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Royal Philharmonic Orchestra|Finzi: Love's Labour's Lost - Let us garlands bring - 2 Sonnets - Farewell to Arms - In terra pax

Finzi: Love's Labour's Lost - Let us garlands bring - 2 Sonnets - Farewell to Arms - In terra pax

Vernon Handley, New Philharmonia Orchestra, Royal Philharmonic Orchestra, John Carol Case

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Language available : english

In the case of Gerald Finzi, it is difficult if not impossible to speak of better and worse works. The twentieth century English composer's small but highly polished and deeply felt oeuvre allows no such criticism. One can, however, speak of more and less popular works. Chief among the former must rank his Shakespeare song cycle "Let us Garlands bring" for baritone and piano or, as here, string orchestra, settings of such artistic perfection that even Schubert's setting of "Who is Sylvia?" could not be said to be superior. And while it would be hard to determine with assurance which of Finzi's works is the least popular, among the songs for voice and orchestra, either his "Farewell to Arms" or his "Two Sonnets" by John Milton might be so described without fear of exaggeration. Thus, this Lyrita disc combines Finzi's best-known songs with his least-known songs and couples them with his most vivid and evocative orchestral work, the suite from his incidental music to a production of Love's Labour's Lost, and one of his two exceedingly lovely Christmas works, "In terra pax" for soprano, baritone, chorus, and orchestra (the other being "Dies Natalis"). The vocal soloists are uniformly excellent and consistently English: their diction is excellent, their technique exemplary, and their tone fruity. In "Let us Garlands bring," some listeners may prefer Bryn Terfel's brash artistry to John Carol Case's reserved sensitivity, but few would assert Case's interpretation is less satisfactory. Vernon Handley, an able and attentive accompanist in the vocal works, is a brilliant and colorful conductor in the "Love's Labour's Lost" suite, and the New Philharmonia is as subtle and shaded in the vocal works as the Royal Philharmonic is in the orchestral works. As always, Lyrita's sound is clean, clear, cool, and deep.
© TiVo

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Finzi: Love's Labour's Lost - Let us garlands bring - 2 Sonnets - Farewell to Arms - In terra pax

Royal Philharmonic Orchestra

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Love's Labour's Lost, Op. 28a (Gerald Finzi)

1
I. Introduction
Royal Philharmonic Orchestra
00:04:23

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

2
II. Moth
Royal Philharmonic Orchestra
00:02:00

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

3
III. Nocturne
Royal Philharmonic Orchestra
00:03:27

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

4
IV. The Hunt
Royal Philharmonic Orchestra
00:02:23

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

5
V. Dance
Royal Philharmonic Orchestra
00:05:06

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

6
VI. Quodlibet
Royal Philharmonic Orchestra
00:02:23

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

7
VII. Soliloquy I
Royal Philharmonic Orchestra
00:01:42

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

8
VIII. Soliloquy II
Royal Philharmonic Orchestra
00:01:41

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

9
IX. Soliloquy III
Royal Philharmonic Orchestra
00:01:46

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

10
X. Finale
Royal Philharmonic Orchestra
00:03:42

Royal Philharmonic Orchestra, Orchestra, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

Let us garlands bring, Op. 18 (Gerald Finzi)

11
No. 1. Come Away, Come Away, Death
John Carol Case
00:03:15

New Philharmonia Orchestra, Orchestra - John Carol Case, Artist, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

12
No. 2. Who is Silvia?
John Carol Case
00:01:36

New Philharmonia Orchestra, Orchestra - John Carol Case, Artist, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

13
No. 3. Fear No More the Heat o' the Sun
John Carol Case
00:05:29

New Philharmonia Orchestra, Orchestra - John Carol Case, Artist, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

14
No. 4. O Mistress Mine
John Carol Case
00:02:05

New Philharmonia Orchestra, Orchestra - John Carol Case, Artist, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

15
No. 5. It was a Lover and his Lass
John Carol Case
00:02:43

New Philharmonia Orchestra, Orchestra - John Carol Case, Artist, MainArtist - Vernon Handley, Conductor - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

2 Sonnets, Op. 12 (Gerald Finzi)

16
No. 1. When I consider
Ian Partridge
00:05:09

New Philharmonia Orchestra, Orchestra - Vernon Handley, Conductor - Ian Partridge, Artist, MainArtist - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

17
No. 2. How soon hath time
Ian Partridge
00:03:23

New Philharmonia Orchestra, Orchestra - Vernon Handley, Conductor - Ian Partridge, Artist, MainArtist - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

Farewell to Arms, Op. 9 (Gerald Finzi)

18
I. Introduction
Ian Partridge
00:03:56

New Philharmonia Orchestra, Orchestra - Vernon Handley, Conductor - Ian Partridge, Artist, MainArtist - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

19
II. Aria: His golden locks
Ian Partridge
00:05:04

New Philharmonia Orchestra, Orchestra - Vernon Handley, Conductor - Ian Partridge, Artist, MainArtist - Gerald Finzi, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

In terra pax, Christmas Scene, Op. 39 (Gerald Finzi)

20
In terra pax, Christmas Scene, Op. 39
Jane Manning
00:16:21

John Noble, Artist - John Alldis Choir, Choir - New Philharmonia Orchestra, Orchestra - Vernon Handley, Conductor - Gerald Finzi, Composer - Jane Manning, Artist, MainArtist

(C) 2007 Lyrita (P) 2007 Lyrita

Albumbeschreibung

In the case of Gerald Finzi, it is difficult if not impossible to speak of better and worse works. The twentieth century English composer's small but highly polished and deeply felt oeuvre allows no such criticism. One can, however, speak of more and less popular works. Chief among the former must rank his Shakespeare song cycle "Let us Garlands bring" for baritone and piano or, as here, string orchestra, settings of such artistic perfection that even Schubert's setting of "Who is Sylvia?" could not be said to be superior. And while it would be hard to determine with assurance which of Finzi's works is the least popular, among the songs for voice and orchestra, either his "Farewell to Arms" or his "Two Sonnets" by John Milton might be so described without fear of exaggeration. Thus, this Lyrita disc combines Finzi's best-known songs with his least-known songs and couples them with his most vivid and evocative orchestral work, the suite from his incidental music to a production of Love's Labour's Lost, and one of his two exceedingly lovely Christmas works, "In terra pax" for soprano, baritone, chorus, and orchestra (the other being "Dies Natalis"). The vocal soloists are uniformly excellent and consistently English: their diction is excellent, their technique exemplary, and their tone fruity. In "Let us Garlands bring," some listeners may prefer Bryn Terfel's brash artistry to John Carol Case's reserved sensitivity, but few would assert Case's interpretation is less satisfactory. Vernon Handley, an able and attentive accompanist in the vocal works, is a brilliant and colorful conductor in the "Love's Labour's Lost" suite, and the New Philharmonia is as subtle and shaded in the vocal works as the Royal Philharmonic is in the orchestral works. As always, Lyrita's sound is clean, clear, cool, and deep.
© TiVo

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