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Bill Evans|At The Montreux Jazz Festival

At The Montreux Jazz Festival

Bill Evans

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Bill Evans' 1968 release, At the Montreux Jazz Festival, marks the beginning of stylistic changes for the legendary pianist. Only one year earlier, his At Town Hall release found his approach generally more introspective and brooding. In contrast, this set is more lively, playful, and experimental. Much of this is down to the active and intense drumming of Jack DeJohnette, who had joined the trio only a short time before this concert was recorded; longtime bandmate Eddie Gomez is also featured on this album. His energetic soloing adds veracity to tunes such as "Embraceable You" and "A Sleeping Bee." DeJohnette, too, is given several opportunities to display his drumming skills. His lengthy solo on "Nardis" displays his technical prowess and four-way coordination; such acumen would later cause jazz fans and critics alike to hail DeJohnette as one of the world's premier jazz drummers. Evans, famous for a soft-spoken pianistic touch, seems driven to new vistas on this album. He experiments more with harmonic dissonance and striking rhythmical contrasts, making this his most extroverted playing since his freshman release, New Jazz Conceptions.

© TiVo

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At The Montreux Jazz Festival

Bill Evans

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1
Introduction / One For Helen (Live At The Montreux Jazz Festival, 1968)
00:05:21

Bill Evans, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Jack DeJohnette, Drums, AssociatedPerformer - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

2
A Sleeping Bee (Live At The Montreux Jazz Festival, 1968)
00:06:05

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - Harold Arlen, ComposerLyricist - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

3
Mother Of Earl (Live At The Montreux Jazz Festival, 1968)
00:05:14

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Earl Zindars, ComposerLyricist - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

4
Nardis (Live At The Montreux Jazz Festival, 1968)
00:08:23

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - Miles Davis, Composer - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

5
I Loves You Porgy (Live At The Montreux Jazz Festival, 1968)
00:06:00

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - George Gershwin, Composer - Ira Gershwin, Author - Dubose Heyward, Author - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

6
The Touch Of Your Lips (Live At The Montreux Jazz Festival, 1968)
00:04:45

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - Ray Noble, ComposerLyricist - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

7
Embraceable You (Live At The Montreux Jazz Festival, 1968)
00:06:45

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

8
Someday My Prince Will Come (Live At The Montreux Jazz Festival, 1968)
00:06:09

Bill Evans, Piano, MainArtist, AssociatedPerformer - Jack DeJohnette, Drums, AssociatedPerformer - HELEN KEANE, Producer - Larry Morey, Author - Frank Churchill, Composer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

9
Walkin' Up (Live At The Montreux Jazz Festival, 1968)
00:03:45

Bill Evans, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Jack DeJohnette, Drums, AssociatedPerformer - HELEN KEANE, Producer - Eddie Gomez, Bass Guitar, AssociatedPerformer - Val Valentin, Engineer, StudioPersonnel - Bob Schwarz, Editor, Remixer, StudioPersonnel - Pierre Granjean, Engineer, StudioPersonnel - Jean-Claude Martin, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

10
Quiet Now (Live At The Montreux Jazz Festival, 1968)
00:06:25

Bill Evans, Piano, MainArtist, AssociatedPerformer - HELEN KEANE, Producer - DENNY ZEITLIN, ComposerLyricist

℗ 1968 The Verve Music Group, a Division of UMG Recordings, Inc.

Albumbeschreibung

Bill Evans' 1968 release, At the Montreux Jazz Festival, marks the beginning of stylistic changes for the legendary pianist. Only one year earlier, his At Town Hall release found his approach generally more introspective and brooding. In contrast, this set is more lively, playful, and experimental. Much of this is down to the active and intense drumming of Jack DeJohnette, who had joined the trio only a short time before this concert was recorded; longtime bandmate Eddie Gomez is also featured on this album. His energetic soloing adds veracity to tunes such as "Embraceable You" and "A Sleeping Bee." DeJohnette, too, is given several opportunities to display his drumming skills. His lengthy solo on "Nardis" displays his technical prowess and four-way coordination; such acumen would later cause jazz fans and critics alike to hail DeJohnette as one of the world's premier jazz drummers. Evans, famous for a soft-spoken pianistic touch, seems driven to new vistas on this album. He experiments more with harmonic dissonance and striking rhythmical contrasts, making this his most extroverted playing since his freshman release, New Jazz Conceptions.

© TiVo

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