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Stack Waddy|Bugger Off

Bugger Off

Stack Waddy

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If you thought Stack Waddy's debut album was a brute, then their follow-up is positively antisocial. Titled with such a glaring eye for controversy that many U.K. record stores simply refused to stock it (but would the band countenance a name change? Would they hell!), Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers of Zappa's "Willy the Pimp" and the Kinks' "You Really Got Me" might have seemed a little obvious, but both are battered down with such a glorious lack of finesse that it's impossible to object -- anybody familiar with, respectively, Juicy Lucy and the Hammersmith Gorillas' versions of the same songs will come in with at least a vague idea of what to expect, but that's about it. "Hoochie Coochie Man" is even more disheveled, and when John Peel's liner notes reminisce on the group's insistence on recording live, you can tell he's not necessarily looking back with any fondness. On one occasion, he suggested they do a little overdubbing. The band's response to his words would become the album's title.

© Dave Thompson /TiVo

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Bugger Off

Stack Waddy

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1
Rosalyn
00:02:29

Jimmy Duncan, Composer - Stack Waddy, MainArtist - William Farley, Composer

© 2007 Cherry Red ℗ 2019 Cherry Red Records Ltd Cherry Red Records Ltd

2
Willie The Pimp
00:03:58

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

3
Hoochie Coochie Man
00:04:22

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

4
It's All Over Now
00:03:18

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

5
Several Yards (Foxtrot)
00:05:52

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

6
You Really Got Me
00:02:47

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

7
I'm A Lover Not A Fighter
00:02:12

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

8
Meat Pies Ave Come But Band's Not Here Yet
00:05:03

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

9
It Ain't Easy
00:03:50

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

10
Long Tall Shorty (Mainly)
00:03:23

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

11
Repossession Boogie (Version 1)
00:05:33

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

12
Girl From Ipanema
00:01:33

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

13
Mama Keep Your Big Mouth Shut (Version 1)
00:05:21

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

14
Repossession Boogie (Version 2)
00:06:29

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

15
Lawdy Miss Clawdy...Meets Sooty 'N Sweep
00:03:31

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

16
Jack & Jill Meet Blind Pugh On The Spot
00:10:59

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

17
Mama Keep Your Big Mouth Shut (Version 2)
00:03:41

Stack Waddy, MainArtist

© 2007 Cherry Red ℗ 1972 Dandelion Records

Albumbeschreibung

If you thought Stack Waddy's debut album was a brute, then their follow-up is positively antisocial. Titled with such a glaring eye for controversy that many U.K. record stores simply refused to stock it (but would the band countenance a name change? Would they hell!), Bugger Off! picked up where its predecessor left off, and rampaged on from there. Covers of Zappa's "Willy the Pimp" and the Kinks' "You Really Got Me" might have seemed a little obvious, but both are battered down with such a glorious lack of finesse that it's impossible to object -- anybody familiar with, respectively, Juicy Lucy and the Hammersmith Gorillas' versions of the same songs will come in with at least a vague idea of what to expect, but that's about it. "Hoochie Coochie Man" is even more disheveled, and when John Peel's liner notes reminisce on the group's insistence on recording live, you can tell he's not necessarily looking back with any fondness. On one occasion, he suggested they do a little overdubbing. The band's response to his words would become the album's title.

© Dave Thompson /TiVo

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