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James Horner|The New World (Original Motion Picture Score)

The New World (Original Motion Picture Score)

James Horner

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For Terrence Malick's THE NEW WORLD, veteran composer/conductor James Horner crafted a gorgeous score that perfectly echoes the renowned director's highly visual, atmospheric style of filmmaking. To accentuate Malick's love of natural beauty--revealed in lingering shots of wildlife and unspoiled landscapes--Horner utilizes subtly swelling horn lines, nuanced string passages, and even the delicate sounds of birdsong. Acclaimed singer Hayley Westenra provides vocals on a number of tracks, most notably the closing song "Listen to the Wind," which was written and produced by Horner and pop guru Glen Ballard. Aside from that final number, though, the soundtrack is predominantly understated, almost to the point of being ambient, marking it as a rarity in the often bombastic realm of Hollywood film scores.

© TiVo

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The New World (Original Motion Picture Score)

James Horner

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1
The New World
00:05:22

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

2
First Landing
00:04:45

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

3
A Flame Within
00:04:05

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

4
An Apparition In The Fields...
00:03:42

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

5
Journey Upriver
00:04:16

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

6
Of The Forest
00:06:55

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

7
Pocahontas And Smith
00:03:41

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

8
Forbidden Corn
00:11:00

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

9
Rolfe Proposes
00:04:31

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

10
Winter Battle
00:08:28

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

11
All Is Lost
00:08:14

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

12
A Dark Cloud Is Forever Lifted
00:09:55

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

13
Listen To The Wind
00:04:35

James Horner, Composer, MainArtist

© 2005 Motion Picture Artwork and Photography © 2005 New Line Productions, Inc. ℗ 2006 Warner Bros. Entertainment Inc.

Album review

For Terrence Malick's THE NEW WORLD, veteran composer/conductor James Horner crafted a gorgeous score that perfectly echoes the renowned director's highly visual, atmospheric style of filmmaking. To accentuate Malick's love of natural beauty--revealed in lingering shots of wildlife and unspoiled landscapes--Horner utilizes subtly swelling horn lines, nuanced string passages, and even the delicate sounds of birdsong. Acclaimed singer Hayley Westenra provides vocals on a number of tracks, most notably the closing song "Listen to the Wind," which was written and produced by Horner and pop guru Glen Ballard. Aside from that final number, though, the soundtrack is predominantly understated, almost to the point of being ambient, marking it as a rarity in the often bombastic realm of Hollywood film scores.

© TiVo

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