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With new drummer Freddy Votel installed behind the kit, the Cows decided to record live in the studio for this release -- completely live -- and the result is a loose and energetic album, rich with the obvious microphone bleeds endemic to such a recording style. The bass mic picks up drum sound, the snare mic picks up some guitar reverb, the room mics pick up everything, and so on. This is a fairly traditional, old fashioned recording method -- setting up the microphones and rolling tape. This is not to say that Whorn isn't without problems; after all, the band peaked during Cunning Stunts and Sexy Pee Story, then opted to explore the more avant territory visited here and on the band's final, massively tweaked Beefheart-meets-Flipper-meets-Chrome opus, Sorry in Pig Minor. But overall, Whorn, with its inventive title, is pure Cows -- loud, noisy, brash, cryptically odd, dense, and wonderfully strange. At times the recording style soars; at others, it sags.
© Patrick Kennedy /TiVo
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Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Cows, MainArtist
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
Album review
With new drummer Freddy Votel installed behind the kit, the Cows decided to record live in the studio for this release -- completely live -- and the result is a loose and energetic album, rich with the obvious microphone bleeds endemic to such a recording style. The bass mic picks up drum sound, the snare mic picks up some guitar reverb, the room mics pick up everything, and so on. This is a fairly traditional, old fashioned recording method -- setting up the microphones and rolling tape. This is not to say that Whorn isn't without problems; after all, the band peaked during Cunning Stunts and Sexy Pee Story, then opted to explore the more avant territory visited here and on the band's final, massively tweaked Beefheart-meets-Flipper-meets-Chrome opus, Sorry in Pig Minor. But overall, Whorn, with its inventive title, is pure Cows -- loud, noisy, brash, cryptically odd, dense, and wonderfully strange. At times the recording style soars; at others, it sags.
© Patrick Kennedy /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:50:34
- Main artists: Cows
- Label: Amphetamine Reptile
- Genre: Pop/Rock Rock Punk / New Wave
(C) 1996 Am Rep Records (P) 1996 Am Rep Records
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