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London Symphony Orchestra|Shostakovich Symphony No.5

Shostakovich Symphony No.5

London Symphony Orchestra and Maxim Shostakovich

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This is easily one of the greatest recordings of Shostakovich's Fifth Symphony ever recorded, and the reason is plain: the conductor is the composer's son. Nepotism is not in and of itself a good thing -- one thinks of Beethoven's nephew's ill-starred career as a composer -- but Maxim Shostakovich is a thoroughly trained professional who has both superb baton technique and absolute identification with his father's music. With the virtuoso support of the London Symphony Orchestra, Shostakovich delivers a performance of enormous power and immense restraint, both essential qualities in this work. He fully conveys the opening Moderato's blinding fury, the Scherzo's bitter irony, the Largo's searing pathos, and the Finale's irreducible enmity. There is never a sense the conductor is milking the score, but rather bringing out its core elements. Coupled with a wonderfully effective performance of six excerpts from the film score for The Gadfly, this disc should be heard by anyone who values the composer. Originally recorded in spectacular digital sound for Collins in 1990 and 1991, Alto's remastering appears to be pretty much a straight transfer.
© TiVo

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Shostakovich Symphony No.5

London Symphony Orchestra

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1
The Gadfly, Op. 97a: Overture
London Symphony Orchestra
00:03:10

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

2
The Gadfly, Op. 97a: Folk Feast
London Symphony Orchestra
00:02:31

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

3
The Gadfly, Op. 97a: Barrel Organ Waltz
London Symphony Orchestra
00:02:10

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

4
The Gadfly, Op. 97a: Galop
London Symphony Orchestra
00:01:44

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

5
The Gadfly, Op. 97a: Romance
London Symphony Orchestra
00:06:31

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

6
The Gadfly, Op. 97a: Finale
London Symphony Orchestra
00:03:48

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

7
Symphony No. 5 in D Minor, Op. 47: I. Moderato - Allegro non troppo
Maxim Shostakovich
00:18:59

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

8
Symphony No. 5 in D Minor, Op. 47: II. Allegretto
Maxim Shostakovich
00:05:20

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

9
Symphony No. 5 in D Minor, Op. 47: III. Largo
Maxim Shostakovich
00:17:06

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

10
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo - Allegro
Maxim Shostakovich
00:12:16

Dmitri Shostakovich, Composer - London Symphony Orchestra, MainArtist - Maxim Shostakovich, MainArtist

2010 Musical Concepts 2010 Musical Concepts

Album review

This is easily one of the greatest recordings of Shostakovich's Fifth Symphony ever recorded, and the reason is plain: the conductor is the composer's son. Nepotism is not in and of itself a good thing -- one thinks of Beethoven's nephew's ill-starred career as a composer -- but Maxim Shostakovich is a thoroughly trained professional who has both superb baton technique and absolute identification with his father's music. With the virtuoso support of the London Symphony Orchestra, Shostakovich delivers a performance of enormous power and immense restraint, both essential qualities in this work. He fully conveys the opening Moderato's blinding fury, the Scherzo's bitter irony, the Largo's searing pathos, and the Finale's irreducible enmity. There is never a sense the conductor is milking the score, but rather bringing out its core elements. Coupled with a wonderfully effective performance of six excerpts from the film score for The Gadfly, this disc should be heard by anyone who values the composer. Originally recorded in spectacular digital sound for Collins in 1990 and 1991, Alto's remastering appears to be pretty much a straight transfer.
© TiVo

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