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Aki Takahashi|Giacinto Scelsi: The Works for Piano, Vol. 3

Giacinto Scelsi: The Works for Piano, Vol. 3

Aki Takahashi

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Fans of the mystically shaded and aesthetically rarefied keyboard music of Giacinto Scelsi will not need much prompting to snap up this 2006 disc, the third volume in Mode's comprehensive survey of the reclusive composer's piano works. With the eloquent and skillful pianist Aki Takahashi in absolute control of this mysterious and evanescent material, the program is sure to please Scelsi's growing cadre of admirers and to give a representative sampling to newcomers of his work from three different periods. The Sonata No. 3 (1939) is perhaps the most "conventional" -- if that word can ever be applied to Scelsi's music -- in its form and content, coming as it does from his early phase; its three languid movements are densely chromatic and dramatically shaped, and sound rather like a hypertrophic development of Scriabin's methods in a fully atonal setting. The Cinque Incantesimi and the Quattro Illustrazioni (both 1953), and the Suite No. 10, "Ka" (1954), are works of the middle period, and are most typical of Scelsi's quirky personal style, often light and whimsical in character, but also punctuated with fierce palm tremolos and violent elbow slams, and structured to rise and fall between thundering cluster chord climaxes and gnomic passages of the sparest textures. Un adieu (1978-1988?) is a late composition with a dirge-like tread and tolling, impressionistic harmonies that are nebulous in their near-tonality but utterly final in their dark ending. Thanks to Mode's 24-bit hi-definition sound, this recording is clean, focused, and balanced, and it may require only a few adjustments at the heaviest fortissimos.

© TiVo

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Giacinto Scelsi: The Works for Piano, Vol. 3

Aki Takahashi

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Piano Suite No. 10 "Ka" (Giacinto Scelsi)

1
I. —
00:03:23

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

2
II. —
00:02:50

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

3
III. —
00:02:24

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

4
IV. —
00:03:36

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

5
V. —
00:01:54

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

6
VI. —
00:03:25

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

7
VII. —
00:04:12

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

4 Illustrazioni (Giacinto Scelsi)

8
No. 1. Shesha - Shayi - Vishnu
00:03:46

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

9
No. 2. Varaha - Avatara
00:03:46

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

10
No. 3. Rama - Avatara
00:02:36

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

11
No. 4. Krishna - Avatara
00:04:06

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Piano Sonata No. 3 (Giacinto Scelsi)

12
I. Lento: Rubato
00:08:41

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

13
II. Con Dolcezza
00:05:11

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

14
III. —
00:06:06

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

5 Incantesimi (Giacinto Scelsi)

15
No. 1. Deciso imperioso
00:02:23

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

16
No. 2. Presto (Wild and Strident)
00:01:37

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

17
No. 3. Agitato
00:01:40

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

18
No. 4. Lento (Misterioso, soprannaturale)
00:03:33

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

19
No. 5. (Wild and Strident)
00:02:10

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Adieu (Giacinto Scelsi)

20
Adieu
00:06:58

Giacinto Scelsi, Composer - Aki Takahashi, Artist, MainArtist

(C) 2006 Mode Records (P) 2006 Mode Records

Albumbeschreibung

Fans of the mystically shaded and aesthetically rarefied keyboard music of Giacinto Scelsi will not need much prompting to snap up this 2006 disc, the third volume in Mode's comprehensive survey of the reclusive composer's piano works. With the eloquent and skillful pianist Aki Takahashi in absolute control of this mysterious and evanescent material, the program is sure to please Scelsi's growing cadre of admirers and to give a representative sampling to newcomers of his work from three different periods. The Sonata No. 3 (1939) is perhaps the most "conventional" -- if that word can ever be applied to Scelsi's music -- in its form and content, coming as it does from his early phase; its three languid movements are densely chromatic and dramatically shaped, and sound rather like a hypertrophic development of Scriabin's methods in a fully atonal setting. The Cinque Incantesimi and the Quattro Illustrazioni (both 1953), and the Suite No. 10, "Ka" (1954), are works of the middle period, and are most typical of Scelsi's quirky personal style, often light and whimsical in character, but also punctuated with fierce palm tremolos and violent elbow slams, and structured to rise and fall between thundering cluster chord climaxes and gnomic passages of the sparest textures. Un adieu (1978-1988?) is a late composition with a dirge-like tread and tolling, impressionistic harmonies that are nebulous in their near-tonality but utterly final in their dark ending. Thanks to Mode's 24-bit hi-definition sound, this recording is clean, focused, and balanced, and it may require only a few adjustments at the heaviest fortissimos.

© TiVo

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