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Angel Romero|Concerto de Aranjuez

Concerto de Aranjuez

Joaquin Rodrigo

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At first blush, this EMI release appears to be a fine matchup of performers with the music and looks like a real bargain at the reduced price. Guitarist Angel Romero, conductor André Previn, and the London Symphony Orchestra are all top-notch musicians, and the pieces by Joaquín Rodrigo -- Concierto de Aranjuez, Elogio de la guitarra, and Fantasia para un gentilhombre -- are well-loved gems of Spanish music. So what could be wrong with this package? The analog recordings date from 1977-1978 and were digitally remastered in 1987. There are strange, abrupt changes in the reproduction, veering from muffled and faintly audible passages to overly boosted and shockingly loud climaxes. Romero's solos suffer greatly from the loss of fine details and the thinning of his tone quality; the LSO's dynamics and timbres are so distorted that they sound unnatural and unintended. The sessions were taped in Abbey Road Studios, so there should have been tight control at the mixing board; however, the results sound almost as unsteady as a live concert recording. Since the iffy sound seriously distracts from the competent performances, this CD is only useful in the absence of better options.

© TiVo

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Concerto de Aranjuez

Angel Romero

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Concierto de Aranjuez (Joaquín Rodrigo)

1
Concierto de Aranjuez: I. Allegro con spirito
00:06:07

Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

2
Concierto de Aranjuez: II. Adagio
00:10:48

Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

3
Concierto de Aranjuez: III. Allegro gentile
00:05:06

Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

Eloge de la guitare (Joaquín Rodrigo)

4
Elogio de la guitarra: I. Allegro
Angel Romero
00:04:38

Robert Norberg, Tonmeister - Joaquin Rodrigo, Composer - Patti Laursen, Producer - Angel Romero, Featured Vocalist, Guitar, Musician, MainArtist

© EMI Records Ltd, 2007 ℗ 1978 The copyright in this sound recording is owned by Angel Records. Digital remastering (p) 1987 by Angel Records

5
Elogio de la guitarra: II. Andantino
Angel Romero
00:04:46

Robert Norberg, Tonmeister - Joaquin Rodrigo, Composer - Patti Laursen, Producer - Angel Romero, Featured Vocalist, Guitar, Musician, MainArtist

© EMI Records Ltd, 2007 ℗ 1978 The copyright in this sound recording is owned by Angel Records. Digital remastering (p) 1987 by Angel Records

6
Elogio de la guitarra: III. Allegro - Più allegro
Angel Romero
00:05:05

Robert Norberg, Tonmeister - Joaquin Rodrigo, Composer - Patti Laursen, Producer - Angel Romero, Featured Vocalist, Guitar, Musician, MainArtist

© EMI Records Ltd, 2007 ℗ 1978 The copyright in this sound recording is owned by Angel Records. Digital remastering (p) 1987 by Angel Records

Fantaisie pour un gentilhome (Joaquín Rodrigo)

7
Fantasía para un gentilhombre: I. Villano y Ricercare
00:04:57

Michael Gray, Engineer - Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Marty Friedman, Producer - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

8
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (Adagio - Allegretto - Adagio)
00:09:16

Michael Gray, Tonmeister - Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Marty Friedman, Produced by - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

9
Fantasía para un gentilhombre: III. Danza de las hachas (Allegro con brio)
00:02:08

Michael Gray, Tonmeister - Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Marty Friedman, Produced by - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

10
Fantasía para un gentilhombre: IV. Canario (Allegro ma non troppo)
00:05:07

Michael Gray, Tonmeister - Andre Previn, Conductor - Suvi Raj Grubb, Producer - Joaquin Rodrigo, Composer - London Symphony Orchestra, Orchestra - Marty Friedman, Produced by - Angel Romero, Guitar, MainArtist

© EMI Records Ltd, 2007 ℗ 1977 Parlophone Records Limited. Remastered (p) 1987 Parlophone Records Limited, a Warner Music Group Company

Albumbeschreibung

At first blush, this EMI release appears to be a fine matchup of performers with the music and looks like a real bargain at the reduced price. Guitarist Angel Romero, conductor André Previn, and the London Symphony Orchestra are all top-notch musicians, and the pieces by Joaquín Rodrigo -- Concierto de Aranjuez, Elogio de la guitarra, and Fantasia para un gentilhombre -- are well-loved gems of Spanish music. So what could be wrong with this package? The analog recordings date from 1977-1978 and were digitally remastered in 1987. There are strange, abrupt changes in the reproduction, veering from muffled and faintly audible passages to overly boosted and shockingly loud climaxes. Romero's solos suffer greatly from the loss of fine details and the thinning of his tone quality; the LSO's dynamics and timbres are so distorted that they sound unnatural and unintended. The sessions were taped in Abbey Road Studios, so there should have been tight control at the mixing board; however, the results sound almost as unsteady as a live concert recording. Since the iffy sound seriously distracts from the competent performances, this CD is only useful in the absence of better options.

© TiVo

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