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Lucinda Williams|Car Wheels On A Gravel Road (Deluxe Edition)

Car Wheels On A Gravel Road (Deluxe Edition)

Lucinda Williams

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It isn't surprising that Lucinda Williams' level of craft takes time to assemble, but the six-year wait between Sweet Old World and its 1998 follow-up, Car Wheels on a Gravel Road, still raised eyebrows. The delay stemmed both from label difficulties and Williams' meticulous perfectionism, the latter reportedly over a too-produced sound and her own vocals. Listening to the record, one can understand why both might have concerned Williams. Car Wheels is far and away her most produced album to date, which is something of a mixed blessing. Its surfaces are clean and contemporary, with something in the timbres of the instruments (especially the drums) sounding extremely typical of a late-'90s major-label roots-rock album. While that might subtly alter the timeless qualities of Williams' writing, there's also no denying that her sound is punchier and livelier. The production also throws Williams' idiosyncratic voice into sharp relief, to the point where it's noticeably separate from the band. As a result, every inflection and slight tonal alteration is captured, and it would hardly be surprising if Williams did obsess over those small details. But whether or not you miss the earthiness of Car Wheels' predecessors, it's ultimately the material that matters, and Williams' songwriting is as captivating as ever. Intentionally or not, the album's common thread seems to be its strongly grounded sense of place -- specifically, the Deep South, conveyed through images and numerous references to specific towns. Many songs are set, in some way, in the middle or aftermath of not-quite-resolved love affairs, as Williams meditates on the complexities of human passion. Even her simplest songs have more going on under the surface than their poetic structures might indicate. In the end, Car Wheels on a Gravel Road is Williams' third straight winner; although she might not be the most prolific songwriter of the '90s, she's certainly one of the most brilliant.

© Steve Huey /TiVo

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Car Wheels On A Gravel Road (Deluxe Edition)

Lucinda Williams

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1
Right In Time
00:04:36

Ray Kennedy, Electric Guitar, AssociatedPerformer - Rick Rubin, Mixer, StudioPersonnel - Greg Leisz, Electric Guitar, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - JIM LAUDERDALE, Vocals, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - Buddy Miller, Acoustic Guitar, AssociatedPerformer - ROY BITTAN, Producer, Additional Producer, Recording Engineer, Hammond B3, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

2
Car Wheels On A Gravel Road
00:04:44

Rick Rubin, Mixer, StudioPersonnel - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Acoustic Guitar, Co-Producer, MainArtist, AssociatedPerformer, ComposerLyricist - Buddy Miller, Guitar, Vocals, AssociatedPerformer - ROY BITTAN, Producer, Additional Producer, Recording Engineer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

3
2 Kool 2 Be 4-Gotten
00:04:42

Charlie Sexton, Electric Guitar, AssociatedPerformer - Rick Rubin, Mixer, StudioPersonnel - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - ROY BITTAN, Producer, Accordion, Organ, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

4
Drunken Angel
00:03:19

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Electric Guitar, AssociatedPerformer - Steve Earle, Acoustic Guitar, Harmonica, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - JIM LAUDERDALE, Vocals, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - ROY BITTAN, Producer, Additional Producer, Recording Engineer, Hammond B3, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

5
Concrete And Barbed Wire
00:03:08

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Electric Guitar, AssociatedPerformer - Steve Earle, Acoustic Guitar, Vocals, AssociatedPerformer - Greg Leisz, Mandolin, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Acoustic Guitar, Co-Producer, MainArtist, AssociatedPerformer, ComposerLyricist - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

6
Lake Charles
00:05:27

Charlie Sexton, Dobro, AssociatedPerformer - Rick Rubin, Mixer, StudioPersonnel - JIM SCOTT, Mixer, StudioPersonnel - JIM LAUDERDALE, Vocals, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - Buddy Miller, Electric Guitar, AssociatedPerformer - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

7
Can't Let Go (Album Version)
00:03:28

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Guitar, Electric Guitar, AssociatedPerformer - Randy Weeks, ComposerLyricist - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Co-Producer, Dobro, MainArtist, AssociatedPerformer - ROY BITTAN, Producer, Additional Producer, Recording Engineer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Bo Ramsey, Guitar, Electric Guitar, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

8
I Lost It
00:03:31

Charlie Sexton, Electric Guitar, AssociatedPerformer - Rick Rubin, Mixer, StudioPersonnel - Steve Earle, Acoustic Guitar, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - JIM LAUDERDALE, Vocals, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - Buddy Miller, Electric Guitar, AssociatedPerformer - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

9
Metal Firecracker
00:03:29

Ray Kennedy, Mixer, StudioPersonnel - Michael Smotherman, Hammond B3, AssociatedPerformer - Steve Earle, Acoustic Guitar, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - ROY BITTAN, Producer, Additional Producer, Recording Engineer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Electric Guitar, Vocals, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

10
Greenville
00:03:23

Charlie Sexton, Electric Guitar, AssociatedPerformer - Rick Rubin, Mixer, StudioPersonnel - Emmylou Harris, Vocals, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - Buddy Miller, Guitar, Acoustic Guitar, AssociatedPerformer - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Richard Price, Dobro, AssociatedPerformer - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

11
Still I Long For Your Kiss
00:04:09

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Electric Guitar, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - Buddy Miller, Acoustic Guitar, AssociatedPerformer - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Duane Douglas Jarvis, ComposerLyricist - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

12
Joy
00:04:00

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Electric Guitar, AssociatedPerformer - Steve Earle, Guitar, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - Lucinda Williams, Producer, Co-Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - ROY BITTAN, Producer, Additional Producer, Recording Engineer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Bo Ramsey, Electric Guitar, AssociatedPerformer - Gurf Mortix, Electric Guitar, AssociatedPerformer - John Clambotti, Bass Guitar, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

13
Jackson
00:03:41

Rick Rubin, Mixer, StudioPersonnel - Johnny Lee Schell, Dobro, AssociatedPerformer - Steve Earle, Acoustic Guitar, AssociatedPerformer - JIM SCOTT, Mixer, StudioPersonnel - JIM LAUDERDALE, Vocals, AssociatedPerformer - Lucinda Williams, Producer, Co-Producer, MainArtist, ComposerLyricist - ROY BITTAN, Producer, Accordion, Additional Producer, Recording Engineer, AssociatedPerformer, StudioPersonnel - Twangtrust, Producer - Donald Lindley, Drums, Percussion, AssociatedPerformer - Gurf Mortix, Acoustic Guitar, AssociatedPerformer - John Clambotti, Upright Bass, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

14
Down The Big Road Blues
00:04:07

Lucinda Williams, Producer, MainArtist - Gurf Morlix, Producer - Mattie Delaney, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

15
Out Of Touch
00:03:48

Lucinda Williams, Producer, MainArtist, ComposerLyricist - Gurf Morlix, Producer

℗ 2006 UMG Recordings, Inc.

16
Still I Long For Your Kiss (Alternate Version)
00:05:03

Duane Jarvis, Producer, ComposerLyricist - Tony Brown, Producer - Lucinda Williams, Producer, MainArtist, ComposerLyricist - Duane Douglas Jarvis, ComposerLyricist

℗ 1998 The Island Def Jam Music Group

DISC 2

1
Pineola (WXPN Live At The World Café)
00:04:18

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

2
Something About What Happens When We Talk (WXPN Live At The World Café)
00:03:44

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

3
Car Wheels On A Gravel Road (WXPN Live At The World Café)
00:04:42

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

4
Metal Firecracker (WXPN Live At The World Café)
00:03:39

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

5
Right In Time (WXPN Live At The World Café)
00:04:32

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

6
Drunken Angel (WXPN Live At The World Café - W/out Audience)
00:03:27

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

7
Greenville (WXPN Live At The World Café)
00:03:46

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

8
Still I Long For Your Kiss (WXPN Live At The World Café)
00:04:39

Duane Jarvis, ComposerLyricist - Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Duane Douglas Jarvis, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

9
2 Kool 2 Be 4-Gotten (WXPN Live At The World Café)
00:04:53

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

10
Can't Let Go (WXPN Live At The World Café - W/out Audience)
00:03:51

Randy Weeks, ComposerLyricist - Lucinda Williams, Vocals, MainArtist, AssociatedPerformer

℗ 2006 UMG Recordings, Inc.

11
Hot Blood (WXPN Live At The World Café)
00:07:38

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

12
Changed The Locks (WXPN Live At The World Café)
00:04:19

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

13
Joy (WXPN Live At The World Café)
00:06:07

Lucinda Williams, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2006 UMG Recordings, Inc.

Albumbeschreibung

It isn't surprising that Lucinda Williams' level of craft takes time to assemble, but the six-year wait between Sweet Old World and its 1998 follow-up, Car Wheels on a Gravel Road, still raised eyebrows. The delay stemmed both from label difficulties and Williams' meticulous perfectionism, the latter reportedly over a too-produced sound and her own vocals. Listening to the record, one can understand why both might have concerned Williams. Car Wheels is far and away her most produced album to date, which is something of a mixed blessing. Its surfaces are clean and contemporary, with something in the timbres of the instruments (especially the drums) sounding extremely typical of a late-'90s major-label roots-rock album. While that might subtly alter the timeless qualities of Williams' writing, there's also no denying that her sound is punchier and livelier. The production also throws Williams' idiosyncratic voice into sharp relief, to the point where it's noticeably separate from the band. As a result, every inflection and slight tonal alteration is captured, and it would hardly be surprising if Williams did obsess over those small details. But whether or not you miss the earthiness of Car Wheels' predecessors, it's ultimately the material that matters, and Williams' songwriting is as captivating as ever. Intentionally or not, the album's common thread seems to be its strongly grounded sense of place -- specifically, the Deep South, conveyed through images and numerous references to specific towns. Many songs are set, in some way, in the middle or aftermath of not-quite-resolved love affairs, as Williams meditates on the complexities of human passion. Even her simplest songs have more going on under the surface than their poetic structures might indicate. In the end, Car Wheels on a Gravel Road is Williams' third straight winner; although she might not be the most prolific songwriter of the '90s, she's certainly one of the most brilliant.

© Steve Huey /TiVo

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