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Eric Marienthal|Easy Street

Easy Street

Eric Marienthal

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Language available : english

Eric Marienthal's ability to infuse traditional bebop fire into a contemporary pop framework has made him one of the genre's most durable saxmen over the course of his decade-long career. He seems a little more restrained than usual throughout the aptly titled Easy Street, his debut on Lee Ritenour's ie Records, but still manages enough variety from hip-hop to blues to classic soul to shades of jungle soundscaping - to rank this up there with his best GRP output. While Rit produced and zips in a few flashy guitar solos, it's Marienthal's collaborations with the very different keyboard styles of Rob Mullins (midtempo funk), Jeff Lorber (smooth soul), and John Beasley (fusion and worldbeat) that keeps the flow interesting. The adventurous spirit sneaks around in more subtle ways this time, often based on the surrounding production. So while Marienthal plays it cool on the title track, for instance, Rit's guitar and Rick Braun's trumpet slip in a laid-back Miles vibe, kicking the tune up a notch. Marienthal finds a way to liven up even a fine but fairly conventional cover of "Until You Come Back to Me" with quick flashes of flute harmony transcribed from an old Joe Farrell version.

© Jonathan Widran /TiVo

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Easy Street

Eric Marienthal

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1
Easy Street
00:05:16

LEE RITENOUR, Producer, ComposerLyricist - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

2
Tuesday's Delight
00:04:40

John Beasley, ComposerLyricist - LEE RITENOUR, Producer - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

3
New Jack Saturday
00:05:06

LEE RITENOUR, Producer, ComposerLyricist - Eric Marienthal, MainArtist, ComposerLyricist

℗ 1997 Polydor Inc.

4
Until You Come Back To Me (That's What I'm Gonna Go)
00:04:23

Morris Broadnax, ComposerLyricist - LEE RITENOUR, Producer - Stevie Wonder, Composer - Clarence Paul, ComposerLyricist - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

5
Glow
00:05:04

LEE RITENOUR, Producer, ComposerLyricist - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

6
Half & Half
00:04:35

LEE RITENOUR, Producer - Charles Davis, ComposerLyricist - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

7
The Sun Died
00:05:14

Pierre Leroyer, ComposerLyricist - Ray Charles, ComposerLyricist - LEE RITENOUR, Producer - Hubert Yves Adrien Giraud, ComposerLyricist - Eric Marienthal, MainArtist - Anne Gregory, ComposerLyricist

℗ 1997 Polydor Inc.

8
Last Day Of Summer
00:05:36

LEE RITENOUR, Producer - Eric Marienthal, MainArtist - Rob Mullins, ComposerLyricist

℗ 1997 Polydor Inc.

9
Bourriquot
00:04:35

John Beasley, ComposerLyricist - LEE RITENOUR, Producer - Eric Marienthal, MainArtist

℗ 1997 Polydor Inc.

10
Secret Passion
00:05:07

LEE RITENOUR, Producer - JEFF LORBER, ComposerLyricist - Eric Marienthal, MainArtist, ComposerLyricist

℗ 1997 Polydor Inc.

11
Backstage
00:04:58

LEE RITENOUR, Producer - Eric Marienthal, MainArtist, ComposerLyricist - Rob Mullins, ComposerLyricist

℗ 1997 Polydor Inc.

Albumbeschreibung

Eric Marienthal's ability to infuse traditional bebop fire into a contemporary pop framework has made him one of the genre's most durable saxmen over the course of his decade-long career. He seems a little more restrained than usual throughout the aptly titled Easy Street, his debut on Lee Ritenour's ie Records, but still manages enough variety from hip-hop to blues to classic soul to shades of jungle soundscaping - to rank this up there with his best GRP output. While Rit produced and zips in a few flashy guitar solos, it's Marienthal's collaborations with the very different keyboard styles of Rob Mullins (midtempo funk), Jeff Lorber (smooth soul), and John Beasley (fusion and worldbeat) that keeps the flow interesting. The adventurous spirit sneaks around in more subtle ways this time, often based on the surrounding production. So while Marienthal plays it cool on the title track, for instance, Rit's guitar and Rick Braun's trumpet slip in a laid-back Miles vibe, kicking the tune up a notch. Marienthal finds a way to liven up even a fine but fairly conventional cover of "Until You Come Back to Me" with quick flashes of flute harmony transcribed from an old Joe Farrell version.

© Jonathan Widran /TiVo

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