Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Eddie Gale|Eddie Gale’s Ghetto Music

Eddie Gale’s Ghetto Music

Eddie Gale

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Language available : english

The aesthetic and cultural merits of Eddie Gale's Ghetto Music cannot be overstated. That it is one of the most obscure recordings in Blue Note's catalog -- paid for out of label co-founder Francis Wolff's own pocket -- should tell us something. This is an apocryphal album, one that seamlessly blends the new jazz of the '60s -- Gale was a member of the Sun Ra Arkestra before and after these sides, and played on Cecil Taylor's Blue Note debut, Unit Structures -- with gospel, soul, and the blues. Gale's sextet included two bass players and two drummers -- in 1968 -- as well as a chorus of 11 voices, male and female. Sound like a mess? Far from it. This is some of the most spiritually engaged, forward-thinking, and finely wrought music of 1968. What's more is that, unlike lots of post-Coltrane free jazz, it's ultimately very listenable. Soloists come and go, but modes, melodies, and harmonies remain firmly intact. The beautiful strains of African folk music and Latin jazz sounds in "Fulton Street," for example, create a veritable chromatic rainbow. "A Walk with Thee" is a spiritual written to a march tempo with drummers playing counterpoint to one another and the front line creating elongated melodic lines via an Eastern harmonic sensibility. The final cut, "The Coming of Gwilu," moves from the tribal to the urban and everywhere in between using Jamaican thumb piano's, soaring vocals à la the Arkestra, polyrhythmic invention, and good, old-fashioned groove jazz, making something entirely new in the process. While Albert Ayler's New Grass was a failure for all its adventurousness, Eddie Gale's Ghetto Music, while a bit narrower in scope, succeeds because it concentrates on creating a space for the myriad voices of an emerging African-American cultural force to be heard in a single architecture. This is militant music posessed by soul and spirit.

© Thom Jurek /TiVo

More info

Eddie Gale’s Ghetto Music

Eddie Gale

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From 12,49€/month

1
The Rain
00:06:30

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Eddie Gale, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Judah Samuel, Upright Bass, AssociatedPerformer - Joan Gale, ComposerLyricist - Mildred Weston, Vocalist, AssociatedPerformer - Russell Lyle, Flute, AssociatedPerformer - Richard Hackett, Drums, AssociatedPerformer - Thomas Holman, Drums, AssociatedPerformer - Joann Gale, Singer, AssociatedPerformer - Elaine Beiner, Vocalist, AssociatedPerformer - Sylvia Bibbs, Vocalist, AssociatedPerformer - Barbara Dove, Vocalist, AssociatedPerformer - Evelyn Goodwin, Vocalist, AssociatedPerformer - Art Jenkins, Vocalist, AssociatedPerformer - Fulumi Prince, Vocalist, AssociatedPerformer - H. Norman Wright, Vocalist, AssociatedPerformer - Edward Walrond, Vocalist, AssociatedPerformer - Sondra Walston, Vocalist, AssociatedPerformer

℗ 1968 Blue Note Records

2
Fulton Street
00:06:51

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Eddie Gale, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Judah Samuel, Upright Bass, AssociatedPerformer - Mildred Weston, Vocalist, AssociatedPerformer - Russell Lyle, Flute, AssociatedPerformer - Richard Hackett, Drums, AssociatedPerformer - Thomas Holman, Drums, AssociatedPerformer - Elaine Beiner, Vocalist, AssociatedPerformer - Sylvia Bibbs, Vocalist, AssociatedPerformer - Barbara Dove, Vocalist, AssociatedPerformer - Evelyn Goodwin, Vocalist, AssociatedPerformer - Art Jenkins, Vocalist, AssociatedPerformer - Fulumi Prince, Vocalist, AssociatedPerformer - H. Norman Wright, Vocalist, AssociatedPerformer - Edward Walrond, Vocalist, AssociatedPerformer - Sondra Walston, Vocalist, AssociatedPerformer

℗ 1968 Blue Note Records

3
A Understanding
00:07:41

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Eddie Gale, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Judah Samuel, Upright Bass, AssociatedPerformer - Mildred Weston, Vocalist, AssociatedPerformer - Russell Lyle, Flute, AssociatedPerformer - Richard Hackett, Drums, AssociatedPerformer - Thomas Holman, Drums, AssociatedPerformer - Elaine Beiner, Vocalist, AssociatedPerformer - Sylvia Bibbs, Vocalist, AssociatedPerformer - Barbara Dove, Vocalist, AssociatedPerformer - Evelyn Goodwin, Vocalist, AssociatedPerformer - Art Jenkins, Vocalist, AssociatedPerformer - Fulumi Prince, Vocalist, AssociatedPerformer - H. Norman Wright, Vocalist, AssociatedPerformer - Edward Walrond, Vocalist, AssociatedPerformer - Sondra Walston, Vocalist, AssociatedPerformer

℗ 1968 Blue Note Records

4
A Walk With Thee
00:06:09

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Eddie Gale, Composer, Recording Arranger, MainArtist, AssociatedPerformer - Judah Samuel, Upright Bass, AssociatedPerformer - Mildred Weston, Vocalist, AssociatedPerformer - Russell Lyle, Flute, AssociatedPerformer - Richard Hackett, Drums, AssociatedPerformer - Thomas Holman, Drums, AssociatedPerformer - Elaine Beiner, Vocalist, AssociatedPerformer - Sylvia Bibbs, Vocalist, AssociatedPerformer - Barbara Dove, Vocalist, AssociatedPerformer - Evelyn Goodwin, Vocalist, AssociatedPerformer - Art Jenkins, Vocalist, AssociatedPerformer - Fulumi Prince, Vocalist, AssociatedPerformer - H. Norman Wright, Vocalist, AssociatedPerformer - Edward Walrond, Vocalist, AssociatedPerformer - Sondra Walston, Vocalist, AssociatedPerformer

℗ 1968 Blue Note Records

5
The Coming Of Gwilu
00:13:37

Unknown, Composer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Francis Wolff, Producer - Eddie Gale, Recording Arranger, MainArtist, AssociatedPerformer - Judah Samuel, Upright Bass, AssociatedPerformer - Mildred Weston, Vocalist, AssociatedPerformer - Russell Lyle, Flute, AssociatedPerformer - Richard Hackett, Drums, AssociatedPerformer - Thomas Holman, Drums, AssociatedPerformer - Elaine Beiner, Vocalist, AssociatedPerformer - Sylvia Bibbs, Vocalist, AssociatedPerformer - Barbara Dove, Vocalist, AssociatedPerformer - Evelyn Goodwin, Vocalist, AssociatedPerformer - Art Jenkins, Vocalist, AssociatedPerformer - Fulumi Prince, Vocalist, AssociatedPerformer - H. Norman Wright, Vocalist, AssociatedPerformer - Edward Walrond, Vocalist, AssociatedPerformer - Sondra Walston, Vocalist, AssociatedPerformer

℗ 1968 Blue Note Records

Albumbeschreibung

The aesthetic and cultural merits of Eddie Gale's Ghetto Music cannot be overstated. That it is one of the most obscure recordings in Blue Note's catalog -- paid for out of label co-founder Francis Wolff's own pocket -- should tell us something. This is an apocryphal album, one that seamlessly blends the new jazz of the '60s -- Gale was a member of the Sun Ra Arkestra before and after these sides, and played on Cecil Taylor's Blue Note debut, Unit Structures -- with gospel, soul, and the blues. Gale's sextet included two bass players and two drummers -- in 1968 -- as well as a chorus of 11 voices, male and female. Sound like a mess? Far from it. This is some of the most spiritually engaged, forward-thinking, and finely wrought music of 1968. What's more is that, unlike lots of post-Coltrane free jazz, it's ultimately very listenable. Soloists come and go, but modes, melodies, and harmonies remain firmly intact. The beautiful strains of African folk music and Latin jazz sounds in "Fulton Street," for example, create a veritable chromatic rainbow. "A Walk with Thee" is a spiritual written to a march tempo with drummers playing counterpoint to one another and the front line creating elongated melodic lines via an Eastern harmonic sensibility. The final cut, "The Coming of Gwilu," moves from the tribal to the urban and everywhere in between using Jamaican thumb piano's, soaring vocals à la the Arkestra, polyrhythmic invention, and good, old-fashioned groove jazz, making something entirely new in the process. While Albert Ayler's New Grass was a failure for all its adventurousness, Eddie Gale's Ghetto Music, while a bit narrower in scope, succeeds because it concentrates on creating a space for the myriad voices of an emerging African-American cultural force to be heard in a single architecture. This is militant music posessed by soul and spirit.

© Thom Jurek /TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
More on Qobuz
By Eddie Gale

Eddie Gale's Ghetto Music

Eddie Gale

Eddie Gale's Ghetto Music - The Remake and Beyond

Eddie Gale

In Love Again

Eddie Gale

In Love Again Eddie Gale

Black Rhythm Happening

Eddie Gale

Eddie Gale's Ghetto Music - The Remake and Beyond 50th Year Anniversary Collector's Edition

Eddie Gale

Playlists

You may also like...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Orchestras

Bill Frisell

Orchestras Bill Frisell

Kind Of Blue

Miles Davis

Kind Of Blue Miles Davis

The Carnegie Hall Concert

Alice Coltrane

The Carnegie Hall Concert Alice Coltrane

We Get Requests

Oscar Peterson

We Get Requests Oscar Peterson