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Philadelphia Virtuosi Chamber Orchestra|Ballet Mecanique / Serenade for String Orchestra

Ballet Mecanique / Serenade for String Orchestra

George Antheil

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The Philadelphia Virtuosi Chamber Orchestra, conducted by founder Daniel Spalding, give George Antheil's once notorious Ballet mécanique an exciting and colorful performance for Naxos here. While this work has lost much of its ability to shock, it is nevertheless an invigorating composition, sounding fresh and impertinent even today. With considerable energy and accuracy, the players present the work's audacious effects with appropriate brusqueness and metallic incisiveness, sparing nothing at the music's explosive end. Using the revised version from 1953, the ensemble here consists of four pianos, two xylophones, glockenspiel, various standard percussion, two electric bells, and the drones of two airplane propellers of different sizes. Antheil's clarified orchestration heightens the clever play of interlocking patterns and the even dispersal of the percussion's sharp timbres. In the course of the piece's rambunctious activity, the overwhelming influence of Stravinsky becomes apparent. The pounding ostinati, dynamic rhythms, cellular melodic material, parallel chord progressions -- even what seem to be a few direct quotations from the Rite of Spring and Petrushka -- all admit the impact the older composer had on Antheil's music. The all-digital sound of this recording is bright and crisp, and the often overlapping sonorities of the cymbals, triangle, and bells are distinctly separated.
© TiVo

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Ballet Mecanique / Serenade for String Orchestra

Philadelphia Virtuosi Chamber Orchestra

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Ballet Mecanique (George Antheil)

1
Ballet Mecanique
00:16:06

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

Serenade No. 1 (George Antheil)

2
I Allegro
00:03:33

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

3
II Andante molto
00:07:35

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

4
III Vivo
00:04:34

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

Symphony for 5 Instruments (George Antheil)

5
I Allegro (2nd Version)
00:05:05

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

6
II Lento (2nd Version)
00:04:19

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

7
III Presto (2nd Version)
00:02:30

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

Concerto for Chamber Orchestra (George Antheil)

8
Concerto for Chamber Orchestra
00:15:37

Philadelphia Virtuosi Chamber Orchestra, Orchestra, MainArtist - Daniel Spalding, Conductor - George Antheil, Composer

(C) 2001 Naxos (P) 2001 Naxos

Albumbeschreibung

The Philadelphia Virtuosi Chamber Orchestra, conducted by founder Daniel Spalding, give George Antheil's once notorious Ballet mécanique an exciting and colorful performance for Naxos here. While this work has lost much of its ability to shock, it is nevertheless an invigorating composition, sounding fresh and impertinent even today. With considerable energy and accuracy, the players present the work's audacious effects with appropriate brusqueness and metallic incisiveness, sparing nothing at the music's explosive end. Using the revised version from 1953, the ensemble here consists of four pianos, two xylophones, glockenspiel, various standard percussion, two electric bells, and the drones of two airplane propellers of different sizes. Antheil's clarified orchestration heightens the clever play of interlocking patterns and the even dispersal of the percussion's sharp timbres. In the course of the piece's rambunctious activity, the overwhelming influence of Stravinsky becomes apparent. The pounding ostinati, dynamic rhythms, cellular melodic material, parallel chord progressions -- even what seem to be a few direct quotations from the Rite of Spring and Petrushka -- all admit the impact the older composer had on Antheil's music. The all-digital sound of this recording is bright and crisp, and the often overlapping sonorities of the cymbals, triangle, and bells are distinctly separated.
© TiVo

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