Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

The Cult|Electric

Electric

The Cult

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The roots of Electric lay in another album entirely, Peace, which was recorded with Love producer Steve Brown in a series of sessions that the band found increasingly pressure-filled and fraught with tension. A chance meeting with Def Jam supremo Rick Rubin at an American awards ceremony turned out to be the charm, resulting in the saucy chest-baring stomp of Electric. Rubin chucked all the old recordings for a series of new sessions, stripping everything down and essentially transforming Billy Duffy into the logical successor to AC/DC's Angus Young. Thankfully Ian Astbury decided not to become Brian Johnson, and while his macho yells can't help being cartoonish, he's clearly having fun throughout. Though both band and album caught a lot of flak for their perceived wallowing in dinosaur sounds and styles, the end result is still a fist-punching yelp of energy that demands to be heard at maximum volume in arenas, with a brusque punch in Les Warner's drums to match Duffy's power-chord action. "Love Removal Machine" is still the album's calling card, another in the series of instantly catchy Cult singles. "Li'l Devil" is almost as worthy, while other cuts like "Wild Flower" and "King Contrary Man" would have sounded good in 1973 and sound just as good in a new century. There are a couple of missteps -- "Peace Dog" starts good but ends up being what happens when the Doors are used as a model in the wrong way, while the version of the Steppenwolf classic "Born to Be Wild" should be taken out and shot. Otherwise, an enjoyable pleasure from start to finish -- even if Astbury sings "plastic fantastic lobster telephone" at one point.
© Ned Raggett /TiVo

More info

Electric

The Cult

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From 12,49€/month

1
Wild Flower
00:03:37

Rick Rubin, Producer - George Drakoulias, StudioPersonnel - ANDY WALLACE, Engineer - Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer - Bruce Buchalter, Engineer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

2
Peace Dog
00:03:34

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

3
Lil' Devil
00:02:46

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

4
Aphrodisiac Jacket
00:04:11

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

5
Electric Ocean
00:02:49

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

6
Bad Fun
00:03:34

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

7
King Contrary Man
00:03:12

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

8
Love Removal Machine
00:04:18

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

9
Born To Be Wild
00:03:55

Mars Bonfire, ComposerLyricist - Billy Duffy, AssociatedPerformer - The Cult, MainArtist - Ian Astbury, AssociatedPerformer - Jamie Stewart, AssociatedPerformer - MCA Music, MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

10
Outlaw
00:02:52

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

11
Memphis Hip Shake
00:04:00

Billy Duffy, AssociatedPerformer, ComposerLyricist - The Cult, MainArtist - Ian Astbury, AssociatedPerformer, ComposerLyricist - Jamie Stewart, AssociatedPerformer - Warner Chappell Music Publishing Ltd., MusicPublisher - Harry Fox Agency, MusicPublisher - CMRRA, MusicPublisher - Les Warner, AssociatedPerformer

1987 Beggars Banquet Records Ltd 1987 Beggars Banquet Records Ltd

Albumbeschreibung

The roots of Electric lay in another album entirely, Peace, which was recorded with Love producer Steve Brown in a series of sessions that the band found increasingly pressure-filled and fraught with tension. A chance meeting with Def Jam supremo Rick Rubin at an American awards ceremony turned out to be the charm, resulting in the saucy chest-baring stomp of Electric. Rubin chucked all the old recordings for a series of new sessions, stripping everything down and essentially transforming Billy Duffy into the logical successor to AC/DC's Angus Young. Thankfully Ian Astbury decided not to become Brian Johnson, and while his macho yells can't help being cartoonish, he's clearly having fun throughout. Though both band and album caught a lot of flak for their perceived wallowing in dinosaur sounds and styles, the end result is still a fist-punching yelp of energy that demands to be heard at maximum volume in arenas, with a brusque punch in Les Warner's drums to match Duffy's power-chord action. "Love Removal Machine" is still the album's calling card, another in the series of instantly catchy Cult singles. "Li'l Devil" is almost as worthy, while other cuts like "Wild Flower" and "King Contrary Man" would have sounded good in 1973 and sound just as good in a new century. There are a couple of missteps -- "Peace Dog" starts good but ends up being what happens when the Doors are used as a model in the wrong way, while the version of the Steppenwolf classic "Born to Be Wild" should be taken out and shot. Otherwise, an enjoyable pleasure from start to finish -- even if Astbury sings "plastic fantastic lobster telephone" at one point.
© Ned Raggett /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
More on Qobuz
By The Cult

Love

The Cult

Love The Cult

Dreamtime

The Cult

Dreamtime The Cult

Under The Midnight Sun

The Cult

DEATH CULT - 8323

The Cult

Sonic Temple

The Cult

Sonic Temple The Cult
You may also like...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish