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Franz Schubert|Schubert : Die schöne Müllerin (La Belle meunière)

Schubert : Die schöne Müllerin (La Belle meunière)

Christopher Maltman - Graham Johnson

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Baritone Christopher Maltman's reputation as an exceptionally sensitive and intelligent singer with a warm, supple voice is fully borne out in this recording of Die schöne Müllerin. The same adjectives would apply to his partner at the piano, Graham Johnson. Maltman and Johnson emphasize the dramatic trajectory of the cycle; this protagonist experiences the heights and depths of romantic passion with special intensity. The entire cycle is beautifully shaped and the musicians bring intelligence and nuance to the contour of each song, persuasively conveying the emotional volatility of the young lover. Maltman's richly lyrical voice has a full range of colors that he employs to splendid effect whether in the virile impetuosity of "Ungeduld," or the hushed, grieving half-voice of "Tränenregen," or the crazed desperation of "Eifersucht und Stolz." Each line is intelligently and thoughtfully delineated, but he always manages to sound spontaneous, never careful or studied. Maltman is in absolute control of the music and his delivery sounds effortlessly expressive. The sound quality makes it clear that this is a live recording. The balance is good, and Maltman and Johnson are always clearly audible, but there's an inescapable sense of distance from the listener that's in contrast to the many superb recordings of the cycle that have vivid and immediate sound. The quality of the performances, though, particularly Maltman and Johnson's ability to sweep the listener up in the protagonist's dilemma, make this a version that should interest anyone who loves the songs and is willing to listen past the less-than-stellar acoustic.

© TiVo

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Schubert : Die schöne Müllerin (La Belle meunière)

Franz Schubert

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1
Die schöne Müllerin: Das Wandern
00:02:38

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

2
Die schöne Müllerin: Wohin?
00:02:39

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

3
Die schöne Müllerin: Halt!
00:01:40

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

4
Die schöne Müllerin: Danksagung an den Bach
00:02:09

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

5
Die schöne Müllerin: Am Feierabend
00:02:37

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

6
Die schöne Müllerin: Der Neugierige
00:03:50

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

7
Die schöne Müllerin: Ungeduld
00:02:44

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

8
Die schöne Müllerin: Morgengruß
00:04:12

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

9
Die schöne Müllerin: Des Müllers Blumen
00:03:06

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

10
Die schöne Müllerin: Tränenregen
00:04:26

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

11
Die schöne Müllerin: Mein!
00:02:14

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

12
Die schöne Müllerin: Pause
00:04:13

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

13
Die schöne Müllerin: Mit dem grünen Lautenbande
00:01:57

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

14
Die schöne Müllerin: Der Jäger
00:01:15

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

15
Die schöne Müllerin: Eifersucht und Stolz
00:01:38

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

16
Die schöne Müllerin: Die liebe Farbe
00:03:20

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

17
Die schöne Müllerin: Die böse Farbe
00:02:09

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

18
Die schöne Müllerin: Trockne Blumen
00:03:55

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

19
Die schöne Müllerin: Der Müller und der Bach
00:04:23

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

20
Die schöne Müllerin: Des Baches Wiegenlied
00:07:18

Franz Schubert, Composer - Graham Johnson, MainArtist - Christopher Maltman, MainArtist

(C) 2011 Wigmore Hall Live (P) 2011 Wigmore Hall Trust

Album review

Baritone Christopher Maltman's reputation as an exceptionally sensitive and intelligent singer with a warm, supple voice is fully borne out in this recording of Die schöne Müllerin. The same adjectives would apply to his partner at the piano, Graham Johnson. Maltman and Johnson emphasize the dramatic trajectory of the cycle; this protagonist experiences the heights and depths of romantic passion with special intensity. The entire cycle is beautifully shaped and the musicians bring intelligence and nuance to the contour of each song, persuasively conveying the emotional volatility of the young lover. Maltman's richly lyrical voice has a full range of colors that he employs to splendid effect whether in the virile impetuosity of "Ungeduld," or the hushed, grieving half-voice of "Tränenregen," or the crazed desperation of "Eifersucht und Stolz." Each line is intelligently and thoughtfully delineated, but he always manages to sound spontaneous, never careful or studied. Maltman is in absolute control of the music and his delivery sounds effortlessly expressive. The sound quality makes it clear that this is a live recording. The balance is good, and Maltman and Johnson are always clearly audible, but there's an inescapable sense of distance from the listener that's in contrast to the many superb recordings of the cycle that have vivid and immediate sound. The quality of the performances, though, particularly Maltman and Johnson's ability to sweep the listener up in the protagonist's dilemma, make this a version that should interest anyone who loves the songs and is willing to listen past the less-than-stellar acoustic.

© TiVo

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