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Various Artists|Adagio pour cordes - Concerto pour violon - Knoxville

Adagio pour cordes - Concerto pour violon - Knoxville

Samuel Barber

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Listeners who know the music of American composer Samuel Barber well may already have their favorite recordings of many of the works on this EMI disc. Who can forget Isaac Stern and Leonard Bernstein's inspired 1964 account of the Violin Concerto or Thomas Schippers and the New York Philharmonic's blazing 1965 readings of the Adagio for Strings and Medea's Meditation and Dance of Vengeance? But as a single-disc introduction for those unfamiliar with Barber, this collection will do just fine. Essentially, it is Leonard Slatkin and the Saint Louis Symphony Orchestra's 1988 disc of Barber's six best-known single-movement orchestral works with two of the Essays for Orchestra dropped to make room for Slatkin and the Saint Louis' 1986 recording of the Violin Concerto with Elmar Oliveira, and Barbara Hendricks and Michael Tilson Thomas' 1994 recording of Knoxville: Summer 1915. Slatkin is an energetic Barber conductor emphasizing color and lyricism over form and drama. The Saint Louis is an enthusiastic Barber orchestra that gives the Adagio plenty of juice and the Overture to The School for Scandal considerable verve. Oliveira's graceful technique and warm, focused tone suit the concerto and Hendricks' sumptuous tone and sentimental delivery likewise fit Knoxville. Except for the later Knoxville, EMI's early digital recordings sound is clear but slightly distant. Knoxville, however, is clean, lush, and close.

© TiVo

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Adagio pour cordes - Concerto pour violon - Knoxville

Various Artists

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Adagio pour cordes, op. 11 (Samuel Barber)

1
Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11)
London Symphony Orchestra
00:08:41

Michael Tilson Thomas, MainArtist - Samuel Barber, Composer - London Symphony Orchestra, Orchestra, MainArtist

© 2008 EMI Records Ltd. ℗ 1994 Parlophone Records Limited, a Warner Music Group Company

Knoxville : Summer of 1915 pour soprano & orchestre, op. 24 (Samuel Barber)

2
Summer of 1915, Op. 24
Barbara Hendricks
00:15:45

Michael Tilson Thomas, Conductor, MainArtist - David Groves, Producer - Barbara Hendricks, Soprano Vocals, MainArtist - Samuel Barber, Composer - London Symphony Orchestra, Orchestra

© 2008 EMI Records Ltd. A Warner Classics release, ℗ 1995 Parlophone Records Limited

Concerto pour violon & orchestre, op. 14 (Samuel Barber)

3
Violin Concerto, Op. 14: I. Allegro
Elmar Oliveira
00:10:58

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - Joanna Nickrenz, Producer - Marc Aubort, Producer - St. Louis Symphony Orchestra, Orchestra, MainArtist - Elmar Oliveira, Violin, MainArtist - Elite Records Inc., NYC, Engineer

© 2008 EMI Records Ltd. ℗ 1987 Angel Records. All rights reserved.

4
Violin Concerto, Op. 14: II. Andante
Elmar Oliveira
00:09:27

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - Joanna Nickrenz, Producer - Marc Aubort, Producer - St. Louis Symphony Orchestra, Orchestra, MainArtist - Elmar Oliveira, Violin, MainArtist - Elite Records Inc., NYC, Engineer

© 2008 EMI Records Ltd. ℗ 1987 The copyright in this sound recording is owned by Angel Records.

5
Violin Concerto, Op. 14: III. Presto in moto perpetuo
Elmar Oliveira
00:03:53

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - Joanna Nickrenz, Producer - Marc Aubort, Producer - St. Louis Symphony Orchestra, Orchestra, MainArtist - Elmar Oliveira, Violin, MainArtist - Elite Records Inc., NYC, Engineer

© 2008 EMI Records Ltd. ℗ 1987 The copyright in this sound recording is owned by Angel Records.

Ouverture 'The School for Scandal', op. 5 (Samuel Barber)

6
The School for Scandal, Op. 5
Leonard Slatkin
00:08:29

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - St. Louis Symphony Orchestra, Orchestra, MainArtist

© 2008 EMI Records Ltd. ℗ 1989 Angel Records. All rights reserved.

Essay pour orchestre n° 1, op. 12 (Samuel Barber)

7
Essay for Orchestra No. 1, Op. 12
Leonard Slatkin
00:09:21

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - Joanna Nickrenz, Producer - St. Louis Symphony Orchestra, Orchestra, MainArtist - William Hoekstra, Engineer

© 2008 EMI Records Ltd. ℗ 1989 The copyright in this sound recording in owned by Angel Records.

Medea's meditation and Dance of vengeance, op. 23a (Samuel Barber)

8
Medea's Dance of Vengeance, Op. 23a
Leonard Slatkin
00:13:06

Leonard Slatkin, Conductor, MainArtist - Samuel Barber, Composer - Joanna Nickrenz, Producer - St. Louis Symphony Orchestra, Orchestra, MainArtist - William Hoekstra, Engineer

© 2008 EMI Records Ltd. ℗ 1989 The copyright in this sound recording is owned by Angel Records.

Albumbeschreibung

Listeners who know the music of American composer Samuel Barber well may already have their favorite recordings of many of the works on this EMI disc. Who can forget Isaac Stern and Leonard Bernstein's inspired 1964 account of the Violin Concerto or Thomas Schippers and the New York Philharmonic's blazing 1965 readings of the Adagio for Strings and Medea's Meditation and Dance of Vengeance? But as a single-disc introduction for those unfamiliar with Barber, this collection will do just fine. Essentially, it is Leonard Slatkin and the Saint Louis Symphony Orchestra's 1988 disc of Barber's six best-known single-movement orchestral works with two of the Essays for Orchestra dropped to make room for Slatkin and the Saint Louis' 1986 recording of the Violin Concerto with Elmar Oliveira, and Barbara Hendricks and Michael Tilson Thomas' 1994 recording of Knoxville: Summer 1915. Slatkin is an energetic Barber conductor emphasizing color and lyricism over form and drama. The Saint Louis is an enthusiastic Barber orchestra that gives the Adagio plenty of juice and the Overture to The School for Scandal considerable verve. Oliveira's graceful technique and warm, focused tone suit the concerto and Hendricks' sumptuous tone and sentimental delivery likewise fit Knoxville. Except for the later Knoxville, EMI's early digital recordings sound is clear but slightly distant. Knoxville, however, is clean, lush, and close.

© TiVo

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