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Anna Ternheim|The Night Visitor

The Night Visitor

Anna Ternheim

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To say that Swedish singer/songwriter Anna Ternheim found a sympathetic figure for collaboration in Matt Sweeney turned out to be an understatement, given that their resulting effort, The Night Visitor, with Sweeney handling production and arrangements at a series of Nashville sessions, is one strikingly enjoyable listen. The realm of stately country/Americana productions, from Lee Hazlewood and the Band to the Walkabouts and beyond, is a pretty long and storied one, and The Night Visitor fits well within that tradition, but Ternheim's enjoyable singing and the appropriately moody though by no means constantly downbeat music result in a series of strong, well-sequenced songs. "Solitary Move" kicks things off with hushed, stark chamber pop with steady acoustic guitar and swirling textures, down to lovely filigrees on the concluding break, a sense of cryptic melodrama that rarely leaves the record. A song like "All Shadows" is almost all cryptic melodrama, doing the combination of stinging feedback, distant drums, and string parts very well. Some other notably strong moments include the excellent "Bow Your Head," which takes a statelier, lofty folk stance, sweetly moving the chorus along before a bit of a quieter rock snarl breaks in a further verse, and the gentle "Walking Aimlessly," quicker and a little more freewheeling, reflecting the title just enough. "Ghost of a Man" is much more hushed and focused in contrast, with swift but still genteel acoustic guitar leading the way, while the fiddle on "Lorelie-Marie" and the accordion on "What Remains?" add to the sense of place and history being invoked throughout without feeling like museum pieces of authenticity as fetish.

© Ned Raggett /TiVo

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The Night Visitor

Anna Ternheim

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1
Solitary Move
00:03:52

Peter Townsend, Percussion, AssociatedPerformer - Matt Sweeney, Producer, Acoustic Guitar, Electric Guitar, Bass, AssociatedPerformer - Dan Dugmore, Pedal Steel, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

2
The Longer The Waiting (The Sweeter The Kiss)
00:03:49

Roger Cook, ComposerLyricist - Pat McLaughlin, ComposerLyricist - Matt Sweeney, Producer, Electric Guitar, AssociatedPerformer - Joey Miskulin, Accordion, AssociatedPerformer - Kenny Malone, Drum, AssociatedPerformer - Seth Morton, Assistant Mixer, StudioPersonnel - Sean Sullivan, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Anna Ternheim, Vocals, MainArtist, AssociatedPerformer - David Ferguson, Mixer, Acoustic Guitar, Vocals, FeaturedArtist, AssociatedPerformer, StudioPersonnel

℗ 2011 Only Records Ternheim AB

3
Lorelie-Marie
00:04:25

Tim O'Brien, Violin, AssociatedPerformer - Pat McLaughlin, Bass, AssociatedPerformer - Matt Sweeney, Producer, Electric Guitar, Bass, Electric 6-String, Background Vocalist, AssociatedPerformer - Kenny Malone, Drums, AssociatedPerformer - Pat McInerney, Percussion, AssociatedPerformer - Seth Morton, Assistant Mixer, StudioPersonnel - Sean Sullivan, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Acoustic Guitar, Tambourine, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

4
Ghost Of A Man
00:03:44

Matt Sweeney, Producer, Acoustic Guitar, Electric Guitar, Bass, AssociatedPerformer - Kenny Malone, Drum, AssociatedPerformer - Seth Morton, Assistant Mixer, StudioPersonnel - Sean Sullivan, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

5
What Remains?
00:03:33

Matt Sweeney, Producer, Nylon-String Guitar, AssociatedPerformer - Joey Miskulin, Accordion, AssociatedPerformer - John Catchings, Cello, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

6
Bow Your Head
00:05:22

Peter Townsend, Drums, Percussion, AssociatedPerformer - Matt Sweeney, Producer, Acoustic Guitar, Electric Guitar, AssociatedPerformer - John Catchings, Cello, AssociatedPerformer - Ronnie McCoury, Mandolin, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, Bass, AssociatedPerformer, StudioPersonnel - Will Oldham, Asst. Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

7
Walking Aimlessly
00:03:52

Jack Clement, Guitar, AssociatedPerformer - Peter Townsend, Drums, AssociatedPerformer - Matt Sweeney, Producer, Acoustic Guitar, Background Vocalist, AssociatedPerformer - Dan Dugmore, Pedal Steel, AssociatedPerformer - Kenny Malone, Drum, AssociatedPerformer - Ronnie McCoury, Mandolin, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, Bass, AssociatedPerformer, StudioPersonnel - Will Oldham, Asst. Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, Bass, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

8
God Don't Know
00:02:24

Matt Sweeney, Producer, Acoustic Guitar, Mandolin, Background Vocalist, AssociatedPerformer - JOHN MOCK, Whistle, AssociatedPerformer - Seth Morton, Assistant Mixer, StudioPersonnel - Sean Sullivan, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Whistle, Background Vocalist, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

9
Black Light Shines
00:04:11

Peter Townsend, Percussion, AssociatedPerformer - Matt Sweeney, Producer, Electric Guitar, Nylon-String Guitar, AssociatedPerformer - Joey Miskulin, Accordion, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

10
All Shadows
00:03:42

Peter Townsend, Percussion, AssociatedPerformer - Matt Sweeney, Producer, Acoustic Guitar, AssociatedPerformer - John Catchings, Cello, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Will Oldham, Asst. Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

11
Come To Bed
00:03:22

Matt Sweeney, Producer, Acoustic Guitar, Bass, AssociatedPerformer - Dan Dugmore, Pedal Steel, AssociatedPerformer - Kenny Malone, Drums, Percussion, AssociatedPerformer - Ronnie McCoury, Mandolin, AssociatedPerformer - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Will Oldham, Asst. Recording Engineer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

12
Dearest Dear
00:03:27

Matt Sweeney, Producer, Arranger, Acoustic Guitar, Work Arranger, AssociatedPerformer - Trad., ComposerLyricist - Sean Sullivan, Asst. Recording Engineer, StudioPersonnel - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Anna Ternheim, Vocals, MainArtist, AssociatedPerformer

℗ 2011 Only Records Ternheim AB

13
Costa Rica
00:03:07

Matt Sweeney, Producer, Acoustic Guitar, Electric Guitar, Bass, Synthesizer, AssociatedPerformer, ComposerLyricist - JOHN MOCK, Flute, Concertina, AssociatedPerformer - Sean Sullivan, Drums, AssociatedPerformer - Dave Ferguson, Mixer, Recording Engineer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

14
Carolina
00:02:48

Matt Sweeney, Producer, Electric Guitar, Bass, Electric 6-String, Background Vocalist, AssociatedPerformer, ComposerLyricist - Kenny Malone, Bells, Drums, Percussion, AssociatedPerformer - Dave Ferguson, Mixer, Tambourine, Recording Engineer, AssociatedPerformer, StudioPersonnel - Anna Ternheim, Acoustic Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2011 Only Records Ternheim AB

Album review

To say that Swedish singer/songwriter Anna Ternheim found a sympathetic figure for collaboration in Matt Sweeney turned out to be an understatement, given that their resulting effort, The Night Visitor, with Sweeney handling production and arrangements at a series of Nashville sessions, is one strikingly enjoyable listen. The realm of stately country/Americana productions, from Lee Hazlewood and the Band to the Walkabouts and beyond, is a pretty long and storied one, and The Night Visitor fits well within that tradition, but Ternheim's enjoyable singing and the appropriately moody though by no means constantly downbeat music result in a series of strong, well-sequenced songs. "Solitary Move" kicks things off with hushed, stark chamber pop with steady acoustic guitar and swirling textures, down to lovely filigrees on the concluding break, a sense of cryptic melodrama that rarely leaves the record. A song like "All Shadows" is almost all cryptic melodrama, doing the combination of stinging feedback, distant drums, and string parts very well. Some other notably strong moments include the excellent "Bow Your Head," which takes a statelier, lofty folk stance, sweetly moving the chorus along before a bit of a quieter rock snarl breaks in a further verse, and the gentle "Walking Aimlessly," quicker and a little more freewheeling, reflecting the title just enough. "Ghost of a Man" is much more hushed and focused in contrast, with swift but still genteel acoustic guitar leading the way, while the fiddle on "Lorelie-Marie" and the accordion on "What Remains?" add to the sense of place and history being invoked throughout without feeling like museum pieces of authenticity as fetish.

© Ned Raggett /TiVo

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