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Elvis Costello|Taking Liberties

Taking Liberties

Elvis Costello

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Elvis Costello's early productivity was a bit more than most American rock fans were used to in the one-album-every-18-months 1970s; not only had Costello released four studio albums between 1977 and 1980, there were a number of compilation tracks, EPs, and non-LP B-sides that had found release in Europe but not the United States, while the U.K. editions of This Year's Model and Armed Forces both featured tunes that were stripped from American releases. Soon, import distributors had built a cottage industry out of helping loyal Costello fans complete their collections, and in 1980, Columbia Records, Costello's U.S. label at the time, finally made an effort at closing the gap between his American and European catalogs with Taking Liberties. Compiling 20 songs that had never appeared on a Costello album in the States, Taking Liberties was not only a boon for completists (it tacked on a few otherwise unreleased songs so even the most avid import buyer would get something new), it gave a surprisingly clear picture of the many musical avenues Costello had traveled in his first four years -- hard-edged pop/punk ("Clean Money," "Crawling to the USA"), lean power pop ("Big Tears," "I Don't Want to Go to Chelsea"), tough R&B ("Getting Might Crowded"), country weepers ("Radio Sweetheart," "Stranger in the House"), Tin Pan Alley favorites ("My Funny Valentine"), and a few items that defied any classification but "Elvis Costello" ("Ghost Train," "Hoover Factory"). When Costello's American back catalog was reissued by Rykodisc in the 1990s, the various tracks on Taking Liberties were added to other Costello releases as bonus tracks, and the album went out of print. However, its British counterpart, Ten Bloody Marys & Ten How's Your Fathers (originally compiled as a cassette-only U.K. release to give folks with tape decks access to tracks unreleased in the format), which features many of the same tracks, remains in print in Europe. By the way, fans of the album A Gene Vincent Record Date might find that Gregg Geller's liner notes sound rather familiar.

© Mark Deming /TiVo

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Taking Liberties

Elvis Costello

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1
Clean Money
00:01:58

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1980 Elvis Costello

2
Girls Talk
00:01:57

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1980 Elvis Costello

3
Talking In The Dark
00:01:56

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1980 Elvis Costello

4
Radio Sweetheart
00:02:26

Nick Lowe, Producer - John Mcfee, Guitar, Pedal Steel, AssociatedPerformer - ELVIS COSTELLO, Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Sean Hopper, Organ, Piano, Background Vocalist, AssociatedPerformer - Bazza, Engineer, StudioPersonnel - Johnny Ciambotti, Bass Guitar, AssociatedPerformer - Michael Shine, Drums, AssociatedPerformer

℗ 1977 Elvis Costello

5
Black And White World
00:01:50

ELVIS COSTELLO, Producer, MainArtist, ComposerLyricist

℗ 1980 Elvis Costello

6
Big Tears
00:03:08

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1978 Elvis Costello, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

7
Just A Memory
00:02:17

ELVIS COSTELLO, Producer, MainArtist, ComposerLyricist

℗ 1980 Elvis Costello

8
Night Rally
00:02:43

Nick Lowe, Producer - Dan Hersch, Mastering Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Steve Nieve, Keyboards, AssociatedPerformer - ELVIS COSTELLO, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Roger Bechirian, Engineer, StudioPersonnel - Bruce Thomas, AssociatedPerformer, Bass (Vocal) - Elvis Costello & The Attractions, MainArtist

℗ 1978 Elvis Costello, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

9
Stranger In The House
00:03:01

Nick Lowe, Producer - John Mcfee, Guitar, Pedal Steel, AssociatedPerformer - ELVIS COSTELLO, Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Sean Hopper, Organ, Piano, Background Vocalist, AssociatedPerformer - Bazza, Engineer, StudioPersonnel - Johnny Ciambotti, Bass Guitar, AssociatedPerformer - Michael Shine, Drums, AssociatedPerformer

℗ 1978 Elvis Costello

10
Clowntime Is Over (Version 2)
00:03:44

Nick Lowe, Producer - ELVIS COSTELLO, MainArtist, ComposerLyricist

℗ 1980 Elvis Costello

11
Getting Mighty Crowded
00:02:09

Van McCoy, ComposerLyricist - ELVIS COSTELLO, Producer, MainArtist

℗ 1980 Elvis Costello

12
Hoover Factory
00:01:46

ELVIS COSTELLO, Producer, MainArtist, ComposerLyricist

℗ 2007 Elvis Costello

13
Tiny Steps
00:02:42

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1980 Elvis Costello, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

14
(I Don't Want To Go To) Chelsea
00:03:07

Nick Lowe, Producer - Dan Hersch, Mastering Engineer, StudioPersonnel - Pete Thomas, Drums, AssociatedPerformer - Steve Nieve, Keyboards, AssociatedPerformer - ELVIS COSTELLO, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Roger Bechirian, Engineer, StudioPersonnel - Bruce Thomas, AssociatedPerformer, Bass (Vocal) - Elvis Costello & The Attractions, MainArtist

℗ 1978 Elvis Costello, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

15
Dr. Luther's Assistant
00:03:29

ELVIS COSTELLO, Producer, MainArtist, ComposerLyricist

℗ 1980 Elvis Costello

16
Sunday's Best
00:03:23

Nick Lowe, Producer - Pete Thomas, Drums, AssociatedPerformer - Steve Nieve, Keyboards, AssociatedPerformer - ELVIS COSTELLO, Vocals, AssociatedPerformer, ComposerLyricist - Roger Bechirian, Engineer, StudioPersonnel - Bruce Thomas, Bass Guitar, AssociatedPerformer - Elvis Costello & The Attractions, MainArtist

℗ 1979 Elvis Costello

17
Crawling To The U.S.A.
00:02:53

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1979 Elvis Costello, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

18
Wednesday Week
00:02:03

Nick Lowe, Producer - ELVIS COSTELLO, ComposerLyricist - Elvis Costello & The Attractions, MainArtist

℗ 1980 Elvis Costello

19
My Funny Valentine
00:01:30
20
Ghost Train
00:03:07

ELVIS COSTELLO, Producer, MainArtist, ComposerLyricist

℗ 1980 Elvis Costello

Album review

Elvis Costello's early productivity was a bit more than most American rock fans were used to in the one-album-every-18-months 1970s; not only had Costello released four studio albums between 1977 and 1980, there were a number of compilation tracks, EPs, and non-LP B-sides that had found release in Europe but not the United States, while the U.K. editions of This Year's Model and Armed Forces both featured tunes that were stripped from American releases. Soon, import distributors had built a cottage industry out of helping loyal Costello fans complete their collections, and in 1980, Columbia Records, Costello's U.S. label at the time, finally made an effort at closing the gap between his American and European catalogs with Taking Liberties. Compiling 20 songs that had never appeared on a Costello album in the States, Taking Liberties was not only a boon for completists (it tacked on a few otherwise unreleased songs so even the most avid import buyer would get something new), it gave a surprisingly clear picture of the many musical avenues Costello had traveled in his first four years -- hard-edged pop/punk ("Clean Money," "Crawling to the USA"), lean power pop ("Big Tears," "I Don't Want to Go to Chelsea"), tough R&B ("Getting Might Crowded"), country weepers ("Radio Sweetheart," "Stranger in the House"), Tin Pan Alley favorites ("My Funny Valentine"), and a few items that defied any classification but "Elvis Costello" ("Ghost Train," "Hoover Factory"). When Costello's American back catalog was reissued by Rykodisc in the 1990s, the various tracks on Taking Liberties were added to other Costello releases as bonus tracks, and the album went out of print. However, its British counterpart, Ten Bloody Marys & Ten How's Your Fathers (originally compiled as a cassette-only U.K. release to give folks with tape decks access to tracks unreleased in the format), which features many of the same tracks, remains in print in Europe. By the way, fans of the album A Gene Vincent Record Date might find that Gregg Geller's liner notes sound rather familiar.

© Mark Deming /TiVo

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