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Froberger’s fantasias and canzonas are amongst his most beautifully crafted yet most neglected works. They survive together with toccatas and partitas in a meticulously written autograph manuscript, the Libro Secondo, dated 19 September 1649. This is the first recording of all fourteen works on the clavichord. Froberger was a most important figure in the early baroque period, helping to develop the style of the ‘dance suite’ so well known from the later hands of Bach, Handel and so many more.
The instrument used here is a reconstruction (2009, Andreas Hermet) of a South German clavichord which is in the Berlin Musical Instrument Museum. It is an ideal vehicle for the strongly contrapuntal music of Froberger. The clavichord is a small quiet instrument but does have a wide dynamic range and even variable vibrato – an extremely difficult instrument to master.
Terence Charlston is one of the UK’s foremost exponents of early keyboard music both as a soloist on organ, clavichord and harpsichord, and as a chamber musician, having been a member of both the London Baroque and Florilegium. He has initiated many new editions and recordings of early music and has developed an international reputation as one of the leaders of this area of music. © Divine Art
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Fantasia I sopra ut, re, mi, fa, sol, la in C Major, FbWV 201 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia II in A Minor, FbWV 202 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia III in F Major, FbWV 203 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia IV sopra sol, la, re in G Major, FbWV 204 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia V in A Minor, FbWV 205 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia VI in A Minor, FbWV 206 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia in G Major, FbWV 207 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Fantasia Duo in D Minor, FbWV 208 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona I in D Minor, FbWV 301 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona II in G Minor, FbWV 302 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona III in F Major, FbWV 303 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona IV in G Major, FbWV 304 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona V in C Major, FbWV 305 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Canzona VI in A Minor, FbWV 306 (Johann Jakob Froberger)
Johann Jakob Froberger, Composer - Terence Charlston , Artist, MainArtist
(C) 2020 Divine Art (P) 2020 Divine Art
Albumbeschreibung
Froberger’s fantasias and canzonas are amongst his most beautifully crafted yet most neglected works. They survive together with toccatas and partitas in a meticulously written autograph manuscript, the Libro Secondo, dated 19 September 1649. This is the first recording of all fourteen works on the clavichord. Froberger was a most important figure in the early baroque period, helping to develop the style of the ‘dance suite’ so well known from the later hands of Bach, Handel and so many more.
The instrument used here is a reconstruction (2009, Andreas Hermet) of a South German clavichord which is in the Berlin Musical Instrument Museum. It is an ideal vehicle for the strongly contrapuntal music of Froberger. The clavichord is a small quiet instrument but does have a wide dynamic range and even variable vibrato – an extremely difficult instrument to master.
Terence Charlston is one of the UK’s foremost exponents of early keyboard music both as a soloist on organ, clavichord and harpsichord, and as a chamber musician, having been a member of both the London Baroque and Florilegium. He has initiated many new editions and recordings of early music and has developed an international reputation as one of the leaders of this area of music. © Divine Art
About the album
- 1 disc(s) - 14 track(s)
- Total length: 01:01:58
- 1 Digital booklet
- Main artists: Terence Charlston
- Composer: Johann Jakob Froberger
- Label: Divine Art
- Genre: Klassiek
(C) 2020 Divine Art (P) 2020 Divine Art
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