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Everlast|Whitey Ford Sings The Blues

Whitey Ford Sings The Blues

Everlast

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Saying that Everlast showed a great deal of artistic growth between his first and second solo albums would be a understatement. While 1989/1990's Forever Everlasting was a decent, if uneven, debut, Everlast's second solo album, Whitey Ford Sings the Blues is an amazingly eclectic gem that finds him really pushing himself creatively. Between those two albums, Everlast joined and left House of Pain, which evolved into one of the most distinctive rap groups of the 1990s. While Pain's albums thrived on wildness for its own sake, Whitey Ford has a much more introspective and serious tone. Everlast, who was born with a heart defect, was in the process of recording the album when he needed life-saving open-heart surgery; in fact, he was lucky that he was around to see Whitey Ford completed and released. Though not without its share of hardcore b-boy rap, Whitey Ford also finds Everlast playing acoustic guitar, doing some singing, and exploring folk-rock, Memphis soul, and heavy metal. As a singer, Everlast has a relaxed style that sounds a bit like Gil Scott-Heron. "Today (Watch Me Shine)," "Ends," and "What It's Like" venture into Neil Young/Bob Dylan territory, while "Hot to Death" is blistering metal with industrial touches. And the plot thickens -- on "The Letter," he raps over a jazz-influenced piano. Given how rap's hardcore tends to frown on rappers crossing over to rock, it took guts for Everlast to be so diverse. But it's a good thing that he did, for his risk-taking pays off handsomely on this outstanding release.
© Alex Henderson /TiVo

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Whitey Ford Sings The Blues

Everlast

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1
The White Boy Is Back
00:00:44

D. Wimbley, Composer - M. Morales, Composer - Everlast, MainArtist - D.Robinson, Composer - K. Blow, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

2
Money [Dollar Bill]
00:03:14

Everlast, MainArtist - L. Smith, ComposerLyricist - E. Schrody, ComposerLyricist - D. HARPER, ComposerLyricist - Sadat X, FeaturedArtist - D. Reeves, ComposerLyricist - R. SIMMONS, ComposerLyricist - P.Wingfield, ComposerLyricist - D. ROSS, ComposerLyricist - G. Lefleur, ComposerLyricist - J Spicer, ComposerLyricist - J. Jammer, ComposerLyricist - M.Vernon, ComposerLyricist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

3
Ends
00:04:24

Everlast, MainArtist - E Schrody and D Ross, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

4
What It's Like
00:05:04

Everlast, MainArtist - E. Schrody, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

5
Sen Dog
00:00:15

Everlast, MainArtist - E. Schrody, Composer - Gamble, Composer - D. ROSS, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

6
Tired
00:02:22

Everlast, MainArtist - E. Schrody, Composer - J. Gamble, ComposerLyricist - Gamble, Composer - D. ROSS, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

7
Hot To Death
00:03:48

M. Richardson, ComposerLyricist - Everlast, MainArtist - E. Schrody, ComposerLyricist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

8
Painkillers
00:03:23

Everlast, MainArtist - E. Schrody, ComposerLyricist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

9
Prince Paul
00:00:58

C. Martin, ComposerLyricist - K. Elam, ComposerLyricist - D. Barnes, ComposerLyricist - G. Mays, ComposerLyricist - Everlast, MainArtist - E. Schrody, ComposerLyricist - Martin, Composer - Barnes, Composer - Schrody, Composer - E. Swift, ComposerLyricist - Switf, Composer - Elam, Composer - Mays, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

10
Praise The Lord
00:03:05

Everlast, MainArtist - Barnes, Composer - Swift, Composer - Schrody, Composer - Elam, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

11
Today (Watch Me Shine) (feat. Bronx Style Bob)
00:05:02

Everlast, MainArtist - E. Schrody, ComposerLyricist - Bronx Style Bob, FeaturedArtist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

12
Guru
00:00:17

Everlast, MainArtist - E. Schrody, ComposerLyricist - Cornwell, Composer - B. Curtis, ComposerLyricist - Curtis, Composer - Ross, Composer - Schrody, Composer - D. ROSS, ComposerLyricist - R.Cornwell, ComposerLyricist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

13
Death Comes Callin'
00:04:16

Everlast, MainArtist - Curtis, Composer - Ross, Composer - Schrody, Composer - Corwell, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

14
Funky Beat
00:04:03

M. Johnson, ComposerLyricist - J. Owens, ComposerLyricist - Everlast, MainArtist - E. Schrody, ComposerLyricist - D. Murphy, ComposerLyricist - Sadat X, FeaturedArtist - S. Bunch, ComposerLyricist - A. Diaz, ComposerLyricist - D. ROSS, ComposerLyricist - S. Piccarell, ComposerLyricist - Casual, FeaturedArtist

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

15
The Letter
00:02:05

Everlast, MainArtist - E. Schrody, Composer - D. ROSS, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

16
7 Years
00:04:05

Everlast, MainArtist - E. Schrody, Composer - D. ROSS, Composer

1998 Tommy Boy Music, LLC 1998 Tommy Boy Music, LLC

Album review

Saying that Everlast showed a great deal of artistic growth between his first and second solo albums would be a understatement. While 1989/1990's Forever Everlasting was a decent, if uneven, debut, Everlast's second solo album, Whitey Ford Sings the Blues is an amazingly eclectic gem that finds him really pushing himself creatively. Between those two albums, Everlast joined and left House of Pain, which evolved into one of the most distinctive rap groups of the 1990s. While Pain's albums thrived on wildness for its own sake, Whitey Ford has a much more introspective and serious tone. Everlast, who was born with a heart defect, was in the process of recording the album when he needed life-saving open-heart surgery; in fact, he was lucky that he was around to see Whitey Ford completed and released. Though not without its share of hardcore b-boy rap, Whitey Ford also finds Everlast playing acoustic guitar, doing some singing, and exploring folk-rock, Memphis soul, and heavy metal. As a singer, Everlast has a relaxed style that sounds a bit like Gil Scott-Heron. "Today (Watch Me Shine)," "Ends," and "What It's Like" venture into Neil Young/Bob Dylan territory, while "Hot to Death" is blistering metal with industrial touches. And the plot thickens -- on "The Letter," he raps over a jazz-influenced piano. Given how rap's hardcore tends to frown on rappers crossing over to rock, it took guts for Everlast to be so diverse. But it's a good thing that he did, for his risk-taking pays off handsomely on this outstanding release.
© Alex Henderson /TiVo

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