Orchestra of the Eighteenth Century - Daniel Reuss Brahms : Ein deutsches Requiem (Live)

Brahms : Ein deutsches Requiem (Live)

Orchestra of the Eighteenth Century - Daniel Reuss

Verschenen op 4 januari 2019 bij Glossa

Hoofdartiest: Daniel Reuss

Genre: Klassiek > Religieuze vocale muziek > Missen, passies, requiems

Inbegrepen: 1 Booklet

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Johannes Brahms’ consolatory Ein deutsches Requiem receives a fresh and considered interpretation from Daniel Reuss and the Orchestra of the Eighteenth Century. This renowned orchestra took the decision – following the death, some years back, of Frans Brüggen – to retain its founder’s dynamic process of alternating concert tours with recordings. And dispensing with the need for having a principal conductor, the orchestra now works with a range of musicians according to the repertoire being performed.
Such a conductor is Daniel Reuss, who is also the artistic director of the Cappella Amsterdam, the choir which has frequently been appearing alongside the orchestra in recent times. A well-received reading of the Beethoven Missa Solemnis involving Reuss and the orchestra was issued by Glossa in 2017 and these musical forces have now turned their attention to Johannes Brahms’ pillar of religious music.
Taped in the Rotterdam De Doelen concert hall this new recording involves Carolyn Sampson (soprano) and André Morsch (baritone) as its two soloists, in a version which attempts, as far as it is possible, to get close – in terms of tonal colours, interpretation and tempi – to Brahms’ original intentions. This extraordinary work, here maintaining a sweeping and moving spirit for some 70 minutes, contains texts from Martin Luther’s German translation of the Bible and, it is thought, was inspired by the loss of both the composer’s mother and also that of Robert Schumann. © Glossa

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Album : 1 album - 7 tracks Totale duur : 01:20:47

    Ein Deutsches Requiem, Op. 45 (Johannes Brahms)
  1. 1 I. Selig sind, die da Leid tragen (Live)

    Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  2. 2 II. Denn alles Fleisch es ist wie Gras (Live)

    Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  3. 3 III. Herr, lehre doch mich (Live)

    André Morsch, Baritone - Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  4. 4 IV. Wie lieblich sind deine Wohnungen (Live)

    Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  5. 5 V. Ihr habt nun Traurigkeit (Live)

    Carolyn Sampson, Soprano - Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  6. 6 VI. Denn wir haben hie keine bleibende Statt (Live)

    André Morsch, Baritone - Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  7. 7 VII. Selig sind die Toten (Live)

    Cappella Amsterdam - Orchestra of the Eighteenth Century - Daniel Reuss, Conductor - Johannes Brahms, Composer Auteursrecht : (C) 2019 Glossa (P) 2019 Glossa

  • Beschrijving van het album
  • Johannes Brahms’ consolatory Ein deutsches Requiem receives a fresh and considered interpretation from Daniel Reuss and the Orchestra of the Eighteenth Century. This renowned orchestra took the decision – following the death, some years back, of Frans Brüggen – to retain its founder’s dynamic process of alternating concert tours with recordings. And dispensing with the need for having a principal conductor, the orchestra now works with a range of musicians according to the repertoire being performed.
    Such a conductor is Daniel Reuss, who is also the artistic director of the Cappella Amsterdam, the choir which has frequently been appearing alongside the orchestra in recent times. A well-received reading of the Beethoven Missa Solemnis involving Reuss and the orchestra was issued by Glossa in 2017 and these musical forces have now turned their attention to Johannes Brahms’ pillar of religious music.
    Taped in the Rotterdam De Doelen concert hall this new recording involves Carolyn Sampson (soprano) and André Morsch (baritone) as its two soloists, in a version which attempts, as far as it is possible, to get close – in terms of tonal colours, interpretation and tempi – to Brahms’ original intentions. This extraordinary work, here maintaining a sweeping and moving spirit for some 70 minutes, contains texts from Martin Luther’s German translation of the Bible and, it is thought, was inspired by the loss of both the composer’s mother and also that of Robert Schumann. © Glossa

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Glossa

Known by many as Spain's most international label, and considered by many to be the world's finest in early music, is based in San Lorenzo de El Escorial, in the mountains near Madrid. Founded in 1992 by the musician brothers José Miguel and Emilio Moreno and directed since 1995 by Carlos Céster, it is a landmark not only on account of its extreme artistic coherence - with great names in early music among its exclusive performers, such as Paolo Pandolfo, La Venexiana, Graindelavoix, the Orchestra of the 18th Century, Le Concert Spirituel, Fabio Bonizzoni, or the Moreno brothers themselves - but also because of its always innovative and exquisite formal proposals, such ...

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