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The Bangles|Doll Revolution

Doll Revolution

The Bangles

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Language available : english

The Bangles were once upon a time a great band. When they first started out as fresh-faced kids back in the mid-'80s, they captured the jangle of the Byrds, the melody of the Left Banke, the attitude of the Shangri-Las, and the rich harmonies of the Mamas & the Papas (without the Papas, of course) and wrapped them all up in a sweet and catchy package. Their first album was a bright, shiny pop album full of all kinds of promise, which they thereafter either fulfilled or wasted depending on where you stood. Having a hit with the Billy Steinberg-penned novelty song "Walk Like an Egyptian," doing Prince songs (even though "Manic Monday" is a song that deserves its pop classic standing), hiring faceless session musicians to make the second album sound more in tune with the times: these all deserve votes for wasted. The rest of their career was strewn with one landmine after another, like Susanna Hoffs being picked out as the focus of the band because she was "glamorous," the terrible power ballad (and number one hit) "Eternal Flame," more cover songs as singles (even though "Hazy Shade of Winter" was pretty darn good) and finally, the bitter breakup. So far it is not a story unique to the Bangles. Nor is the eventual, inevitable reunion. Doll Revolution is the result of the Bangles' re-formation. It would be nice to tell you that it was a triumphant return. It would be nice to tell you it was an interesting return. Sadly, it is neither. It is a bland, overproduced, and safe-sounding record that fails to leave much of an impression at all. Sure, all the things one would expect from a good Bangles album are here -- jangling guitars; full, sweet harmonies; and earnest, emotional lead vocals. All that is lacking are songs. There are a couple that are decent, like "Ask Me No Questions," a sweet Debbi Peterson sung ballad, and "Ride the Ride," a catchy Hoffs folk rocker, but mostly they are forgettable or worse. Picking Elvis Costello's recent self-derivative song "Tear Off Your Own Head (It's a Doll Revolution) to cover as the lead track was a mistake. Michael Steele's songs sound like they should be on a different band's record, the dark lyrical themes and clunky music drag Doll Revolution down. As do Hoffs' MOR soul "Something You Said" and her weak power ballad "I Will Take Care of You," which sounds like an attempt to duplicate the success of "Eternal Flame." The rest of it sounds like a solid attempt at a Sheryl Crow record, and that is something the pop world did not need from the Bangles. Doll Revolution won't add much to the Bangles' legacy. It won't do much to ruin it, either, perhaps that is the most fans of the band should have hoped for. [Initial pressings of Doll Revolution came with a bonus DVD featuring behind the scenes footage of the group filmed during the recording of the album, unreleased tracks, photo galleries, and the video for "Something That You Said."]
© Tim Sendra /TiVo

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Doll Revolution

The Bangles

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1
Tear Off Your Own Head (It's A Doll Revolution)
00:03:57

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

2
Stealing Rosemary
00:03:32

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

3
Something That You Said (Jeremy Wheatley Mix)
00:04:16

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

4
Ask Me No Questions
00:03:26

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

5
The Rain Song
00:03:41

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

6
Nickel Romeo
00:04:57

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

7
Ride The Ride
00:04:48

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

8
I Will Take Care Of You
00:03:57

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

9
Here Right Now
00:03:25

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

10
Single By Choice
00:03:41

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

11
Lost At Sea
00:03:56

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

12
Song For A Good Son
00:04:01

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

13
Mixed Messages
00:03:19

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

14
Between The Two
00:03:42

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

15
Grateful
00:05:00

The Bangles, MainArtist

2003 KOCH RECORDS 2003 KOCH RECORDS

Albumbeschreibung

The Bangles were once upon a time a great band. When they first started out as fresh-faced kids back in the mid-'80s, they captured the jangle of the Byrds, the melody of the Left Banke, the attitude of the Shangri-Las, and the rich harmonies of the Mamas & the Papas (without the Papas, of course) and wrapped them all up in a sweet and catchy package. Their first album was a bright, shiny pop album full of all kinds of promise, which they thereafter either fulfilled or wasted depending on where you stood. Having a hit with the Billy Steinberg-penned novelty song "Walk Like an Egyptian," doing Prince songs (even though "Manic Monday" is a song that deserves its pop classic standing), hiring faceless session musicians to make the second album sound more in tune with the times: these all deserve votes for wasted. The rest of their career was strewn with one landmine after another, like Susanna Hoffs being picked out as the focus of the band because she was "glamorous," the terrible power ballad (and number one hit) "Eternal Flame," more cover songs as singles (even though "Hazy Shade of Winter" was pretty darn good) and finally, the bitter breakup. So far it is not a story unique to the Bangles. Nor is the eventual, inevitable reunion. Doll Revolution is the result of the Bangles' re-formation. It would be nice to tell you that it was a triumphant return. It would be nice to tell you it was an interesting return. Sadly, it is neither. It is a bland, overproduced, and safe-sounding record that fails to leave much of an impression at all. Sure, all the things one would expect from a good Bangles album are here -- jangling guitars; full, sweet harmonies; and earnest, emotional lead vocals. All that is lacking are songs. There are a couple that are decent, like "Ask Me No Questions," a sweet Debbi Peterson sung ballad, and "Ride the Ride," a catchy Hoffs folk rocker, but mostly they are forgettable or worse. Picking Elvis Costello's recent self-derivative song "Tear Off Your Own Head (It's a Doll Revolution) to cover as the lead track was a mistake. Michael Steele's songs sound like they should be on a different band's record, the dark lyrical themes and clunky music drag Doll Revolution down. As do Hoffs' MOR soul "Something You Said" and her weak power ballad "I Will Take Care of You," which sounds like an attempt to duplicate the success of "Eternal Flame." The rest of it sounds like a solid attempt at a Sheryl Crow record, and that is something the pop world did not need from the Bangles. Doll Revolution won't add much to the Bangles' legacy. It won't do much to ruin it, either, perhaps that is the most fans of the band should have hoped for. [Initial pressings of Doll Revolution came with a bonus DVD featuring behind the scenes footage of the group filmed during the recording of the album, unreleased tracks, photo galleries, and the video for "Something That You Said."]
© Tim Sendra /TiVo

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