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Joe Louis Walker|Blues Conspiracy: Live On The Legendary Rhythm & Blues Cruise

Blues Conspiracy: Live On The Legendary Rhythm & Blues Cruise

Joe Louis Walker

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The Legendary Rhythm & Blues Cruise is one of those excursions on which a batch of musicians are put on a cruise ship with their fans for a few days of playing on the high seas, which makes it an ideal occasion for a live album packed with guests. Joe Louis Walker, appearing with his regular backup band (Linwood Taylor on second guitar, Kevin Burton on keyboards, Henry Oden on bass, and Jeff Minnieweather on drums), welcomes 18 guests on these 11 tracks, most prominent among them Johnny Winter and Duke Robillard. In fact, his interactions with such fellow guitarists are among the high points on the disc. Walker revisits his own repertoire, dating back to his debut album, Cold Is the Night ("Ten More Shows to Play") and its follow-up, The Gift ("747"), along with tracks from his last couple of records. His is an electric blues sound that, while rooted in tradition, also came along after such blues-rock acts as the Jimi Hendrix Experience and Cream, and there are occasional echoes of that style. It may be that, given the circumstances, the players were inclined to let themselves go a bit more than usual; after all, nobody had to worry about driving home. In any case, the arrangements can be stretched out to the point of being a little loose and ragged, and the singing, while enthusiastic, can be too. Most of that singing is done by Walker himself, and it's possible that he makes a point in a sleeve note of saying the album has no overdubs or fixes as a way of explaining the occasional croakiness in his voice. Such imperfections are more than offset, however, by the enthusiasm with which everybody plays.
© William Ruhlmann /TiVo

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Blues Conspiracy: Live On The Legendary Rhythm & Blues Cruise

Joe Louis Walker

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1
Slow Down "GTO"
00:06:08

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

2
Ain't That Cold
00:05:49

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

3
You're Gonna Make Me Cry
00:08:04

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

4
Eyes Like A Cat
00:05:46

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

5
Ten More Shows To Play
00:05:44

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

6
Born In Chicago
00:05:53

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

7
Sugar Mama
00:11:59

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

8
Tell Me Why
00:07:10

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

9
A Poor Man's Plea
00:05:15

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

10
It's A Shame
00:05:25

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

11
747
00:06:33

Joe Louis Walker, MainArtist

2010 Stony Plain Rights Management 2010 Stony Plain Rights Management

Albumbeschreibung

The Legendary Rhythm & Blues Cruise is one of those excursions on which a batch of musicians are put on a cruise ship with their fans for a few days of playing on the high seas, which makes it an ideal occasion for a live album packed with guests. Joe Louis Walker, appearing with his regular backup band (Linwood Taylor on second guitar, Kevin Burton on keyboards, Henry Oden on bass, and Jeff Minnieweather on drums), welcomes 18 guests on these 11 tracks, most prominent among them Johnny Winter and Duke Robillard. In fact, his interactions with such fellow guitarists are among the high points on the disc. Walker revisits his own repertoire, dating back to his debut album, Cold Is the Night ("Ten More Shows to Play") and its follow-up, The Gift ("747"), along with tracks from his last couple of records. His is an electric blues sound that, while rooted in tradition, also came along after such blues-rock acts as the Jimi Hendrix Experience and Cream, and there are occasional echoes of that style. It may be that, given the circumstances, the players were inclined to let themselves go a bit more than usual; after all, nobody had to worry about driving home. In any case, the arrangements can be stretched out to the point of being a little loose and ragged, and the singing, while enthusiastic, can be too. Most of that singing is done by Walker himself, and it's possible that he makes a point in a sleeve note of saying the album has no overdubs or fixes as a way of explaining the occasional croakiness in his voice. Such imperfections are more than offset, however, by the enthusiasm with which everybody plays.
© William Ruhlmann /TiVo

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