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Leonard Bernstein|Bernstein: Candide Overture & Symphonic Dances from West Side Story; Symphonic Suite from the Film On The Waterfront & Fancy Free Ballet

Bernstein: Candide Overture & Symphonic Dances from West Side Story; Symphonic Suite from the Film On The Waterfront & Fancy Free Ballet

Leonard Bernstein

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Composer Leonard Bernstein's greatest hits, so to speak, all come from the 1940s and 1950s: Fancy Free, Candide, On the Town, and West Side Story. Less well-known, but very closely tied to those works is Bernstein's only film score, for Elia Kazan's On the Waterfront. All of these works represent music that is meant to be combined with another form of performing art to tell a particular story. Even though some of these are humorous and some are serious, a commonality of those stories is that they all revolve around young people maturing in some way. As well as having memorable melodies and a cosmopolitan combination of pop rhythms and symphonic textures, each one of them underscores the complexity and conflict of emotions in a timesless way that strikes a chord with audiences. They have become classic examples of American music. With the exception of Fancy Free, which is the full, if brief ballet, all the works as they appear on this album are concert arrangements made from the original scores by Bernstein. They capture, very succinctly, the essences of the original versions in a way that is as moving as the original. These particular performances also, with Bernstein conducting the New York Philharmonic in the early '60s, seem to have a youthfulness and rawness to them that accentuates the music. In the Symphonic Dances from West Side Story, the cross-rhythms and sharpness of change in mood and texture are clear and immediate. There are spots in the dances from On the Town where the brass or the strings are ever so slightly not together, which adds to the impression of young high spirits. And the drama of the suite from On the Waterfront, sometimes stated with just one or two instruments, is intensely powerful. There is a snap and energy to these performances that is missing from Bernstein's more polished sounding recordings from the late '70s/early '80s. It's not just the performance, but also the sound of the recording that seems to suit the music better also. It's not necessarily a warm sound, and there's is a resonance of distance that is entirely appropriate to the cityscape settings of the stories. Because of their feel and sound and because it's the composer conducting, these seem to have become the definitive versions of these concert works. That, plus the fact that the music is so popular, gives Sony the perfect excuse for the numerous reissues and repackagings of them, like this one.

© TiVo

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Bernstein: Candide Overture & Symphonic Dances from West Side Story; Symphonic Suite from the Film On The Waterfront & Fancy Free Ballet

Leonard Bernstein

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1
Overture to Candide
00:04:10

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) 1964 Sony Music Entertainment

Symphonic Dances (From "West Side Story") (Leonard Bernstein)

2
I. Prologue (Allegro moderato)
00:04:07

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

3
II. Somewhere (Adagio)
00:03:51

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

4
III. Scherzo (Vivace leggiero)
00:01:17

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

5
IV. Mambo (Meno presto)
00:02:14

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

6
V. Cha-Cha, "Maria" (Andantino con grazia)
00:00:58

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

7
VI. Meeting Scene (Meno mosso)
00:00:43

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

8
VII. Fugue, "Cool" (Allegretto)
00:03:03

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

9
VIII. Rumble (Molto allegro)
00:01:51

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

10
IX. Finale (Adagio)
00:02:50

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Irwin Kostal, Orchestrator - Sid Ramin, Orchestrator - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

Symphonic Suite (From the Film "On The Waterfront") (Leonard Bernstein)

11
Andante (with dignity) - Presto barbaro Presto barbaro
00:02:58

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

12
Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
00:02:17

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

13
Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
00:04:52

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

14
Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
00:04:24

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

15
Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
00:02:50

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

16
A tempo
00:02:05

Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - Howard H. Scott, Producer - New York Philharmonic, Performer

(P) 1961 Sony Music Entertainment

Fancy Free Ballet (Leonard Bernstein)

17
I. Enter Three Sailors
00:02:49

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

18
II. Scene at the Bar
00:01:37

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

19
III. Enter Two Girls
00:02:10

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

20
IV. Pas de deux
00:03:22

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

21
V. Competition Scene
00:03:04

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

22
VI. Three Dance Variations: Variation I (Galop)
00:01:21

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

23
Variation II (Waltz)
00:02:23

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

24
Variation III (Danzon)
00:02:36

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

25
VII. Finale
00:04:36

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) Sony BMG Music Entertainment

On the Town (Leonard Bernstein)

26
The Great Lover (Instrumental)
00:01:43

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) 1964 Sony Music Entertainment

27
Lonely Town. Pas de deux (Instrumental)
00:03:23

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) 1964 Sony Music Entertainment

28
Times Square, 1944 (Instrumental)
00:04:38

John McClure, Producer - Leonard Bernstein, Conductor - Leonard Bernstein, Performer - LEONARD BERNSTEIN (1918-1990), Composer - New York Philharmonic, Performer

(P) 1968 Sony Music Entertainment

Albumbeschreibung

Composer Leonard Bernstein's greatest hits, so to speak, all come from the 1940s and 1950s: Fancy Free, Candide, On the Town, and West Side Story. Less well-known, but very closely tied to those works is Bernstein's only film score, for Elia Kazan's On the Waterfront. All of these works represent music that is meant to be combined with another form of performing art to tell a particular story. Even though some of these are humorous and some are serious, a commonality of those stories is that they all revolve around young people maturing in some way. As well as having memorable melodies and a cosmopolitan combination of pop rhythms and symphonic textures, each one of them underscores the complexity and conflict of emotions in a timesless way that strikes a chord with audiences. They have become classic examples of American music. With the exception of Fancy Free, which is the full, if brief ballet, all the works as they appear on this album are concert arrangements made from the original scores by Bernstein. They capture, very succinctly, the essences of the original versions in a way that is as moving as the original. These particular performances also, with Bernstein conducting the New York Philharmonic in the early '60s, seem to have a youthfulness and rawness to them that accentuates the music. In the Symphonic Dances from West Side Story, the cross-rhythms and sharpness of change in mood and texture are clear and immediate. There are spots in the dances from On the Town where the brass or the strings are ever so slightly not together, which adds to the impression of young high spirits. And the drama of the suite from On the Waterfront, sometimes stated with just one or two instruments, is intensely powerful. There is a snap and energy to these performances that is missing from Bernstein's more polished sounding recordings from the late '70s/early '80s. It's not just the performance, but also the sound of the recording that seems to suit the music better also. It's not necessarily a warm sound, and there's is a resonance of distance that is entirely appropriate to the cityscape settings of the stories. Because of their feel and sound and because it's the composer conducting, these seem to have become the definitive versions of these concert works. That, plus the fact that the music is so popular, gives Sony the perfect excuse for the numerous reissues and repackagings of them, like this one.

© TiVo

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