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Regula Mühlemann - Cleopatra - Baroque Arias

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Cleopatra - Baroque Arias

Regula Mühlemann

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For the present album, star-soprano Regula Mühlemann has chosen works that date from the 17th and 18th centuries and include highly stylised accounts of Cleopatra’s life as well as exotically charged fantasies and entertaining interpretations of a remarkable and epoch-making woman and her fate. Above all, they tell us about the way in which Baroque poets and their composers thought and felt, while also allowing us to sense something of the queen’s true character through the powerful emotions of these works, through their juxtaposition of sensuous sonorities and energy-laden drama and through their simultaneous elements of severity and beauty. Hasse shows us her pride, Sartorio her seductiveness and beguiling nature, Scarlatti opposes her humanity laying behind her superb regality as stressed by Graun. Matheson rather speaks of her death and the soon-to-be ascent of her soul towards the Gods, with the myth of the snakebite – after which she will be reborn through Isis, all the more as the queen considered herself to be the earthly incarnation of the goddess Aphrodite, whose Egyptian counterpart is none other than Isis. The virtuosity of Mühlemann does wonders with these remarkable scores. © SM/Qobuz

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Cleopatra - Baroque Arias

Regula Mühlemann

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1
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria)
00:07:24

Regula Mühlemann, Main Artist, Soprano - Carl Heinrich Graun, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

2
Giulio Cesare in Egitto, HWV 17: Che sento? Oh Dio! (Recitativo)
00:01:15

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

3
Giulio Cesare in Egitto, HWV 17: Se pietà di me non senti (Aria)
00:11:00

Regula Mühlemann, Main Artist, Soprano - Georg Friedrich Händel, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

4
Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria)
00:04:12

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

5
Marc'Antonio e Cleopatra: Lascia, Antonio, deh lascia (Recitativo)
00:01:34

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

6
Marc'Antonio e Cleopatra: Quel candido armellino (Aria)
00:11:01

Regula Mühlemann, Main Artist, Soprano - Johann Adolf Hasse, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

7
Antioco il Grande: Se tu sarai felice (Aria)
00:01:56

Regula Mühlemann, Main Artist, Soprano - Giovanni Legrenzi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

8
Marc'Antonio e Cleopatra, H. 121: Antonio, e qual destino (Recitativo)
00:00:24

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

9
Marc'Antonio e Cleopatra, H. 121: Vò goder senza contrasto (Aria)
00:04:52

Regula Mühlemann, Main Artist, Soprano - Alessandro Scarlatti, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

10
La virtù trionfante dell'amore e dell'odio, ovvero il Tigrane, RV 740: Squarciami pure il seno (Aria)
00:04:08

Regula Mühlemann, Main Artist, Soprano - Antonio Vivaldi, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

11
Die unglücksselige Cleopatra: Mein Leben ist hin (Aria)
00:03:20

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

12
Die unglücksselige Cleopatra: Ruhe sanft, geliebter Geist (Aria)
00:02:52

Regula Mühlemann, Main Artist, Soprano - Johann Mattheson, Composer - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

13
Giulio Cesare in Egitto: Quando voglio (Aria)
00:03:53

Regula Mühlemann, Main Artist, Soprano - Antonio Sartorio, Composer - Katerina Ghannudi, Mezzo-Soprano - La Folia Barockorchester, Associated Performer - Robin Peter Müller, Concert Master - Jakob Händel, Engineer

(P) 2017 Sony Music Entertainment Germany GmbH

Album Description

For the present album, star-soprano Regula Mühlemann has chosen works that date from the 17th and 18th centuries and include highly stylised accounts of Cleopatra’s life as well as exotically charged fantasies and entertaining interpretations of a remarkable and epoch-making woman and her fate. Above all, they tell us about the way in which Baroque poets and their composers thought and felt, while also allowing us to sense something of the queen’s true character through the powerful emotions of these works, through their juxtaposition of sensuous sonorities and energy-laden drama and through their simultaneous elements of severity and beauty. Hasse shows us her pride, Sartorio her seductiveness and beguiling nature, Scarlatti opposes her humanity laying behind her superb regality as stressed by Graun. Matheson rather speaks of her death and the soon-to-be ascent of her soul towards the Gods, with the myth of the snakebite – after which she will be reborn through Isis, all the more as the queen considered herself to be the earthly incarnation of the goddess Aphrodite, whose Egyptian counterpart is none other than Isis. The virtuosity of Mühlemann does wonders with these remarkable scores. © SM/Qobuz

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