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Fazil Say|Debussy : Préludes - Satie: Gymnopédies, Gnossiennes

Debussy : Préludes - Satie: Gymnopédies, Gnossiennes

Fazil Say

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The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz

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Debussy : Préludes - Satie: Gymnopédies, Gnossiennes

Fazil Say

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Préludes, Book I (Claude Debussy)

1
I. Danseuses de Delphes
00:02:40

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

2
II. Voiles
00:04:06

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

3
III. Le vent dans la plaine
00:02:21

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

4
IV. Les sons et les parfums tournent dans l'air du soir
00:03:20

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

5
V. Les collines d'Anacapri
00:02:35

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

6
VI. Des pas sur la neige
00:03:51

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

7
VII. Ce qu'a vu le vent d'ouest
00:03:52

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

8
VIII. La fille aux cheveux de lin
00:02:50

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

9
IX. La sérénade interrompue
00:02:22

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

10
X. La cathédrale engloutie
00:06:39

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

11
XI. La danse de Puck
00:02:43

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

12
XII. Minstrels
00:02:57

Fazil Say, Piano - Claude Debussy, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

6 Gnossiennes (Erik Satie)

13
I. Lent
00:03:38

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

14
II. Avec étonnement
00:01:35

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

15
III. Lent
00:02:26

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

16
IV. No. 4
00:02:28

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

17
V. No. 5
00:03:04

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

18
VI. No. 6
00:02:22

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

3 Gymnopédies (Erik Satie)

19
I. Lent et douloureux
00:03:55

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

20
II. Lent et triste
00:03:07

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

21
III. Lent et grave
00:02:48

Fazil Say, Piano - Erik Satie, Composer - Recording producer, balance engineer, editing & mastering : Jean-Martial Golaz

© 2018 Parlophone Records Limited, a Warner Music Group Company. ℗ 2017 Fazil Say under exclusive licence to Parlophone Records Limited, a Warner Music Group Company

Albumbeschreibung

The remarkable Turkish pianist Fazıl Say (born 1970) here offers us a suitably remarkable album, recorded in 2016 in the Great Hall of the Salzburg Mozarteum and given over to the Premier Livre of Debussy's Préludes – 1910 – which he sets up in against the six Gnossiennes by Satie (1890 for the first three, 1897 for the latter three) and to the pieces which made him famous, the Gymnopédies of 1888. It's quite stunning to hear these works and to reflect on the fact that Satie's works actually come before Debussy's Préludes – by almost two decades, in fact. It is hardly surprising the Satie has been thought a real avant-gardist both in his day and by minimalists today. Considering how different these two were, it was natural that they should have been friends, especially given Debussy's tendency towards jealousy of his contemporaries... But it is impossible to be jealous of a kind, bubbly soul like Satie. Say brings immense tenderness to these two opposite poles – poles so far removed that they almost join back up. © SM/Qobuz

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