Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Language available : english
The wind music of Francis Poulenc forms the backbone of the most beloved wind chamber music repertoire of the 20th century. Hindemith was more prolific in the genre, but Poulenc takes top honors because his wind music is simply so much more fun to play and listen to. Several of the pieces, the Sextuor for piano and winds, the Sonata for flute and piano, and Elégie for horn and piano, are undisputed masterpieces of the 20th century chamber repertoire, but all the works recorded here are a delight, with the substance and style to make them of interest to music lovers beyond simply fans of wind music. Poulenc wrote his wind pieces mostly in two creative bursts, one early in his career and one late, with the exception of two from smack in the middle, the Sextuor, which was given its final form in 1939, and the very brief 1942 flute solo, Un joeur de flûte berce les ruines, discovered in 1997 and recorded here for the first time. The early works tends to be influenced by neo-classicism, with a Scarlattian conciseness and clarity, but the imprint of Poulenc's astonishing, quirky wit is everywhere evident. The later pieces, composed after his embrace of Roman Catholicism and after the horrors of the Second World War, while retaining all the inventiveness and cleverness of the earlier works, have an additional mellow subtlety, a taste of melancholy, and a profundity similar to that heard in Les Dialogues des Carmélites, which Poulenc had written just before these wind solos. The players are the soloists of the Orchestre de Paris, and it's evident from their knowing performances that they have the composer's Gallic sensibility in their blood. This is particularly evident in the Sextuor; many performers luxuriate in the lush Romanticism of the first movement's second theme, but these players maintain just a touch of ironic detachment, and it feels exactly right. Besides being spirited, the performances are technically impeccable. The instrumentalists are accompanied by pianists Claire Désert and Emmanuel Strosser, who share their fine feeling for the composer's idiosyncrasies. The sound is generally clean, bright, and nicely balanced, except that the players in the Sonata for horn, trumpet, and trombone sound somewhat distant.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From 12,49€/month
Un joueur de flûte berce les ruines (Francis Poulenc)
Vincent Lucas, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sonate pour clarinette et basson Op.32 (Francis Poulenc)
Marc Trenel, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Marc Trenel, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Marc Trenel, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sonate pour deux clarinettes Op. 7 (Francis Poulenc)
Orchestre de Paris, interprète - Olivier Derbesse, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Olivier Derbesse, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Olivier Derbesse, interprète - Philippe Berrod, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Trio pour piano, hautbois et basson Op. 43 (Francis Poulenc)
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Marc Trenel, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Marc Trenel, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Marc Trenel, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sonate pour cor, trompette et trombone, Op. 33, FP 33a (Francis Poulenc)
Orchestre de Paris, interprète - Frederic Mellardi, interprète - Guillaume Cottet-Dumoulin, interprète - Francis Orval, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Trio pour piano, hautbois et basson Op. 43 (Francis Poulenc)
Orchestre de Paris, interprète - Frederic Mellardi, interprète - Guillaume Cottet-Dumoulin, interprète - Francis Orval, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Frederic Mellardi, interprète - Guillaume Cottet-Dumoulin, interprète - Francis Orval, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sextuor pour piano, flûte, hautbois, clarinette, basson et cor, Op. 64 (Francis Poulenc)
Alexandre Gattet, interprète - Orchestre de Paris, interprète - André Cazalet, interprète - Vincent Lucas, interprète - Marc Trenel, interprète - Philippe Berrod, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - André Cazalet, interprète - Vincent Lucas, interprète - Marc Trenel, interprète - Philippe Berrod, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - André Cazalet, interprète - Vincent Lucas, interprète - Marc Trenel, interprète - Philippe Berrod, interprète - Claire Désert, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
DISC 2
Sonate pour clarinette et piano, Op. 184, FP 184 (Francis Poulenc)
Orchestre de Paris, interprète - Philippe Berrod, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Philippe Berrod, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Philippe Berrod, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sonate pour flûte et piano Op. 164 (Francis Poulenc)
Orchestre de Paris, interprète - Vincent Lucas, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Vincent Lucas, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Orchestre de Paris, interprète - Vincent Lucas, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Sonate pour hautbois et piano Op. 185 (Francis Poulenc)
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Alexandre Gattet, interprète - Orchestre de Paris, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Élégie pour cor et piano (Francis Poulenc)
Orchestre de Paris, interprète - André Cazalet, interprète - Emmanuel Strosser, interprète - Francis Poulenc, compositeur
2010 Benoit d'Hau 2010 Benoit d'Hau
Albumbeschreibung
The wind music of Francis Poulenc forms the backbone of the most beloved wind chamber music repertoire of the 20th century. Hindemith was more prolific in the genre, but Poulenc takes top honors because his wind music is simply so much more fun to play and listen to. Several of the pieces, the Sextuor for piano and winds, the Sonata for flute and piano, and Elégie for horn and piano, are undisputed masterpieces of the 20th century chamber repertoire, but all the works recorded here are a delight, with the substance and style to make them of interest to music lovers beyond simply fans of wind music. Poulenc wrote his wind pieces mostly in two creative bursts, one early in his career and one late, with the exception of two from smack in the middle, the Sextuor, which was given its final form in 1939, and the very brief 1942 flute solo, Un joeur de flûte berce les ruines, discovered in 1997 and recorded here for the first time. The early works tends to be influenced by neo-classicism, with a Scarlattian conciseness and clarity, but the imprint of Poulenc's astonishing, quirky wit is everywhere evident. The later pieces, composed after his embrace of Roman Catholicism and after the horrors of the Second World War, while retaining all the inventiveness and cleverness of the earlier works, have an additional mellow subtlety, a taste of melancholy, and a profundity similar to that heard in Les Dialogues des Carmélites, which Poulenc had written just before these wind solos. The players are the soloists of the Orchestre de Paris, and it's evident from their knowing performances that they have the composer's Gallic sensibility in their blood. This is particularly evident in the Sextuor; many performers luxuriate in the lush Romanticism of the first movement's second theme, but these players maintain just a touch of ironic detachment, and it feels exactly right. Besides being spirited, the performances are technically impeccable. The instrumentalists are accompanied by pianists Claire Désert and Emmanuel Strosser, who share their fine feeling for the composer's idiosyncrasies. The sound is generally clean, bright, and nicely balanced, except that the players in the Sonata for horn, trumpet, and trombone sound somewhat distant.
© TiVo
About the album
- 2 disc(s) - 26 track(s)
- Total length: 01:44:32
- 1 Digital booklet
- Main artists: Les Solistes de l'Orchestre de Paris Claire Désert Emmanuel Strosser
- Composer: Francis Poulenc
- Label: Indesens
- Area: France
- Genre: Klassiek Kamermuziek
- Period: Modern Style
2010 Benoit d'Hau 2010 Benoit d'Hau
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.