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Tony Arnold|Eric Nathan: Some Favored Nook

Eric Nathan: Some Favored Nook

Tony Arnold, William Sharp and Seth Knopp

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Language available : english

Setting poetry by Emily Dickinson (or perhaps Walt Whitman) is almost de rigueur for young American composers who write for the voice. This 2023 release, though, featuring soprano Tony Arnold and baritone William Sharp (with pianist Seth Knopp), is something different. It is based on excerpts from the long correspondence between Dickinson and the abolitionist, military commander, and general Dickinson backer Thomas Wentworth Higginson. Woven into the text are various Dickinson poems. The text thus contains various layers of significance and discourse, which are deftly handled in composer Eric Nathan's setting. The letters are set essentially as recitative, with key ideas highlighted by musical emphasis. The Dickinson poems have a more melodic texture, akin to that of traditional art song. The text in itself holds the listener's interest, for Higginson's letters refer to the changes sweeping 19th century America, to war and abolition. An essay by Higginson also laments the position of the female writer ("The most gifted woman / Is like a single plant / Where the soil is not yet fitted for its reception, / And it is only in some favored nook / That it manages to exist at all."). Dickinson and Higginson met only once, in 1870, and the work builds toward this moment. The performances are ideal, with clear diction and a good sense of how to approach the epistolary medium. The sound achieved by Nathan, acting as producer, is ideal. He records in a small studio in southern Vermont, not far from Dickinson's home in Amherst, Massachusetts. Aficionados of contemporary American song should definitely hear this unusual release.

© James Manheim /TiVo

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Eric Nathan: Some Favored Nook

Tony Arnold

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1
Some Favored Nook, Pt. 1: No. 1, To Tell Me What Is True?
Tony Arnold
00:04:49

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

2
Some Favored Nook, Pt. 1: No. 2, The Nearest Dream Recedes Unrealized
Tony Arnold
00:02:44

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

3
Some Favored Nook, Pt. 1: No. 3, Could You Tell Me How to Grow?
Tony Arnold
00:03:01

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

4
Some Favored Nook, Pt. 1: No. 4, They Shut Me Up in Prose
Tony Arnold
00:03:53

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

5
Some Favored Nook, Pt. 1: No. 5, My Barefoot Rank Is Better
Tony Arnold
00:02:10

Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

6
Some Favored Nook, Pt. 2: No. 6, To See If We Were Growing
William Sharp
00:03:18

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

7
Some Favored Nook, Pt. 2: No. 7, War Feels to Me an Oblique Place
Tony Arnold
00:01:58

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

8
Some Favored Nook, Pt. 2: No. 8, There Suddenly Arose
William Sharp
00:02:45

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

9
Some Favored Nook, Pt. 2: No. 9, Emancipation
Tony Arnold
00:02:47

Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

10
Some Favored Nook, Pt. 2: No. 10, All Sounds Ceased
William Sharp
00:02:53

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

11
Some Favored Nook, Pt. 2: No. 11, There Came a Wind Like a Bugle
Tony Arnold
00:01:54

Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

12
Some Favored Nook, Pt. 2: No. 12, Attending to the Wounded
Tony Arnold
00:02:18

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

13
Some Favored Nook, Pt. 2: No. 13, That Shamed the Nation
William Sharp
00:02:01

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

14
Some Favored Nook, Pt. 3: No. 14, These Are My Introduction
Tony Arnold
00:05:51

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

15
Some Favored Nook, Pt. 3: No. 15, My Wars Are Laid Away in Books - No Prisoner Be
Tony Arnold
00:03:22

William Sharp, MainArtist - Judith Sherman, Producer, RecordingEngineer - Mark Campbell, Lyricist - Jeanne Velonis, Editor, AssistantRecordingEngineer - Seth Knopp, MainArtist - Tony Arnold, MainArtist - Eric Nathan, Composer, Lyricist - Antonio Oliart, MasteringEngineer

2023 Eric Nathan 2023 Eric Nathan

Albumbeschreibung

Setting poetry by Emily Dickinson (or perhaps Walt Whitman) is almost de rigueur for young American composers who write for the voice. This 2023 release, though, featuring soprano Tony Arnold and baritone William Sharp (with pianist Seth Knopp), is something different. It is based on excerpts from the long correspondence between Dickinson and the abolitionist, military commander, and general Dickinson backer Thomas Wentworth Higginson. Woven into the text are various Dickinson poems. The text thus contains various layers of significance and discourse, which are deftly handled in composer Eric Nathan's setting. The letters are set essentially as recitative, with key ideas highlighted by musical emphasis. The Dickinson poems have a more melodic texture, akin to that of traditional art song. The text in itself holds the listener's interest, for Higginson's letters refer to the changes sweeping 19th century America, to war and abolition. An essay by Higginson also laments the position of the female writer ("The most gifted woman / Is like a single plant / Where the soil is not yet fitted for its reception, / And it is only in some favored nook / That it manages to exist at all."). Dickinson and Higginson met only once, in 1870, and the work builds toward this moment. The performances are ideal, with clear diction and a good sense of how to approach the epistolary medium. The sound achieved by Nathan, acting as producer, is ideal. He records in a small studio in southern Vermont, not far from Dickinson's home in Amherst, Massachusetts. Aficionados of contemporary American song should definitely hear this unusual release.

© James Manheim /TiVo

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