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Amanda Marshall|Everybody's Got A Story

Everybody's Got A Story

Amanda Marshall

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Canadian singer/songwriter Amanda Marshall is concerned about the difference between appearance and reality on her third album, Everybody's Got a Story. On the title track, a tired pickup line inspires her to think about what people are really like, as opposed to what they seem to be at first. "Don't assume everything on the surface is what you see," she warns, and then goes on to expand on that theme in the rest of the album's story songs. That might make the collection sound somewhat preachy, but it's apparent as early as that first song that she is talking as much to herself as she is to anyone else. On "Double Agent," she reflects on her mixed heritage; appearing to be white, she is actually a mulatto with a Trinidadian mother and is made uncomfortable by whites who try to act black. On "Red Magic Marker," she complains that her infatuation must be obvious, though the object of her affection is not responding. "Brand New Beau" describes a surprising romantic betrayal in which the singer walks in on her boyfriend and his gay lover. Marshall's outspoken lyrics, sung in a throaty, soulful voice, are supported by an often gimmicky musical bed intended to disguise her basic girl-with-a-guitar persona. If she were just a folky, after all, she wouldn't be on a major label in 2002, and since she is, it's necessary to borrow production tricks from Madonna and Britney Spears to give her a chance at multi-platinum sales. Eight of the 12 tracks are co-credited to the Molecules team that provides drum and percussion programming. If the approach works, maybe her new fans will get a chance to hear the hilarious "Sunday Morning After" and the affecting "Marry Me" later on and realize there's a good songwriter here, too.

© William Ruhlmann /TiVo

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Everybody's Got A Story

Amanda Marshall

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1
Everybody's Got A Story (Album Version)
00:04:11

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Composer - Molecules, Drum Programmer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

2
The Voice Inside (Album Version)
00:03:01

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Peter Asher, Composer - Peter Asher, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Drum Programmer - Molecules, Composer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

3
The Gypsy (Album Version)
00:04:30

Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Jon Clarke, Woodwinds - David Campbell, Conductor - David Campbell, Orchestrator - Molecules, Composer - Molecules, Programmer - Molecules, Drum Programmer - Molecules, Lyricist - Jack Daley, Acoustic Bass - Tim Hagans, Keyboards - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer - Peter Asher, Producer - Paul Pimsler, Electric Guitar

2001 Sony Music Entertainment (Canada) Inc.

4
Colleen (I Saw Him First) (Album Version)
00:05:10

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Composer - Molecules, Drum Programmer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

5
Double Agent (Album Version)
00:04:41

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Peter Asher, Composer - Peter Asher, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Billy Mann, Lyricist - Molecules, Programmer - Molecules, Composer - Molecules, Drum Programmer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

6
Red Magic Marker (Album Version)
00:03:26

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Peter Asher, Background Vocal - Peter Asher, Composer - Peter Asher, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Background Vocal - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Drum Programmer - Molecules, Composer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

7
Sunday Morning After (Album Version)
00:04:44

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Peter Asher, Composer - Peter Asher, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Billy Mann, Lyricist - Molecules, Programmer - Molecules, Drum Programmer - Molecules, Composer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

8
Love Is My Witness (Album Version)
00:03:21

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Billy Mann, Composer - Billy Mann, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Drum Programmer - Amanda Marshall, Vocal - Amanda Marshall, Background Vocal - Amanda Marshall, Composer - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

9
Dizzy (Album Version)
00:04:02

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Composer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Billy Mann, Lyricist - Molecules, Programmer - Molecules, Composer - Molecules, Drum Programmer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

10
Brand New Beau (Album Version)
00:04:24

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Peter Asher, Composer - Peter Asher, Electric Guitar - Peter Asher, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Composer - Billy Mann, Electric Guitar - Billy Mann, Lyricist - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Composer - Molecules, Drum Programmer - Molecules, Lyricist - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

11
Marry Me (Album Version)
00:03:51

Paul Pimsler, Electric Guitar - Rob Misener, Composer - Rob Misener, Lyricist - Jack Daley, Acoustic Bass - Peter Asher, Producer - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Drum Programmer - Amanda Marshall, Vocal - Amanda Marshall, Composer - Amanda Marshall, Background Vocal - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

12
Inside The Tornado (A Cappella) (Album Version)
00:01:43

Paul Pimsler, Electric Guitar - Jack Daley, Acoustic Bass - Peter Asher, Producer - Billy Mann, Composer - Billy Mann, Lyricist - Tim Hagans, Keyboards - Billy Mann, Producer - Billy Mann, Acoustic Baritone Guitar - Billy Mann, Electric Guitar - Billy Mann, Keyboards - Molecules, Programmer - Molecules, Drum Programmer - Amanda Marshall, Vocal - Amanda Marshall, Background Vocal - Amanda Marshall, Composer - Amanda Marshall, Lyricist - Amanda Marshall, Performer

2001 Sony Music Entertainment (Canada) Inc.

Albumbeschreibung

Canadian singer/songwriter Amanda Marshall is concerned about the difference between appearance and reality on her third album, Everybody's Got a Story. On the title track, a tired pickup line inspires her to think about what people are really like, as opposed to what they seem to be at first. "Don't assume everything on the surface is what you see," she warns, and then goes on to expand on that theme in the rest of the album's story songs. That might make the collection sound somewhat preachy, but it's apparent as early as that first song that she is talking as much to herself as she is to anyone else. On "Double Agent," she reflects on her mixed heritage; appearing to be white, she is actually a mulatto with a Trinidadian mother and is made uncomfortable by whites who try to act black. On "Red Magic Marker," she complains that her infatuation must be obvious, though the object of her affection is not responding. "Brand New Beau" describes a surprising romantic betrayal in which the singer walks in on her boyfriend and his gay lover. Marshall's outspoken lyrics, sung in a throaty, soulful voice, are supported by an often gimmicky musical bed intended to disguise her basic girl-with-a-guitar persona. If she were just a folky, after all, she wouldn't be on a major label in 2002, and since she is, it's necessary to borrow production tricks from Madonna and Britney Spears to give her a chance at multi-platinum sales. Eight of the 12 tracks are co-credited to the Molecules team that provides drum and percussion programming. If the approach works, maybe her new fans will get a chance to hear the hilarious "Sunday Morning After" and the affecting "Marry Me" later on and realize there's a good songwriter here, too.

© William Ruhlmann /TiVo

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