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Rita Streich|Rita Streich sings Immortal Melodies

Rita Streich sings Immortal Melodies

Rita Streich, Radio-Symphonie-Orchester Berlin, Kurt Gaebel

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The category of light vocal music by German singers is not large, but this recording may be its historical high point. It was made in 1958, and part of its original Deutsche Grammophon liner notes are reproduced on the inside of the package. The claim of "rare, clear-as-a-bell beauty" for the voice of soprano Rita Streich is justifiable, and the various French and Italian selections are elegant -- you get an idea that the album represents a blast from the past when you notice that the packaging proclaims that the "immortal melodies" contained therein are sung "in Originalsprachen" or original languages. Saint-Saëns' Le rossignol et la rose, track 2, is an especially evocative bit of sheer vocal charm. The meat of the program, however, is in the light German-language pieces of Johann Strauss II. Here the variety of Streich's personality emerges, with lusty hum or coexisting side by side with endearing melancholy or artless beauty. The lack of texts is a problem for those who have no German, but this is the kind of recording that can be enjoyed to an extent without them; one doesn't need a text to appreciate the remarkably relaxed high notes that conclude many of Streich's efforts here. The sound, originally shaped right at the beginning of the time when people sometimes bought Deutsche Grammophon recordings just to experience the latest in German engineering accomplishments, has been beautifully transferred to a digital environment. The venerable Deutsche Grammophon imprint may be a pale shadow of its former self, but its staff has shown praiseworthy imagination in reissuing this long out-of-print recording, which would make a great and probably unexpected gift for any lover of operatic singing.

© TiVo

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Rita Streich sings Immortal Melodies

Rita Streich

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Voices of Spring, Op. 410 (Frühlingsstimmen) (Johann Strauss I)

1
Die Lerche in blaue Höh' entschwebt
00:07:09

Johann Strauss II, Composer - Richard Genée, Author - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Le rossignol et la rose (Camille Saint-Saëns)

2
Saint-Saëns: Le rossignol et la rose - Arr. Kurt Gaebel
00:04:16

CAMILLE SAINT-SAENS, Composer - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, Arranger, Work Arranger, MainArtist - Theodore de Banville, Author - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Lo spazzocamino (Giuseppe Verdi)

3
Verdi: Lo spazzocamino
00:02:52

Giuseppe Verdi, Composer - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, Arranger, Work Arranger, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer - S.M. Maggioni, Author

℗ 1958 Deutsche Grammophon GmbH, Berlin

Jocelyn - opera in 4 Acts - Arr. Kurt Gaebel (Benjamin Godard)

4
Berceuse "Cachés dans cet asile, où Dieu nous a conduits"..."Oh, ne t'éveille pas encore"
00:05:17

Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Armand Silvestre, Author - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Benjamin Godard, Composer - Kurt Gaebel, Conductor, Arranger, Work Arranger, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer - Victor Joseph Capoul, Author

℗ 1958 Deutsche Grammophon GmbH, Berlin

Parla Waltz - Arr. Kurt Gaebel (Luigi Arditi)

5
"Qui nel dubbio non farmi penare"
00:04:15

Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, Arranger, Work Arranger, MainArtist - Luigi Arditi, ComposerLyricist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Die Fledermaus / Act 2 (Richard Genée)

6
"Mein Herr Marquis"
00:03:32

Johann Strauss II, Composer - Richard Genée, Author - Henri Meilhac, Author, Original Text Author - Ludovic Halevy, Author, Original Text Author - RIAS Kammerchor, Choir, MainArtist - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Carl Haffner, Author - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Die Fledermaus / Act 3 (Richard Genée)

7
Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande"
00:04:41

Johann Strauss II, Composer - Richard Genée, Author - Henri Meilhac, Author, Original Text Author - Ludovic Halevy, Author, Original Text Author - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Carl Haffner, Author - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Geschichten aus dem Wienerwald, Op. 325 (Johann Strauss I)

8
"Wenn froh des Lenzes Ruf erschallt"
00:05:07

Johann Strauss II, Composer - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Heinz Schreiter, Arranger, Work Arranger - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer - John Bernhoff, Author

℗ 1958 Deutsche Grammophon GmbH, Berlin

Boccaccio (Franz von Suppé)

9
Hab' ich nur deine Liebe
00:02:38

Richard Genée, Author - Friedrich Zell, Author - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Franz von Suppe, Composer - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Rusalka, Op. 114 / Act 1, B. 203 (Antonín Dvořák)

10
Mesicku na nebi hlubokém
00:05:58

Antonín Dvorák, Composer - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Jaroslav Kvapil, Author - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Dinorah, ou Le pardon de Ploërmel / Act 2 (Giacomo Meyerbeer)

11
Ombra leggera
00:07:52

Michel Carre, Author - Jules Barbier, Author - Giacomo Meyerbeer, Composer - Radio-Symphonie-Orchester Berlin, Orchestra, MainArtist - Rita Streich, Soprano, MainArtist, AssociatedPerformer - Kurt Gaebel, Conductor, MainArtist - Klaus Fischer-Dieskau, Producer, Recording Producer - Harald Baudis, Balance Engineer, StudioPersonnel - Elsa Schiller, Producer, Executive Producer

℗ 1958 Deutsche Grammophon GmbH, Berlin

Album review

The category of light vocal music by German singers is not large, but this recording may be its historical high point. It was made in 1958, and part of its original Deutsche Grammophon liner notes are reproduced on the inside of the package. The claim of "rare, clear-as-a-bell beauty" for the voice of soprano Rita Streich is justifiable, and the various French and Italian selections are elegant -- you get an idea that the album represents a blast from the past when you notice that the packaging proclaims that the "immortal melodies" contained therein are sung "in Originalsprachen" or original languages. Saint-Saëns' Le rossignol et la rose, track 2, is an especially evocative bit of sheer vocal charm. The meat of the program, however, is in the light German-language pieces of Johann Strauss II. Here the variety of Streich's personality emerges, with lusty hum or coexisting side by side with endearing melancholy or artless beauty. The lack of texts is a problem for those who have no German, but this is the kind of recording that can be enjoyed to an extent without them; one doesn't need a text to appreciate the remarkably relaxed high notes that conclude many of Streich's efforts here. The sound, originally shaped right at the beginning of the time when people sometimes bought Deutsche Grammophon recordings just to experience the latest in German engineering accomplishments, has been beautifully transferred to a digital environment. The venerable Deutsche Grammophon imprint may be a pale shadow of its former self, but its staff has shown praiseworthy imagination in reissuing this long out-of-print recording, which would make a great and probably unexpected gift for any lover of operatic singing.

© TiVo

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