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Ton Koopman|Bach: Musikales Opfer, BWV 1079

Bach: Musikales Opfer, BWV 1079

Ton Koopman, Amsterdam Baroque Orchestra

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Written by the 62-year-old composer in 1747 for King Frederick II of Prussia, Bach's Musical Offering is challenging, witty, and spiritual, and thus incapable of being exhausted by any one performance. As Ton Koopman and seven members of the Amsterdam Baroque Orchestra demonstrate, there is always something new to be found in the score. In this June 2008 recording, Koopman and his forces are as virtuosic as the best recent recordings and as expressive as the best older recordings. With a tight but relaxed ensemble and an approach that brings out the melody in every countrapuntal line, Koopman and the ABO lean more toward the profound and spiritual than other accounts, and the emotional depths in the trio sonata's Largo have rarely been so abysmal. And yet, there is still plenty of energy in the fast movements, and the Canons' wit is not neglected. Recorded in clear, natural sound, this Musical Offering deserves to be heard by anyone who enjoys the piece.
© TiVo

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Bach: Musikales Opfer, BWV 1079

Ton Koopman

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Ricercar a 3 - Musikales Opfer, BWV 1079 (Johann Sebastian Bach)

1
Ricercar a 3 - Musikales Opfer, BWV 1079
00:05:44

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079 (Johann Sebastian Bach)

2
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 cancrizans
00:02:28

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

3
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 Violini in unisono
00:00:50

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

4
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per Motum contrarium
00:01:26

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

5
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per Augmentationem, contrario Motu
00:01:54

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

6
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2 per Tonos
00:03:25

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

7
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Fuga canonica in Epidiapente
00:02:11

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

8
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon perpetuus super Thema Regium
00:01:43

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

9
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon perpetuus
00:02:01

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

10
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 2
00:01:14

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

11
Thematis Regii Elaborationes Canonicae - Musikales Opfer, BWV 1079: Canon a 4
00:02:48

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079 (Johann Sebastian Bach)

12
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: I. Largo
00:05:52

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

13
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: II. Allegro
00:05:40

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

14
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: III. Andante
00:03:19

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

15
Sonato Sopr' Il Soggetto Reale a Traversa, Violino a Continuo - Musikales Opfer, BWV 1079: IV. Allegro
00:03:08

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

Ricercar a 6 - Musikales Opfer, BWV 1079 (Johann Sebastian Bach)

16
Ricercar a 6 - Musikales Opfer, BWV 1079
00:07:17

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

17
Ricercar a 6 - Musikales Opfer, BWV 1079
00:05:53

Amsterdam Baroque Orchestra, Orchestra - Johann Sebastian Bach, Composer - Ton Koopman, MainArtist

(C) 2009 Challenge Classics (P) 2009 Challenge Classics

Albumbeschreibung

Written by the 62-year-old composer in 1747 for King Frederick II of Prussia, Bach's Musical Offering is challenging, witty, and spiritual, and thus incapable of being exhausted by any one performance. As Ton Koopman and seven members of the Amsterdam Baroque Orchestra demonstrate, there is always something new to be found in the score. In this June 2008 recording, Koopman and his forces are as virtuosic as the best recent recordings and as expressive as the best older recordings. With a tight but relaxed ensemble and an approach that brings out the melody in every countrapuntal line, Koopman and the ABO lean more toward the profound and spiritual than other accounts, and the emotional depths in the trio sonata's Largo have rarely been so abysmal. And yet, there is still plenty of energy in the fast movements, and the Canons' wit is not neglected. Recorded in clear, natural sound, this Musical Offering deserves to be heard by anyone who enjoys the piece.
© TiVo

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