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Lucile Boulanger|C. P. E. Bach, Graun & Hesse: Trios for Fortepiano & Viola da Gamba

C. P. E. Bach, Graun & Hesse: Trios for Fortepiano & Viola da Gamba

Lucile Boulanger, Arnaud de Pasquale

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The designation "trios" on the cover of this French release may be puzzling to average listeners, inasmuch as only two players are listed, and only one of the works actually involves a trio. The flexibility of instrumentation during this period is a subject under debate, and it is possible that musicians of Carl Philipp Emanuel Bach's time might have arranged multiple, single-line parts for a single keyboard, as the players do here. That produces a rather odd texture in which the keyboard, usually in an accompanimental role in a trio sonata, emerges as a melody instrument. This said, there are some intriguing works here, none more so than the final Sonata in C minor, titled Gespräch zwischen einem Sanguineus und Melancholicus, Wq. 161/1. The title means "Conversation Between a Hopeful Person and a Melancholic One," and the structure of the opening movement reflects that quite ingeniously. The other two composers represented, Johann Gottlieb Graun and (probably) Ludwig Christian Hesse, who never signed his works, are quite obscure, but the virtuoso Graun piece, especially, is worth a look for cellists as well as gambists. The viola da gamba was on its way out by this time, and it doesn't fit with the aesthetic of so-called Empfindsamkeit under which these works can be classed. But somehow the sheer oddness of it all, in the midst of an era of balance and elegance, holds the listener's attention. Beyond the works of the imperfectly understood C.P.E. Bach, the music of the mighty Berlin court of the middle 18th century is almost terra incognita for performers. This release offers at least a way into a fascinating repertory.

© TiVo

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C. P. E. Bach, Graun & Hesse: Trios for Fortepiano & Viola da Gamba

Lucile Boulanger

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Trio à cembalo, viola da gamba e basso in C Major, Wendt 87 (Johann Gottlieb Graun)

1
I. Allegro non molto
00:05:37

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Laurent Stewart, Performer - Johann Gottlieb Graun, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

2
II. Andante
00:05:27

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Laurent Stewart, Performer - Johann Gottlieb Graun, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

3
III. Allegro
00:05:56

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Laurent Stewart, Performer - Johann Gottlieb Graun, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

Sonata per cembalo concertato e violino in D Major, Wq. 71 (Carl Philipp Emanuel Bach)

4
I. Adagio ma non molto (Transcription for viola da gamba)
00:03:16

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

5
II. Allegro (Transcription for viola da gamba)
00:02:34

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

6
III. Adagio (Transcription for viola da gamba)
00:03:40

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

7
IV. Minuetto I - Minuetto II (Transcription for viola da gamba)
00:02:23

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

Sinfonia per 2 violini e basso in A Minor, Wq. 156 (Carl Philipp Emanuel Bach)

8
I. Allegro assai (Transcription for Obbligato Keyboard & viola da gamba)
00:05:38

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

9
II. Andantino (Transcription for Obbligato Keyboard & viola da gamba)
00:03:26

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

10
III. La coorl, tempo di minuetto (Transcription for Obbligato Keyboard & viola da gamba)
00:02:19

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

Sonata per viola da gamba e cembalo in D Major, Amalien-Bibliothek 585 (Anonyme)

11
I. Allegretto
00:06:22

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Anonymous, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

12
II. Pocco adagio
00:03:52

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Anonymous, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

13
III. Pocco allegro
00:04:26

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Anonymous, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

Sonata a 2 violini e basso in C Minor, Wq. 161/1 (Carl Philipp Emanuel Bach)

14
I. Allegretto - Presto (Transcription for Obbligato Keyboard & viola da gamba)
00:05:19

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

15
II. Adagio (Transcription for Obbligato Keyboard & viola da gamba)
00:04:12

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

16
III. Allegro (Transcription for Obbligato Keyboard & Viola da gamba)
00:07:09

Lucile Boulanger, Performer - Arnaud De Pasquale, Performer - Carl Philipp Emanuel Bach, Composer

2015 Alpha Classics / Outhere Music France 2014 Alpha Productions

Albumbeschreibung

The designation "trios" on the cover of this French release may be puzzling to average listeners, inasmuch as only two players are listed, and only one of the works actually involves a trio. The flexibility of instrumentation during this period is a subject under debate, and it is possible that musicians of Carl Philipp Emanuel Bach's time might have arranged multiple, single-line parts for a single keyboard, as the players do here. That produces a rather odd texture in which the keyboard, usually in an accompanimental role in a trio sonata, emerges as a melody instrument. This said, there are some intriguing works here, none more so than the final Sonata in C minor, titled Gespräch zwischen einem Sanguineus und Melancholicus, Wq. 161/1. The title means "Conversation Between a Hopeful Person and a Melancholic One," and the structure of the opening movement reflects that quite ingeniously. The other two composers represented, Johann Gottlieb Graun and (probably) Ludwig Christian Hesse, who never signed his works, are quite obscure, but the virtuoso Graun piece, especially, is worth a look for cellists as well as gambists. The viola da gamba was on its way out by this time, and it doesn't fit with the aesthetic of so-called Empfindsamkeit under which these works can be classed. But somehow the sheer oddness of it all, in the midst of an era of balance and elegance, holds the listener's attention. Beyond the works of the imperfectly understood C.P.E. Bach, the music of the mighty Berlin court of the middle 18th century is almost terra incognita for performers. This release offers at least a way into a fascinating repertory.

© TiVo

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