Producer, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Belford Hendricks' Orchestra, Orchestra

℗ 1959 UMG Recordings, Inc.

15
Love Walked In
Dinah Washington
00:02:07

Belford Hendricks, Recording Arranger, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, Author - Dinah Washington, MainArtist - Nat Goodman, Conductor

℗ 1960 UMG Recordings, Inc.

16
A Rockin' Good Way (To Mess Around And Fall In Love)
Dinah Washington
00:02:18

Belford Hendricks, Conductor, Recording Arranger, AssociatedPerformer - Luchi De Jesus, ComposerLyricist - CLYDE OTIS, Producer, ComposerLyricist - Brook Benton, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer

℗ 1960 UMG Recordings, Inc.

17
September In The Rain
Dinah Washington
00:02:04

Belford Hendricks, Recording Arranger, AssociatedPerformer - AL DUBIN, Author - Harry Warren, Composer - Dinah Washington, MainArtist - Nat Goodman, Conductor

℗ 1963 UMG Recordings, Inc.

18
Mad About The Boy
Dinah Washington
00:02:44

Joe Newman, Trumpet, AssociatedPerformer - Quincy Jones, Conductor, Producer - Noel Coward, ComposerLyricist - Dinah Washington, Vocals, MainArtist, AssociatedPerformer - Billy Byers, Trombone, AssociatedPerformer - Jackie Wilson, Piano, AssociatedPerformer

℗ 1962 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Dinah Washington's digital discography is riddled with compilations that brandish the word "Gold," as in "Golden Classics," "Golden Hits," "Golden Songs," "Golden Greats," "Golden Stars," and "Goldies." All that glitter, however, does not necessarily describe or guarantee well-produced collections. Happily, Verve's 2007 double-disc Washington anthology deserves its title, which simply consists of the word "Gold." Opening with her debut session (for Harry Lim's Keynote label on December 19, 1943) and following her progress across most of her 20-year recording career, this excellent chronological survey documents her triumphs as a rhythm & blues, jazz, and pop vocalist. The real jazz selections, in particular the nearly ten-minute take on "Lover Come Back to Me," demonstrate this gorgeous and powerful woman's "Don't Tread on Me" approach to music, love and life. Her formidable, somewhat volcanic interpretations of Bessie Smith's "Back Water Blues" and the torch song "All of Me" come from the 1958 Newport Jazz Festival. This historic episode can and should be enjoyed as a scene in the motion picture Jazz on a Summer's Day. Backed by the Terry Gibbs Sextet, Washington grabs a pair of percussion mallets and smilingly intrudes upon Gibbs' vibraphone solo during "All of Me," bumping him aside with a sway of her hips and demonstrating more than passing familiarity with the instrument (not altogether surprising since she originally appeared on the scene as vibe king Lionel Hampton's precocious upstart vocalist). The startling segue from the explosive climax of "All of Me" into the string-laden, chorally sweetened masterwork "What a Difference a Day Made" provides a healthy contrast that might tweak those who disparage such sugary production techniques. The lesson, of course, is that Washington sounded great under any circumstances. Furthermore, she consciously made the decision to record with strings as did Billie Holiday, Charlie Parker, Ben Webster, and Coleman Hawkins. Each of these artists used the chamber or orchestral format to achieve a number of personal goals that included dignity, delicacy, and of course, economic stability. Complaining about Washington's string section is as pointless as poking fun at her wigs, gowns or tiaras. One doesn't focus on Earl Hines' toupee -- one listens to the music he plays. Put aside all preconceptions and surrender your heart. Verve's Gold portrait of Washington is a superb tribute to a sublime artist beside whom a lot of other singers sound immature, insecure, insincere, or anemic.

© arwulf arwulf /TiVo

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